To Read

Suddenly confronted with his own mortality after a routine checkup, eminent psychotherapist Julius Hertzfeld is forced to reexamine his life and work -- and seeks out Philip Slate, a sex addict whom he failed to help some twenty years earlier. Yet Philip claims to be cured -- miraculously transformed by the pessimistic teachings of German philosopher Arthur Schopenhauer -- and is, himself, a philosophical counselor in training. Philips dour, misanthropic stance compels Julius to invite Philip to join his intensive therapy group in exchange for tutoring on Schopenhauer. But with mere months left, life may be far too short to help Philip or to compete with him for the hearts and minds of the group members. And then again, it might be just long enough.

Immerse yourself in an electrifying reading experience like no other -- international bestselling author Paulo Coelho's The Fifth Mountain. A stunning novel in the tradition of the highly acclaimed The Alchemist, this is Coelho's daring retelling of the prophet Elijah. During the chaos of the ninth century B.C., Jezebel, wife to Israel's ruler, orders the execution of all prophets who refuse to worship the pagan god Baal. The young prophet Elijah, commanded by an angel of God to flee Israel, seeks safety in the land of Zarephath, where he unexpectedly finds true love with a young widow. But this new-found rapture is to be cut short, and Elijah sees all of his hopes and dreams irrevocably erased. What follows is sure to be viewed as Coelho's literary milestone: the quietly moving account of a man touched by the hand of God who must triumph over his frustrations in a soul-shattering trial of faith. Inspired by a circumstance that forever altered Coelho's own life, The Fifth Mountain is a testament to the truth that tragedy in life should not be considered a punishment but a challenge of the spirit. Gorgeous in its narrative and unforgettable in its prose, The Fifth Mountain teaches without being sanctimonious. This is a timeless story for the ages, a tale of the past that resonates powerfully for today's readers.

In this luminous new novel about love, loss, and the unpredictable power of memory, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, gorgeously written novel among the finest we have had from this masterful writer."

Set in the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart.

The final installment in the long-awaited, internationally celebrated My Struggle series.The full scope and achievement of Karl Ove Knausgaard’s monumental work is evident in this final installment of his My Struggle series. Grappling directly with the consequences of Knausgaard’s transgressive blurring of public and private, Book 6 is a troubling and engrossing look into the mind of one of the most exciting artists of our time. Knausgaard includes a long essay on Hitler and Mein Kampf, particularly relevant (if not prescient) in our current global climate of ascending dictatorships.

In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters — an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. --penguinrandomhouse.comTwo Introductory parables: Before the law --Imperial message --Longer stories: Description of a struggle --Wedding preparations in the country --Judgment --Metamorphosis --In the penal colony --Village schoolmaster (The giant mole) --Blumfeld, and elderly bachelor --Warden of the tomb --Country doctor --Hunter Gracchus --Hunter Gracchus: A fragment --Great Wall of China --News of the building of the wall: A fragment --Report to an academy --Report to an academy: Two fragments --Refusal --Hunger artist --Investigations of a dog --Little woman --The burrow --Josephine the singer, or the mouse folk --Children on a country road --The trees --Clothes --Excursion into the mountains --Rejection --The street window --The tradesman --Absent-minded window-gazing --The way home --Passers-by --On the tram --Reflections for gentlemen-jockeys --The wish to be a red Indian --Unhappiness --Bachelor's ill luck --Unmasking a confidence trickster --The sudden walk --Resolutions --A dream --Up in the gallery --A fratricide --The next village --A visit to a mine --Jackals and Arabs --The bridge --The bucket rider --The new advocate --An old manuscript --The knock at the manor gate --Eleven sons --My neighbor --A crossbreed (A sport) --The cares of a family man --A common confusion --The truth about Sancho Panza --The silence of the sirens --Prometheus --The city coat of arms --Poseidon --Fellowship --At night --The problem of our laws --The conscripton of troops --The test --The vulture --The helmsman --The top --A little fable --Home-coming --First sorrow --The departure --Advocates --The married couple --Give it up! --On parables.

In Just Kids, Patti Smith's first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.

He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

Paris, near the turn of 1933. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking. Pointing to his drink, he says, 'You can make philosophy out of this cocktail!'From this moment of inspiration, Sartre will create his own extraordinary philosophy of real, experienced life–of love and desire, of freedom and being, of cafés and waiters, of friendships and revolutionary fervour. It is a philosophy that will enthral Paris and sweep through the world, leaving its mark on post-war liberation movements, from the student uprisings of 1968 to civil rights pioneers.At the Existentialist Café tells the story of modern existentialism as one of passionate encounters between people, minds and ideas. From the ‘king and queen of existentialism'–Sartre and de Beauvoir–to their wider circle of friends and adversaries including Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Iris Murdoch, this book is an enjoyable and original journey through a captivating intellectual movement. Weaving biography and thought, Sarah Bakewell takes us to the heart of a philosophy about life that also changed lives, and that tackled the biggest questions of all: what we are and how we are to live.

