docu's

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Renowned cult film director John Waters narrates this quirky exploration of the Salton Sea, the massive Southern California lake that was created by accident a century ago, became a popular desert resort and has since developed into a refuge for a community of oddballs.

Upending the conventional wisdom of why we gain weight and how to lose it, Fed Up unearths a dirty secret of the American food industry-far more of us get sick from what we eat than anyone has previously realized. Filmmaker Stephanie Soechtig and TV journalist Katie Couric lead us through this potent exposé that uncovers why-despite media attention, the public's fascination with appearance, and government policies to combat childhood obesity-generations of American children will now live shorter lives than their parents did.

To many, Don McCullin is the greatest living war photographer, often cited as an inspiration for today's photojournalists. For the first time, McCullin speaks candidly about his three-decade career covering wars and humanitarian disasters on virtually every continent and the photographs that often defined historic moments. From 1969 to 1984, he was the Sunday Times of London's star photographer, where he covered stories from the civil war in Cyprus to the war in Vietnam, from the man-made famine in Biafra to the plight of the homeless in the London of the swinging sixties. Exploring not only McCullin's life and work, but how the ethos of journalism has changed throughout his career, the film is a commentary on the history of photojournalism told through the lens of one of its most acclaimed photographers.

Documentary detailing claims of American/Israeli jointly developed malware Stuxnet being deployed not only to destroy Iranian enrichment centrifuges but also threaten attacks against Iranian civilian infrastructure. Adresses obvious potential blowback of this possibly being deployed against the US by Iran in retaliation.

It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the "Saudi Arabia of natural gas." Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called "fracking"-and suddenly America finds itself on the precipice of becoming an energy superpower.

A documentary that follows former U.S. Labor Secretary Robert Reich as he looks to raise awareness of the country's widening economic gap.

A documentary that looks at pundits-for-hire who present themselves as scientific authorities as they speak about topics like toxic chemicals, pharmaceuticals and climate change.

Wildlife activists in take on poachers in an effort to end illegal ivory trade in Africa.

From the Oscar-winning team behind MAN ON WIRE comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling.

In 1987, Sudan's Muslim government pronounced death to all males in the Christian south: 27,000 boys fled to Ethiopia on foot. In 1991, they were forced to flee to Kenya; 12,000 survived to live in a U.N. camp in Kakuma. Archival footage documents the 1,000 mile flight; we see life in the camp. We follow three young men who repatriate to the U.S. John Bul Dau goes to Syracuse, and by the film's end, becomes a spokesperson for the Lost Boys and Lost Girls of Sudan; Daniel Abol Pach and Panther Bior go to Pittsburgh. All work several jobs, send money back to the camp, search for relatives lost in the civil war, acclimatize to the U.S., seek an education, and miss their homeland.

Jen Senko, a documentary filmmaker, looks at the rise of right-wing media through the lens of her WWII vet father who changed from a life-long, nonpolitical Democrat to an angry, right-wing fanatic after his discovery of talk radio on a lengthened commute to work. In trying to understand how this happened, she not only finds this to be a phenomenon, but also uncovers some of the forces behind it: a plan by Roger Ailes under Nixon to create a media for the GOP; the Lewis Powell Memo, urging business leaders to influence institutions of public opinion - especially the universities - the media and the courts; and under Reagan, the dismantling of the Fairness Doctrine - all of which helped to change the entire country's direction and culture, misinformed millions, divided families and even the country itself.

Despite the advent of science, literature, technology, philosophy, religion, and so on -- none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can't seem to get along, even after thousands and thousands of years.

Strangeness is afoot. Most people don't notice the hundreds of cryptic tiled messages about resurrecting the dead that have been appearing in city streets over the past three decades. But Justin Duerr does. For years, finding an answer to this long-standing urban mystery has been his obsession. He has been collecting clues that the tiler has embedded in the streets of major cities across the U.S. and South America. But as Justin starts piecing together key events of the past he finds a story that is more surreal than he imagined, and one that hits disturbingly close to home.

North Korea, formerly known as the hermit kingdom, is perhaps the largest source of instability as regards world peace. Its border is one of the most militarized in the world. The lack of impartial information, both inside and coming out of the country, is the perfect setting for a propaganda war, which will be analyzed in the film through numerous examples of the surprising way in which information is manipulated, in and about North Korea. Alejandro Cao de Benos, the sole foreigner who works for the DPRK Government, and many locals will show us their vision of the reality in North Korea. The other side of the story will be reflected through interviews to South Korean citizens, human rights advocates, diplomats, propaganda experts, etc.

Serving seven consecutive terms,

In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.

Near Penn Station, next to the Amtrak tracks, squatters have been living for years. Marc Singer goes underground to live with them, and films this "family." A dozen or so men and one woman talk about their lives: horrors of childhood, jail time, losing children, being coke-heads. They scavenge, they've built themselves sturdy one-room shacks; they have pets, cook, chat, argue, give each other haircuts. A bucket is their toilet. Leaky overhead pipes are a source of water for showers. They live in virtual darkness. During the filming, Amtrak gives a 30-day eviction notice.