To Watch

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of jail. He convinces his girlfriend, Corey, to pay with her mother's credit cards, but her mother cancels the cards. Connie learns that Nick has been hospitalized after a fight with an inmate.

Justine, raised as a rigorous vegetarian, arrives as a freshman at the reputable Saint-Exupéry Veterinary School. As she leaves the family home, Justine abruptly moves into a mad new world of strange school traditions and vicious initiation tests, and before long, she must chew over her unshakable herbivorous beliefs. More and more, as Justine descends deeper and deeper into a hidden world of uncharted animalistic tendencies, an unprecedented and equally morbid craving for meat will transform her into a very different being, but now that her corporeal awakening is finally complete, is there a point in denying her hunger for raw flesh?

Eva's a mother trying to piece together her life following an incident caused by her odd child, Kevin. Once a successful writer, she's forced to take whatever comes her way, in spite of the increasingly bizarre and dangerous things Kevin says, or does.

Kept on a short leash through a volatile mixture of indoctrination, misinformation and fear, three grown-up siblings--two sisters and one brother--find themselves confined to their lavish, isolated villa. As a result, holed up in their beautiful, high-walled prison, the siblings rely on their cold, manipulative parents to learn about the ways of the world, taking reality-defying lessons from instructional cassette tapes. And, as the cruel patriarch and his frigid wife deliberately keep their unsuspecting, submissive children in the dark, freedom is nothing but a word. Then, a bad influence in the shape of security guard Christina enters the equation, and suddenly, sweet, baffling temptation threatens years of meticulous mind-programming. Is the grass greener on the other side of the fence? With this in mind, how can an ordinary dogtooth stand in the way of happiness?

It's the late 1980s. Twenty-seven year old Wall Streeter Patrick Bateman travels among a closed network of the proverbial beautiful people, that closed network in only they able to allow others like themselves in in a feeling of superiority. Patrick has a routinized morning regimen to maintain his appearance of attractiveness and fitness. He, like those in his network, are vain, narcissistic, egomaniacal and competitive, always having to one up everyone else in that presentation of oneself, but he, unlike the others, realizes that, for himself, all of these are masks to hide what is truly underneath, someone/something inhuman in nature. In other words, he is comprised of a shell resembling a human that contains only greed and disgust, greed in wanting what others may have, and disgust for those who do not meet his expectations and for himself in not being the first or the best. That disgust ends up manifesting itself in wanting to rid the world of those people, he not seeing them as people but only of those characteristics he wants to rid.

Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS?

In the mid 1990's, 20 French urban dancers join together for a three-day rehearsal in a closed-down boarding school located at the heart of a forest to share one last dance. They then make one last party around a large sangria bowl. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night. If it seems obvious to them that they have been drugged, they neither know by who nor why. And it's soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music. While some feel in paradise, most of them plunge into hell.

Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel.

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

For 10 idyllic years, young Mija (An Seo Hyun) has been caretaker and constant companion to Okja-a massive animal and an even bigger friend-at her home in the mountains of South Korea. But that changes when a family-owned multinational conglomerate Mirando Corporation takes Okja for themselves and transports her to New York, where image obsessed and self-promoting CEO Lucy Mirando (Tilda Swinton) has big plans for Mija's dearest friend. With no particular plan but single-minded in intent, Mija sets out on a rescue mission, but her already daunting journey quickly becomes more complicated when she crosses paths with disparate groups of capitalists, demonstrators and consumers, each battling to control the fate of Okja...while all Mija wants to do is bring her friend home. Deftly blending genres, humor, poignancy and drama, Bong Joon Ho (Snowpiercer, The Host) begins with the gentlest of premises-the bond between man and animal-and ultimately creates a distinct and layered vision of the world that addresses the animal inside us all. Okja is a Plan B Entertainment, Lewis Pictures and Kate Street Picture Company production in association with Netflix.

The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park are all about status, Mrs. Park has a flighty, simpleminded mentality and temperament, which Min tells Ki-woo to feel comfortable in lying to her about his education to get the job. In getting the job, Ki-woo further learns that Mrs. Park is looking for an art therapist for the Parks' adolescent son, Da-song, Ki-woo quickly recommending his professional art therapist friend "Jessica", really Ki-jung who he knows can pull off the scam in being the easiest liar of the four Kims. In Ki-woo also falling for Da-hye, he begins to envision himself in that house, and thus the Kims as a collective start a plan for all the Kims, like Ki-jung using assumed names, to replace existing servants in the Parks' employ in orchestrating reasons for them to be fired. The most difficult to get rid of may be Moon-gwang, the Parks' housekeeper who literally came with the house - she Namgoong's housekeeper when he lived there - and thus knows all the little nooks and crannies of it better than the Parks themselves. The question then becomes how far the Kims can take this scam in their quest to become their version of the Parks.

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods.

From master storyteller

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, Christian invites a grieving Dani to join him and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in the North European land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing.

A World War II satire that follows a lonely German boy named Jojo (

Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void?

As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?