Simply the BEST

Daniel is a decent young man, married to Jane, still living at his father's home. When his father dies, it is up to him to organize his funeral. On this painful morning, the suitable grave expression on his face, Daniel is ready to welcome his father's friends and relatives. But preserving the dignity inherent in such circumstances will be a hard task. Particularly with an undertaker who botches his work, the return from the USA of his famous but selfish brother, his cousin's fiancé who has accidentally ingested drugs, the presence a moron who takes advantage of the sad event to win back the heart (or rather the body) of a woman who is about to marry another, of a handicapped old uncle who is also the most unbearable pain in the neck. To cap it all, Daniel notices the presence among the mourners of a mysterious dwarf nobody else seems to know...

This movie is an ensemble comedy in which the romance takes place between the young people of the 1960s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that wanted classical music, and nothing else, on the airwaves. The Count (Philip Seymour Hoffman), a big, brash, American god of the airwaves; Quentin (Bill Nighy), the boss of Radio Rock - a pirate radio station in the middle of the North Sea that's populated by an eclectic crew of rock and roll DJs; Gavin (Rhys Ifans), the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Dave (Nick Frost), an ironic, intelligent, and cruelly funny co-broadcaster; and a fearsome British government official out for blood against the drug takers and lawbreakers of a once-great nation.

Shaun (Simon Pegg) doesn't have a very good day, so he decides to turn his life around by getting his ex to take him back, but he times it for right in the middle of what may be a zombie apocalypse. But for him, it's an opportunity to show everyone he knows how useful he is by saving them all. All he has to do is survive, and get his ex back.

Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts. Even worse, they all want something from him, particularly Frank Herlihy who pesters him into breaking up the impending marriage of his widow Gwen. That puts Pincus squarely in the middle of a triangle with spirited result.

Top London cop PC Nicholas Angel is good. Too good. To stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman, who endlessly questions him on the action lifestyle. Everything seems quiet for Angel until two actors are found decapitated. It is called an accident, but Angel won't accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone while they try to uncover the truth behind the mystery of the apparent "accidents".

20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World's End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind's. Reaching The World's End is the least of their worries.

Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.

Derek Zoolander is VH1's three time male model of the year, but when Hansel wins the award instead, Zoolander's world becomes upside down. His friends disappear, his father is disappointed in him, and he feels that he's not good as a model anymore. But when evil fashion guru Mugatu hires Zoolander, he thinks his life has turned back round again, that is until he finds out that Mugatu has actually brainwashed him to kill the Prime Minister of Malaysia. Can Zoolander and his new friends find out how to prevent the incident before it's too late?

In the decaying steel mill town of Sheffield in Northern England, friends Gaz and Dave, both now unemployed and on the dole after the closure of most of the town's steel mills, steal scrap metal from the closed mills to supplement their meager income, often with Gaz's twelve year old son, Nathan, on the days Gaz has custody. Still, Gaz is behind in child support payments to his ex-wife, Mandy. When Mandy threatens to sue for full custody in that Gaz can't support Nathan in any way, Gaz, seeing the long line up of women clamoring to get in to see a touring Chippendales styled dance troupe, thinks he can solve his financial and thus custody problems by forming his own male exotic dance troupe with some of his fellow un- or underemployed ex-mill workers. In addition to Dave, he has in mind middle-aged Gerald, their former foreman who has not told his spending-happy wife Linda that he has been unemployed for six months, and Lomper, a mild-mannered security guard who they just met in the act of him trying to commit suicide in his depression. The obvious problem is that with the exception of Gerald who knows how to ballroom dance, they are not generally stripper material, either in looks, skill or temperament, with especially slightly overweight Dave having body image issues, he believing his wife, Jean, having a wandering eye because of what he considers his unappealing looks. In an open casting among those at the employment office, they are able to recruit further misfits Horse, an older man who does know the contemporary dances of his era, and younger Guy, who can't dance and can't sing but loves

Set against the backdrop of 1977 Los Angeles, The Nice Guys opens when single father and licensed PI Holland March (Gosling) is hired to investigate the apparent suicide of famous porn star Misty Mountains. As the trail leads him to track down a girl named Amelia (Qualley), he encounters less licensed and less hands-off private eye Jackson Healey (Russell Crowe) and his brass knuckles, both hired by the young hippie. However, the situation takes a turn for the worse when Amelia vanishes and it becomes apparent that March wasn't the only party interested. As both men are forced to team up, they'll have to take on a world filled with eccentric goons, strippers dressed as mermaids and even a possible government conspiracy.

It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna?

About 13 years on from his appearance in the documentary series The Office, a documentary film crew is once again following the life of David Brent. He is now working as a rep for cleaning goods distributor but still harbours dreams of making it big in the music business. Acting on this, he takes three weeks off work and tours with a new-look version of Foregone Conclusion, the band he was in in the 90s (he's the only remaining original member, for various reasons...).

Follow the lives of Viago (Taika Waititi), Deacon (Jonathan Brugh), and Vladislav (Jemaine Clement) - three flatmates who are just trying to get by and overcome life's obstacles-like being immortal vampires who must feast on human blood. Hundreds of years old, the vampires are finding that beyond sunlight catastrophes, hitting the main artery, and not being able to get a sense of their wardrobe without a reflection-modern society has them struggling with the mundane like paying rent, keeping up with the chore wheel, trying to get into nightclubs, and overcoming flatmate conflicts.

The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister's chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don't... well, they can always sack their Director of Communications Judy, who they never liked anyway and who's back home dealing with voters with blocked drains and a man who's angry about a collapsing wall.

When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

Dennis is a clueless and slightly overweight guy, who left his pregnant fiancée five years earlier. Every day, Dennis tries to persuade the woman he loves to accept him back into his life, but everyday he fails. When he discovers that Libby has found a partner in the form of American Whit, frustration grows, and Dennis vows, that for once in his life, he will finish something. This something ends up being a Nike River-run in London. With his friends Gordon and Mr. Ghoshdashtidar by his side, Dennis begins training for the marathon he must finish.

It's 1973 in Cemetery Junction, a Reading suburb. Three working class lads, best friends, are coming of age. Freddie wants to rise above his station, taking a job selling life insurance, wearing a suit and tie. Snork works at the railway station and wants a girlfriend some day. Bruce talks of leaving but seems on track to work at a factory, drink and fight, and become like his dad, in front of the telly with beer on hand; and he's trying the patience of the police officer who gets him out of jams. Freddie's job leads the lads toward a few small changes. He runs across a childhood friend, Julie, his boss's daughter who's engaged to the firm's top seller. Can the lads break out?

London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own problems, not only with Harry, but with a Canadian couple and a half-blind thief named Eirik. Ray hopes he can count on both Chloe and Ken to help him carve out a new life for himself. In the end, Harry, involved in an incident with Jimmy, may have to keep to his own principles.