First List

An American idyll infused with sex & adolescent (as well as much adult) longing. I adored every single page of this fast-moving, microsociety-under-a-lens type story which depicts the sexual and schoolboy escapades of two friends in a small Texas town. This is the last time things will be like this, therefore the adjective "Last" in the title. It is exquisite & very fun to get through. Anecdotal power at its height, Larry McMurtry should've won the Pulitzer Prize for this one, perhaps more so than for his behemoth "Lonesome Dove" (gasp!). This is what's great about America, not a Rockwell portrait, not a ride down the Mississippi with Huck. This is on the cusp of modernity, at the stirrings of current globalization: The Story of the Death of The Small American Town.

A sensational bestseller when it appeared in 1986, The Garden of Eden is the last uncompleted novel of Ernest Hemingway, which he worked on intermittently from 1946 until his death in 1961. Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," The Garden of Eden represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).

As a sportswriter, Frank Bascombe makes his living studying people--men, mostly--who live entirely within themselves. This is a condition that Frank himself aspires to. But at thirty-eight, he suffers from incurable dreaminess, occasional pounding of the heart, and the not-too-distant losses of a career, a son, and a marriage. In the course of the Easter week in which Ford's moving novel transpires, Bascombe will end up losing the remnants of his familiar life, though with his spirits still soaring.

A man is severely injured in a mysterious accident, receives an outrageous sum in legal compensation, and has no idea what to do with it.Then, one night, an ordinary sight sets off a series of bizarre visions he can’t quite place.How he goes about bringing his visions to life–and what happens afterward–makes for one of the most riveting, complex, and unusual novels in recent memory. Remainder is about the secret world each of us harbors within, and what might happen if we were granted the power to make it real.

Rabbit, Run is the book that established John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

The magnificent Pulitzer Prize-winning novel of a proud stranger in his native land.He was a young American Indian named Abel, and he lived in two worlds. One was that of his father, wedding him to the rhythm of the seasons, the harsh beauty of the land, the ecstasy of the drug called peyote. The other was the world of the twentieth century, goading him into a compulsive cycle of sexual exploits, dissipation, and disgust. Home from a foreign war, he was a man being torn apart, a man descending into hell.

In this series of interweaving stories, Munro recreates the evolving bond between two women in the course of almost forty years. One is Flo, practical, suspicious of other people's airs, at times dismayingly vulgar. The other is Rose, Flo's stepdaughter, a clumsy, shy girl who somehow leaves the small town she grew up in to achieve her own equivocal success in the larger world.

Eight year-old orphan Beth Harmon is quiet, sullen, and by all appearances unremarkable. That is until she plays her first game of chess. Her senses grow sharper, her thinking clearer, and for the first time in her life she feels herself fully in control. By the age of sixteen, she's competing for the U.S. Open championship. But as she hones her skills on the professional circuit, the stakes get higher, her isolation grows more frightening, and the thought of escape becomes all the more tempting. Engaging and fast-paced, The Queen's Gambit speeds to a conclusion as elegant and satisfying as a mate in four.

“A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This new play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

Raymond Carver’s third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another.  These twelve stories mark a turning point in Carver’s career and “overflow with the danger, excitement, mystery and possibility of life. . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

Javier Marías's A Heart So White chronicles with unnerving insistence the relentless power of the past. Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know. Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence. ("My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.)

