Lance Clayton is a man who has learned to settle. His son, Kyle's an insufferable jerk. Lance is dating Claire, the school's art teacher, but she doesn't want to get serious or even acknowledge publicly they're dating. In the wake of a freak accident, Lance suffers the worst tragedy -- and greatest opportunity of his life. He is suddenly faced with the possibility of all the fame, fortune and popularity he ever dreamed of; if he can only live with the knowledge of how he got it.

In New York City, Susan Weinblatt and Anne Munroe are longtime roommates and friends. Susan is a struggling photographer who wants to get out of the wedding and bar mitzvah racket, those jobs which she primarily gets through her friend, Rabbi Gold, to selling the photographs she wants to take, but she realizes that she has to pay the rent. Anne is an aspiring poet and academic who looks to Susan as her primary guidance. As they move into a new apartment, Anne drops the news that she will not be moving in as she is getting married to her boyfriend, Martin. This news is bittersweet for Susan who is somewhat happy for her friend, but isn't sure if she likes all that Martin now represents to her. Both Susan and Anne will have to make professional and personal adjustments to their new situations, especially in what it means for not having the other as a constant in each their lives. While Anne has a "Martin", Susan has no one currently to replace all that Anne has been in her life. So Susan goes through a series of new professional and personal relationships all in trying to find her way, while the two of them have to decide how and if to maintain their friendship in light of all these changes.

1978 American film directed by Claudia Weill

Kevin Can Fk Himself follows the story of Allison McRoberts (Murphy), a woman we all grew up believing we knew: the prototypical Sitcom Wife. She's beautiful and can take a joke (though she's usually the butt of them). And she's married to a guy who must've won some sort of marriage lottery, because she looks the way she does and he's... funny. But what happens when we follow Allison out of her husband's domain? When she finally wakes up to (and revolts against) the injustices in her life? Kevin Can FK Himself breaks television convention and blends multi-camera comedy with single-camera realism to make us ask, "who and what have we been laughing at all of these years?"

A regular girl, Veronica, tries to survive the social jungle of high school by sticking with the three most popular girls at school who are all called Heather. As she meets a sociopath named JD, her life spirals into a continuous cycle of hate, unintentional murder and indifference, as she exacts revenge on her enemies, also known as her best friends.

46-year-old Jerri Blank is a socially-unaware ex-con junkie alcoholic prostitute. After being released from her latest stint behind bars, Jerri wants to clean up her life and decides the best way is to return to the home and family she left 32 years earlier to embark on her depraved life. When she gets there, her mother has died and her father has married a much-younger woman and fallen into a stress-induced coma in part because she disappeared. She takes the cleaning-up-her-life one step further when her father's doctor tells her that he might emerge from his coma if life could return to the way it was before she left, only better: she must make her father proud. So Jerri returns to Flatpoint High to get her high school diploma. She quickly decides the best way to be the best student possible is to participate in and win the state science fair. In her quest, she gets caught up in the competing agendas of: Principal Onyx Blackman, who needs a winning science fair team so as not to have to return discretionary school board funding, which he obtained through fraud and which he has since misappropriated; science teacher Chuck Noblet, a married born-again-Christian closet homosexual who tries quietly (or not so quietly) to win back the affections of his lover, Geoffrey Jellineck, the sensitive art teacher; and Roger Beekman, the winning teacher of the past nine science fairs whom Blackman brings into Flatpoint as a ringer, much to Noblet's chagrin. Jerri must also also keep her focus on the end goal of her father, which might not be easy for a socially-unaware middle-aged libidinous junkie prostitute who wants to be one of the popular kids, and do it with the big man and the innocent virginal girl on campus.

In current day, Washington Post reporters

If there's one thing this wild group of friends at an all-girls high school has learned, it's how to get what they want! So when word leaks out that their school is about to merge with an all-boys academy, some of the students strike back... devising a hilarious scheme to sabotage the plan get ready for a sidesplitting lesson in laughter, as the girls wage an all-out assault in an outrageous battle of the sexes!

New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute but clumsy date Cindy, two trendy vamps, a loquacious cabby, the man-crazed Hillary, and Elvis Costello. Nearly everybody smokes, and nearly everybody scores. And all get who and what they deserve.

Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family?

Seventh-grade is no fun. Especially for Dawn Weiner when everyone at school calls you 'Dog-Face' or 'Wiener-Dog.' Not to mention if your older brother is 'King of the Nerds' and your younger sister is a cutesy ballerina who gets you in trouble but is your parents' favorite. And that's just the beginning--her life seems to be falling apart when she faces rejection from the older guy in her brother's band that she has a crush on, her parents want to tear down her 'Special People's Club' clubhouse, and her sister is abducted....

Enid and Rebecca after they finish the high school. Both have problems relating to people and they spend their time hanging around and bothering creeps. When they meet Seymour who is a social outsider who loves to collect old 78 records, Enid's life will change forever.

Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death. So far that she gets them (she and two cousins) on a tour with a washed-out glam-rock group and a rising British punk band, radically changes her appearance, attracts a cult following and national media attention. With luck like this, what could go wrong?

The film is a day in the life of a young artist, Jean Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into. He finally manages to sell his painting to a wealthy female admirer, but he's paid by check. Low on cash, he spends the evening wandering from club to club, looking for a beautiful girl he had met earlier, so he'll have a place to spend the night. Downtown 81 not only captures one of the most interesting and lively artists of the twentieth century as he is poised for fame, but it is a slice of life from one of the most exciting periods in American culture, with the emergence of new wave music, new painting, hip hop and graffiti.

A restless and abrasive young woman eschews the affections of a sensitive young portrait artist, preferring to chase punk singers in a misguided desire for fame and fortune in New York's Greenwich Village.

Disillusioned at the thought of taking down another "mark," depressed, low-level hit man Barry Berkman seeks a way out. When the Midwesterner reluctantly travels to Los Angeles to execute a hit on an actor who is bedding a mobster's wife, little does Barry know that the City of Angels may be his sanctuary. He follows his target into acting class and ends up instantly drawn to the community of eager hopefuls, especially dedicated student Sally, who becomes the object of his affection. While Barry wants to start a new life as an actor, his handler, Fuches, has other ideas, and the hit man's criminal past won't let him walk away so easily.

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Danger Captain

2005 documentary film on the rise and fall of the company directed by Alex Gibney

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