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The love story of young adults Oliver Barrett IV and Jenny Cavilleri is told. Oliver comes from an extremely well off and old money New England family, the Barrett name which holds much gravitas and which is plastered especially all over Harvard where Oliver is in pre-law. Like those before him, he plans on attending Harvard Law School, which is not an issue in either the school not accepting him or he not wanting to attend. He has an extremely stiff relationship with his parents, especially his father, Oliver Barrett III, who loves his son in the old school way. Jenny, a music student at Radcliffe, comes from a working class Rhode Island background, she working her way through the program before she plans on going to Paris to further her studies. Unlike Oliver's relationship with his father, Jenny has a very casual one with her baker father, who she calls by his given name Phil. When Oliver and Jenny meet, there are immediate fireworks - she always with a quick quip to put him in his place - both of a good and bad kind, but they both quickly come to the realization that they are in love with each other. They have many obstacles to overcome in having a committed relationship, outwardly his father's disapproval of someone like her not being Barrett material being arguably the the biggest. However, other things that happen in the natural course of life and death may trump all.

A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main attraction, Alva Starr. Alva and Owen then try to escape Alva's mother's (Hazel) clutches and the town's revenge.

As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can't get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives - Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger - on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake's office for the first time, he learns that it isn't just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment. Dobisch, Kirkeby, Vanderhoff and Eichelberger are now feeling neglected as Baxter no longer needs their assistance in moving up.

Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story.

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

Karen Wright and Martha Dobie are best friends since college and they own the boarding school Wright and Dobie School for Girls with twenty students. They are working hard as headmistresses and teachers to grow the school and make it profitable. Karen is engaged with the local doctor Joe Cardin, who is the nephew of the powerful and influential Mrs. Amelia Tilford. While the spiteful and liar Mary, who is Amelia's granddaughter and a bad influence to the other girls, is punished by Karen after telling a lie, Martha has an argument with her snoopy aunt Lily Mortar in another room. Lily accuses Martha of being jealous and having an unnatural relationship with Karen. Mary's roommate Rosalie Wells overhears the shouting and tells Mary what Mrs. Mortar had said about her niece. The malicious Mary accuses Karen and Martha of being lesbians to her grandmother and Amelia spreads the gossip to the parents of the students that withdraw them from the school. Karen and Martha lose a lawsuit against Amelia and have their lives destroyed. Further, Karen calls off her engagement with Joe when he asks her if what was said about Martha and she was true. The lie ends in a tragedy.

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy.

In the mid-1800's, the wealthy Sloper family - widowed surgeon Dr. Austin Sloper, his adult daughter Catherine Sloper (Dr. Sloper's only surviving child), and Dr. Sloper's recently widowed sister Lavinia Penniman - live in an opulent house at 16 Washington Square, New York City. They have accrued their wealth largely through Dr. Sloper's hard work. Despite the lessons that Dr. Sloper has paid for in all the social graces for her, Catherine is a plain, simple, awkward and extremely shy woman who spends all her free time alone doing embroidery when she is not doting on her father. Catherine's lack of social charm and beauty - unlike her deceased mother - is obvious to Dr. Sloper, who hopes that Lavinia will act as her guardian in becoming more of a social person, and ultimately as chaperon if Catherine were ever to meet the right man. The first man ever to show Catherine any attention is the handsome Morris Townsend, who she met at a family party. Catherine is initially uncertain as to Morris' intentions, never having been called on before by a gentleman, but she quickly falls in love with him, as he does with her. They plan to be married. Being a romantic, Lavinia does whatever she can to advance their relationship. However, Dr. Sloper does not trust Morris, believing him to be a fortune hunter who is only interested in Catherine for her sizable inheritance. His beliefs are strengthened after a candid discussion with Morris' sister, Mrs. Montgomery. Dr. Sloper does whatever he can to prevent the two from getting married - the entire reason for his disapproval which he does not fully disclose to either Catherine or Morris - including taking Catherine away for an extended European vacation. Ultimately, incidents with both her father and Morris permanently change Catherine's view of life.

The story of unfortunate lovers Cathy (Merle Oberon) and Heathcliff (Sir Laurence Olivier) who, despite a deep affection for one another, are forced by circumstance and prejudice to live their lives apart. Heathcliff and Cathy first meet as children when her father, Mr. Earnshaw (Cecil Kellaway) brings the abandoned boy to live with them. When the old man dies several years later, Cathy's brother, Hindley (Hugh Williams), now the master of the estate, turns Heathcliff out, forcing him to live with the servants and working as a stable boy. The barrier of class comes between them, and she eventually marries a rich neighbor, Edgar Linton (David Niven), at which point, Heathcliff disappears. He returns several years later, now a rich man, but little can be done.

Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright.

It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance.

Benjamin Braddock returns home to California after successfully completing college. He gets a hero's welcome from his parents but Ben isn't quite sure what to do with the rest of his life. He is soon seduced by Mrs. Robinson, the wife of his father's partner, who methodically pursues the inexperienced young man. Soon, they are meeting regularly in hotel rooms. Warned by her to stay away from her daughter Elaine, his father goads him into taking her out on a date. He finds he quite likes Elaine but when she learns he's been having an affair with her own mother, she'll have nothing to do with him. He's smitten however and pursues her.

The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that Katie sees beyond his good looks to find a person with substance who realizes his position in a life as something that does not give him an inherent right to those opportunities. External world events, such as the Spanish Civil War, WWII and the House Un-American Activities investigation, do affect their lives directly, but it is how they deal with these effects personally, largely in relation to personal relationships - such as with Hubbell's long term friends J.J. and Carol Ann, the latter his college girlfriend - that may dictate if Katie and Hubbell are able to make it in the long term as a couple.

In one of her most renowned roles,

Nickie Ferrante's return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they've fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however resulting in misunderstanding and heartbreak and only fate can save their relationship.

Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs, the Minivers' son courts Lady Beldon's granddaughter. A rose is named after Mrs. Miniver and entered in the competition against Lady Beldon's rose.

A chance meeting with his uncle leads to George Eastman (Montgomery Clift) being caught in the middle of two worlds, neither side in which he truly belongs. The son of poor missionaries, his father who has passed away, George met his wealthy paternal uncle Charles Eastman (Herbert Heyes) while George was working as a bellhop in his uncle's hotel in Chicago, Illinois. Wanting a better life for himself, George takes his uncle up on his offer for a placement somewhere in one of the Eastman factories, Charles' want in this offer being for any Eastman to take his proper place in the world. Under the directive of his cousin Earl (Keefe Brasselle), George is placed on the factory assembly line, largely neglected by the Eastmans as a whole. Regardless, George still does see this position as a stepping stone to something better, for which he is willing to work hard to achieve. George, lonely in his new surroundings, breaks the company rule of no fraternizing with fellow employees when he starts to date fellow Eastman assembly line worker Alice Tripp (Shelley Winters). Several months later, Charles, remembering about his nephew, promotes George both professionally and personally. Although uncomfortable in society gatherings, George eventually is befriended by one person in this new world, the beautiful society maiden Angela Vickers (Dame Elizabeth Taylor), who George fell in love with at first sight even before he arrived in town. Angela too falls in love with George, which does not sit well with her parents if only because they know nothing of him. George is caught between his want for prosperity and being with Angela, the woman he truly loves, and his obligations to needy Alice, who learns of his society friends and Angela, who ends up getting pregnant by him, and who uses whatever means in her limited powers to pressure him to do right by her in marrying her.