"Remember that hope is a good thing, Red, maybe the best of things, and no good thing ever dies."Rita Hayworth and The Shawshank Redemption is subtitled 'Hope Springs Eternal' - and that perfectly sums up the soul of his book. It's hope that keeps you going - even after everything horrible that you can ever imagine has already happened to you, even after life has knocked you down over and over again, even after there seems to be nothing left. Hope is the last thing to die, they say. Andy Dufresne has taken that saying to heart, apparently.The Shawshank Redemption is a prime example of why Stephen King will always remain among my favorite authors. Branded a horror writer, a representative of a genre that is so easy and tempting to altogether judge and dismiss by book snobs lovers¹ (and I have been among them on more than one occasion, I must confess) results in way too frequent overlooking of his captivating storytelling skills and excellent character development that is the driving force behind his stories. His best books - and this is one of them, undeniably - are based on "what if?" approach, and then watching his characters try to find their way out of the "what if?" situation, shaping themselves in the process of writing into fully fleshed figures which are so much more than just the vehicles for necessities of plot development.¹ From Neil Gaiman's interview with King:"I was down here in the supermarket, and this old woman comes around the corner, this old woman – obviously one of the kind of women who says whatever is on her brain. She said, 'I know who you are, you are the horror writer. I don’t read anything that you do, but I respect your right to do it. I just like things more genuine, like that Shawshank Redemption.'And I said, 'I wrote that'. And she said, 'No you didn’t'. And she walked off and went on her way."\ The Shawshank Redemption is the story narrated by Red, a prisoner at the fictional Shawshank prison in Maine, immortalized by Morgan Freeman (what a fitting last name!) in a well-known Frank Darabont screen adaptation of this book. Red tells us the story of his fellow prisoner Andy Dufresne, falsely accused of a murder he did not commit and sentenced to a life behind bars as a result. Andy, a small calm level-headed former banker, who would seem to be destined for the role of perpetual victim in the place where brawn seems to be worth more than brains, where he has met violence and humiliation and senseless brutality from both guards and prisoners. It was a place destined to break Andy's spirit. It's supposed to do that to everyone. That's the point.And yet Andy Dufresne calmly refuses to be broken. Andy so fiercely clings to his humanity, to his hope that he becomes a legend. His demeanor - that of a free man even caged seemingly forever - is what gives hope to others, especially Red, his friend and narrator.\ "So yeah - if you asked me to give you a flat-out answer to the question of whether I'm trying to tell you about a man or a legend that got made up around the man, like a pearl around a little piece of grit - I'd have to say that the answer lies somewhere in between. All I know for sure is that Andy Dufresne wasn't much like me or anyone else I ever knew since I came inside. He brought in five hundred dollars jammed up his back porch, but somehow that graymeat son a bitch managed to bring in something else as well. A sense of his own worth, maybe, or a feeling that he would be the winner in the end... or maybe it was only a sense of freedom, even inside these goddamned gray walls. It was a kind of light he carried around with him."\ Andy Dufresne meticulously and patiently clings to a bit of hope, so irrational and fickle that anyone would have given up. And it's this hope, so inherent to his nature, that allows him to retain his humanity and quiet but undeniable dignity in a place where neither is supposed to exist. Violence, corruption, power, greed, cruelty - Andy goes through it all with his unexpected backbone of steel, allowing all of it to only barely tarnish his amazing resilient spirit, winning his little victories against the system along the way, in his own way brightening the existence of those for whom there'd appear to be little left, patiently fighting his fight to keep little glimpses of humanity in the place where they are rarely seen.\ "Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure."\ I first read this book as a fourteen-year-old teenage cynical know-it-all - and when I got to the end, I cried. Because it hit me then how, despite my teenage sense of invulnerability, the world can be cruel to you for no reason, and sometimes hope is all you have left. Now I'm twice that age, having seen a bit of the life's cruelty that King so frequently alludes to, and I no longer cry at the ending of this book; instead, I marvel with a feeling of sadness and quiet fascination at how aptly he captured the need to keep going despite all odds, even when it appears there is nothing left to live and hope for. Because hope dies last, and sometimes you just need to see it through to the end. And as long as you haven't lost yourself, your inner little sense of worth, there remains something to live and fight for.\ "I find I am excited, so excited I can hardly hold the pencil in my trembling hand. I think it is the excitement that only a free man can feel, a free man starting a long journey whose conclusion is uncertain.I hope Andy is down there.I hope I can make it across the border.I hope to see my friend and shake his hand.I hope the Pacific is as blue as it has been in my dreams.I hope."\

A long-awaited collection of stories--twelve in all--by one of the most exciting writers at work today, the acclaimed author of Who Will Run the Frog Hospital? and Self-Help. Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

Set in late 1980s Europe at the time of the fall of the Berlin Wall, Black Dogs is the intimate story of the crumbling of a marriage, as witnessed by an outsider. Jeremy is the son-in-law of Bernard and June Tremaine, whose union and estrangement began almost simultaneously. Seeking to comprehend how their deep love could be defeated by ideological differences Bernard and June cannot reconcile, Jeremy undertakes writing June's memoirs, only to be led back again and again to one terrifying encouner forty years earlier--a moment that, for June, was as devastating and irreversible in its consequences as the changes sweeping Europe in Jeremy's own time. In a finely crafted, compelling examination of evil and grace, Ian McEwan weaves the sinister reality of civiliation's darkest moods--its black dogs--with the tensions that both create love and destroy it.

In a crumbling, isolated house at the foot of Mount Kanchenjunga in the Himalayas lives an embittered judge who wants only to retire in peace, when his orphaned granddaughter, Sai, arrives on his doorstep. The judge’s cook watches over her distractedly, for his thoughts are often on his son, Biju, who is hopscotching from one gritty New York restaurant to another. Kiran Desai’s brilliant novel, published to huge acclaim, is a story of joy and despair. Her characters face numerous choices that majestically illuminate the consequences of colonialism as it collides with the modern world.

A Great American Novel -- from the author of Borrowed Finery. 'A masterpiece.' Observer 'Inarguably great. Desperate Characters soars above every other work of American realist fiction since the Second World War.' JONATHAN FRANZEN Otto and Sophie Bentwood live childless in a renovated Brooklyn brownstone. The complete works of Goethe line their bookshelf, their stainless steel kitchen is newly installed, and their Mercedes is parked outside. After Sophie is bitten on the hand while trying to feed a half-starved neighbourhood cat, a series of small and ominous disasters begin to plague their lives, revealing the faultlines and fractures in a marriage - and a society - wrenching itself apart. * A scorching portrait of a 1960s New York marriage which opens out into a brilliant examination of the paradoxes of civilisation. * A classic of American literature from a writer championed and brought back into print by many contemporary greats of American lit - Jonathan Franzen, David Foster Wallace, Andrea Barrett etc. * A Paperback Original * From the author of the memoir, Borrowed Finery, one of the NY Times Best Books of 2001 (only 9 chosen in total!) * Published alongside The Widow's Chi

Austerlitz, the internationally acclaimed masterpiece by “one of the most gripping writers imaginable” (The New York Review of Books), is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

A woman describes a series of encounters she has with various people in the ordinary course of her life: an ex she runs into by chance at a public forum, an Airbnb owner unsure how to interact with her guests, a stranger who seeks help comforting his elderly mother, a friend of her youth now hospitalized with terminal cancer. In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences. The narrator orchestrates this chorus of voices for the most part as a passive listener, until one of them makes an extraordinary request, drawing her into an intense and transformative experience of her own.In What Are You Going Through, Nunez brings wisdom, humor, and insight to a novel about human connection and the changing nature of relationships in our times. A surprising story about empathy and the unusual ways one person can help another through hardship, her book offers a moving and provocative portrait of the way we live now.