Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.

Based on the novel "Six Days of the Condor" by James Grady and screenplay "Three Days of the Condor" by Lorenzo Semple Jr. and David Rayfiel, CONDOR follows CIA analyst Joe Turner who stumbles onto a plan that threatens the lives of millions. Joe has always been conflicted about his work for the CIA. But when something he's discovered gets his entire office killed, leaving Joe as the only survivor and forcing him to go on the run, the theoretical reservations he's harbored turn into all-too-real moral dilemmas. Under pressure, Joe will be forced to redefine who he is and what he's capable of in order to discover the truth and to stop a plot that threatens the lives of millions.

A group of actors move to Los Angeles to make it big, but end up working as caterers.

Historical reenactments by A-list talent are presented by inebriated storytellers.

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