To Watch

Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Explores the intersection of race and class set against the backdrop of Oakland.

Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self.

Forty-six year old Reverend Ernst Toller is the pastor at the historic First Reformed Church in upstate New York. It is seen as the "tourist" church or the "souvenir shop" (its historical significance partly it being a stop on the underground railroad before the slaves crossed into Canada) by Abundant Life, which owns the church and which operates a modern self-named five thousand seat church overseen by Reverend Joel Jeffers. First Reformed is celebrating its two hundred fiftieth anniversary this year, for which a major event is planned, modest in size only at First Reformed itself although the dignitaries like the governor and mayor will be at attendance there, while the event will be simulcast at Abundant Life. Most of the speech-making will be done by local industrialist Ed Balq, a major benefactor of Abundant Life and who is the major donor for the necessary upgrades at First Reformed to be able to hold the event there, and for the event itself, while Toller's participation will be minimal beyond the introductory sermon. First Reformed is generally a sparsely attended church meaning that Toller doesn't have to do much direct ministering, although he does have the stock answers when asked how God factors into this or that situation in one's life. Toller himself has long been divorced, his marriage which could not survive the death of their son, Joseph, in war. Because of that history, Toller believes he is incapable of human love, despite a brief relationship with Esther, the choir mistress at Abundant Life, she who is arguably still in love with him. Toller is neglecting the warning signs about his poor health, the symptoms pointing to a probable diagnosis of stomach cancer, which is only exacerbated by his largely liquid (i.e. alcohol) diet. Toller is already examining his life and work in writing a daily journal for a year, that journal which he intends no one ever to read, but these issues in Toller's life become more pointed when a new pregnant congregant, Mary, asks him to speak to her husband Michael, who Toller will learn is an environmentalist concerned about bringing another human life into what he already sees as a world doomed because of man's role in climate change.

Lisa Spinelli is a Staten Island teacher who is unusually devoted to her students. When she discovers one of her five-year-olds is a prodigy, she becomes fascinated with the boy, ultimately risking her family and freedom to nurture his talent.

Dwight Evans' lives his life as a beach vagrant. He has no contact with his sister, and his parents were murdered ten years prior. When he gets word that his parents' killer, Wade Cleland, is set to be released from prison, Dwight decides that he has nothing left to lose and sets out on a quest to avenge his parents' deaths. Dwight succeeds in killing Wade, but complications emerge when his botched getaway allows the Cleland family the opportunity to vow revenge.

Against the backdrop of insufferable domestic ennui, the soft-spoken former saleswoman and newlywed housewife, Hunter, is struggling to stretch the bars of her gilded cage, a lavish and immaculate modernist villa in New York, even though she seems to have it all. But, more and more, as sad Hunter tries, unsuccessfully, to meet her controlling family's expectations, compliance turns into submission, obedience transforms into obsession, and pica, a compulsive eating disorder, starts to take over. Now, swallowing non-nutritive objects and engaging in increasingly impossible tasks becomes Hunter's dangerous newfound addiction, and there's no telling how far she'll go to maintain a false and fleeting sense of power. Who can save Hunter from herself?

In the mid 1990's, 20 French urban dancers join together for a three-day rehearsal in a closed-down boarding school located at the heart of a forest to share one last dance. They then make one last party around a large sangria bowl. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night. If it seems obvious to them that they have been drugged, they neither know by who nor why. And it's soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music. While some feel in paradise, most of them plunge into hell.

In suburban Connecticut, upper-class high schooler Amanda (Olivia Cooke) euthanizes her crippled horse with a knife, resulting in charges of animal cruelty. Some time later, Amanda arrives at the home of the more popular and academically-inclined Lily (Anya Taylor-Joy). The girls had previously been best friends but grew apart after the death of Lily's father. They meet under the pretense of hanging out and having a casual tutoring session, but Amanda knows that her mother (Kaili Vernoff) has paid Lily to socialize with Amanda. Lily denies being paid, but Amanda, left emotionless by an unspecified mental disorder, is unfazed. Lily meets with Amanda again, this time voluntarily, and they rekindle their friendship..

From a screenplay by Shia LaBeouf, based on his own experiences, award-winning filmmaker Alma Har'el brings to life a young actor's stormy childhood and early adult years as he struggles to reconcile with his father through cinema and dreams. Fictionalizing his childhood's ascent to stardom, and subsequent adult crash-landing into rehab and recovery, Har'el casts Noah Jupe and Lucas Hedges as Otis Lort, navigating different stages in a frenetic career. LaBeouf takes on the daring and therapeutic challenge of playing a version of his own father, an ex-rodeo clown and a felon. Artist and musician FKA Twigs makes her feature-film debut, playing neighbor and kindred spirit to the younger Otis in their garden-court motel home. Har'el's feature narrative debut is a one-of-a-kind collaboration between filmmaker and subject, exploring art as medicine and imagination as hope.

Balancing between feverish dreamlike hallucinations of a tormented past and a grim disoriented reality, the grizzled Joe--a traumatised Gulf War veteran and now an unflinching hired gun who lives with his frail elderly mother--has just finished yet another successful job. With an infernal reputation of being a brutal man of results, the specialised in recovering missing teens enforcer will embark on a blood-drenched rescue mission, when Nina, the innocent 13-year-old daughter of an ambitious New York senator, never returns home. But amidst half-baked leads and a desperate desire to shake off his shoulders the heavy burden of a personal hell, Joe's frenzied plummet into the depths of Tartarus is inevitable, and every step Joe takes to flee the pain, brings him closer to the horrors of insanity. In the end, what is real, and what is a dream? Can there be a new chapter in Joe's life when he keeps running around in circles?

When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

Two seemingly well-educated young men, who call each other Paul and Peter among other names, approach a family on vacation. They are, apparently, friends of the neighbors, and, at the beginning, their true intentions are not known, but soon, the family is imprisoned and tortured in its own house violently, which the viewers are forced mostly to imagine and to share a certain complicity with the criminals. It might be some kind of game with the lives of husband, wife, son, and dog, but why are they doing it?

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, Christian invites a grieving Dani to join him and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in the North European land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing.

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Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There's Willard Russell, tormented veteran of the carnage in the South Pacific, who can't save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrificial blood he pours on his "prayer log." There's Carl and Sandy Henderson, a husband-and-wife team of serial killers, who troll America's highways searching for suitable models to photograph and exterminate. There's the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte's orphaned son, who grows up to be a good but also violent man in his own right.

A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won't forget.

As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?