Burt Farlander and Verona De Tessant are a couple steeped in eccentricity and irregularity but are very much in love. So when they find out that Verona is pregnant they take it in stride. Verona is enjoying pregnancy, Burt is already practicing skills that he believes a good father should have, and they live in the same state as Burt's parents Jerry and Gloria so their child-to-be can have grandparents. But when Burt and Verona go to dinner at his parents', they shake up the younger couple with surprising news: they have decided to move to Antwerp, Belgium. Verona lost her parents when she was relatively young, so she is very much alarmed, but the resilient couple quickly find a way to turn it into a positive: they embark on a search for the exact right place for them to raise their daughter-to-be. They go to every place they can think of, meeting family and friends along the way, with laughter and sadness. This is a road trip the parents-to-be will always remember.

An odd epidemic appears across the globe: people suddenly lose one of their senses. At first, it's an outbreak of loss of smell. It's often presaged by a destructive temper tantrum. In this mix are a scientist and a chef - she's Susan, one of a team trying to understand the epidemic; he's Michael, charming and engaging. Susan and Michael begin a relationship in the middle of increasing chaos, as the loss of other senses plagues more people and as civil authorities try to maintain order. Susan's voice-over reflections provide insight. Is love possible in such a changed world? Can anything make perfect sense?

Bliss is a mind-bending love story following Greg (Owen Wilson) who, after recently being divorced and then fired, meets the mysterious Isabel (Salma Hayek), a woman living on the streets and convinced that the polluted, broken world around them is just a computer simulation. Doubtful at first, Greg eventually discovers there may be some truth to Isabel's wild conspiracy.

Living in denial, the depressed, pill-popping child psychologist, Anna Fox, has holed herself up in her eerily vacant, ill-lit Manhattan brownstone apartment for the past ten long months, separated from her husband and their eight-year-old daughter. While unsuccessfully grappling with agoraphobia and intense panic attacks, suddenly, the Russells move in across the street, and brimming with curiosity, Anna decides to distract attention away from her problems by peeking into the lives of the unsuspecting new tenants. Then, one night, tensions flare, a deadly kitchen knife gleams in the dim light, and before long, someone ends up dead. Has troubled Anna, indeed, witnessed a gruesome scene of blood-stained domestic violence or is her wine-addled mind playing cruel tricks on her?

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