Series

Katherine Newbury (Dame Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she's accused of being a "woman who hates women", she puts affirmative action on the to-do list, and presto. Molly (Mindy Kaling) is hired as the one woman in Katherine's all-male writers' room. But Molly might be too little, too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she's not merely a diversity hire who's disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career--and possibly effect even bigger change at the same time.

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A 1950's housewife living with her husband in a utopian experimental community begins to worry that his glamorous company may be hiding disturbing secrets.

Alice is convinced to attend an award ceremony in GB. She does not fly hence she is offered to cruise from NY to Southampton, along side two old college friends and her nephew. The journey is a set for the four to talk and re-establish relationships and past differences. There's a fifth person in disguise. Yet the finale reshuffles a set trajectory

House of Gucci is inspired by the family empire behind the Italian fashion house of Gucci. When Patrizia Reggiani (Lady Gaga), an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately...murder.

Based on the runaway bestseller, Where'd You Go, Bernadette is an inspiring comedy about Bernadette Fox "Academy Award winner Cate Blanchett", a loving mom who becomes compelled to reconnect with her creative passions after years of sacrificing herself for her family. Bernadette's leap of faith takes her on an epic adventure that jump-starts her life and leads to her triumphant rediscovery.

All it took was one long, passionate, late-night kiss on the lips to make novelist and mother-of-two Laura suspicious of her career-driven, high-reaching husband, Dean. Now, as the uncomfortable feelings of doubt and mistrust start creeping up on her, fanned by the horrible idea that the love of her life may be cheating on her, Laura reluctantly enlists the help of the impeccably dressed, semi-retired art dealer, Felix: her suave, mischievous, and effortlessly charming philanderer father. But, even though it is sometimes exhausting, we all want to be loved, and amid a persistent writer's block, Felix's innocent flirts with random women, Martini-fuelled lunches, and high-speed car chases in Manhattan's neon-lit streets, Laura needs to know. Is her life falling apart?

Living in denial, the depressed, pill-popping child psychologist, Anna Fox, has holed herself up in her eerily vacant, ill-lit Manhattan brownstone apartment for the past ten long months, separated from her husband and their eight-year-old daughter. While unsuccessfully grappling with agoraphobia and intense panic attacks, suddenly, the Russells move in across the street, and brimming with curiosity, Anna decides to distract attention away from her problems by peeking into the lives of the unsuspecting new tenants. Then, one night, tensions flare, a deadly kitchen knife gleams in the dim light, and before long, someone ends up dead. Has troubled Anna, indeed, witnessed a gruesome scene of blood-stained domestic violence or is her wine-addled mind playing cruel tricks on her?

Career con artist Roy Courtnay (Sir Ian McKellen) can hardly believe his luck when he meets well-to-do widow Betty McLeish (Dame Helen Mirren) on-line. As Betty opens her home and life to him, Roy is surprised to find himself caring about her, turning what should be a cut-and-dry swindle into the most treacherous tightrope walk of his life.

Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic '80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.

Leda is a middle-aged divorcee devoted to her work as an English teacher and to her two children. When her daughters leave home to be with their father in Canada, Leda anticipates a period of loneliness and longing. Instead, slightly embarrassed by the sensation, she feels liberated, as if her life has become lighter, easier. She decides to take a holiday by the sea, in a small coastal town in Greece. But after a few days of calm and quiet, things take a menacing turn. Leda encounters a family whose brash presence proves unsettling, at times even threatening. When a small, seemingly meaningless event occurs, Leda is overwhelmed by memories of the difficult, unconventional choices she made as a mother and their consequences for herself and her family. The seemingly serene tale of a woman's pleasant rediscovery of herself soon becomes the story of a ferocious confrontation with an unsettled past.

A Long Island school superintendent and his assistant are credited with bringing the district unprecedented prestige. Frank is a master of positive messaging, whether before an audience of community leaders or in an office with a concerned student or parent. That changes when a student reporter uncovers an embezzlement scheme of epic proportions, prompting Frank to devise an elaborate cover-up.

Martha and Sean are a Boston couple on the verge of parenthood whose lives change irrevocably when a home birth ends in unimaginable tragedy. Thus begins a yearlong odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother, along with the publicly vilified midwife, whom she must face in court. A deeply personal, searing, and ultimately transcendent story of a woman learning to live alongside her loss.

Follows one day in the life of Jane (Julia Garner), a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant's - making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered.

While stuck at a wedding in Palm Springs, Nyles (Andy Samberg) meets Sarah (Cristin Milioti), the maid of honor and family black sheep. After he rescues her from a disastrous toast, Sarah becomes drawn to Nyles and his offbeat nihilism. But when their impromptu tryst is thwarted by a surreal interruption, Sarah must join Nyles in embracing the idea that nothing really matters, and they begin wreaking spirited havoc on the wedding celebration.

"My plan was to die before the money ran out," says 60-year-old penniless Manhattan socialite Frances Price, but things didn't go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank-who may or may not embody the spirit of Frances's dead husband.

13-year-old New Yorker Theo Decker's life is turned upside-down when his mother is killed in a terrorist attack at the Metropolitan Museum of Art. Confused in the rubble of the tragedy, he steals a priceless piece of art known as The Goldfinch.

Poised with sharklike self-assurance, Marla Grayson is a professional, court-appointed guardian for dozens of elderly wards whose assets she seizes and cunningly bilks through dubious but legal means. It's a well-oiled racket that Marla and her business-partner and lover, Fran, use with brutal efficiency on their latest "cherry," Jennifer Peterson - a wealthy retiree with no living heirs or family. But when their mark turns out to have an equally shady secret of her own and connections to a volatile gangster, Marla is forced to level up in a game only predators can play - one that's neither fair, nor square.