"A magic curtain, woven of legends, hung before the world," writes Milan Kundera in The Curtain, his fascinating new book on the art of the novel. "Cervantes sent Don Quixote journeying and tore through the curtain. The world opened before the knight-errant in all the comical nakedness of its prose." For Kundera, that curtain represents a ready-made perception of the world that each of us has—a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides.In this entertaining and always stimulating essay, Kundera cleverly sketches out his personal view of the history and value of the novel in Western civilization. Too often, he suggests, a novel is thought about only within the confines of the language and nation of its origin, when in fact the novel's development has always occurred across borders: Laurence Sterne learned from Rabelais, Henry Fielding from Cervantes, Joyce from Flaubert, García Márquez from Kafka. The real work of a novel is not bound up in the specifics of any one language: what makes a novel matter is its ability to reveal some previously unknown aspect of our existence. In The Curtain, Kundera skillfully describes how the best novels do just that.

The authoritative version of the brilliant first novel by the author of The Unbearable Lightness of Being. A great novel of thwarted love and revenge miscarried, in a completely revised translation that is nothing less than the restoration of a classic.In this new English-language version of Kundera's classic first novel, completely revised by the author to incorporate the most accurate portions of two previous translations plus his own corrections, the narrator Ludvik wonders, "What if History plays jokes?" This politically charged question, coupled with Ludvik's fate as an unintentional dissident, struck a chord in Czech readers; the novel's 1967 publication was a key literary event of the Prague Spring. Looking back on the tense, McCarthy-like atmosphere of the late 1940s, it chronicles the disastrous results of Ludvik's prankish postcard to a girlfriend criticizing the Czech communist regime. He is expelled from the Communist Party, forced to leave the university and join a special army unit with other enemies of the state. Years later, after he has resumed his studies and become a successful scientist, his lingering anger at the man who engineered his expulsion culminates in an act of destructive sexual revenge that serves only to show Ludvik he has never really understood any woman and is indeed the butt of one of history's many cruel jokes. The fresh descriptions and masterful employment of several narrators testify to Kundera's power as a novelist, unmistakable even in this early work.

John Berger’s Classic Text on ArtJohn Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has."Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of TellingWinner of the 1972 Booker Prize for his novel, G., John Peter Berger (born November 5th, 1926) is an art critic, painter and author of many novels including A Painter of Our Time, From A to X and Bento’s Sketchbook.

Prisons We Choose to Live Inside, Doris LessingPrisons We Choose to Live Inside is a collection of five essays by the British writer Doris Lessing, which were previously delivered as the 1985 Massey Lectures. The five collected essays are generally meant to be read in order though they can be read independently. The essays appear in the collection in the order that they were delivered as lectures.The titles of the essays are: 1 - When In the Future They Look Back On Us; 2 - You Are Damned, We Are Saved; 3 - Switching Off to See "Dallas"; 4 - Group Minds; 5 - Laboratories of Social Change.تاریخ نخستین خوانش: روز بیستم ماه آوریل سال 2011 میلادیعنوان: زندان‌هایی که برای زندگی انتخاب می‌کنیم؛ نویسنده دوریس لسینگ؛ مترجم: مژده دقیقی؛ مشخصات نشر تهران؛ کندوکاو، 1389، در 119ص، شابک 9789649011738؛ موضوع: گروه های اجتماعی، فردیت، مسئولیت - سده 20ممجموعه ی مقالات انتقادی اجتماعی به قلم دوریس لسینگ، شامل پنج مقاله با عنوانهای: «آنگاه که آیندگان به ما میاندیشند»، «تو لعنت شده ای، ما رستگار»، «عوض کردن کانال برای تماشای دالاس»، «ذهنهای جمعی» و «آزمایشگاههای تغییر اجتماعی» است. ا. شربیانی

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all. Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

A compelling new set of interviews on our changing and turbulent times with Noam Chomsky, one of the world's foremost thinkersIn this new collection of conversations, conducted from 2010 to 2012, Noam Chomsky explores the most immediate and urgent concerns: the future of democracy in the Arab world, the implications of the Fukushima nuclear disaster, the European financial crisis, the breakdown of American mainstream political institutions, and the rise of the Occupy movement. As always, Chomsky presents his ideas vividly and accessibly, with uncompromising principle and clarifying insight.The latest volume from a long-established, trusted partnership, Power Systems shows once again that no interlocutor engages with Chomsky more effectively than David Barsamian. These interviews will inspire a new generation of readers, as well as longtime Chomsky fans eager for his latest thinking on the many crises we now confront, both at home and abroad. They confirm that Chomsky is an unparalleled resource for anyone seeking to understand our world today.

Set in Paris and attracting comparisons with Franz Kafka and Edgar Allan Poe, The Pigeon is Patrick Süskind's tense, disturbing follow-up to the bestselling Perfume. The novella tells the story of a day in the meticulously ordered life of bank security guard Jonathan Noel, who has been hiding from life since his wife left him for her Tunisian lover. When Jonathan opens his front door on a day he believes will be just like any other, he encounters not the desired empty hallway but an unwelcome, diabolical intruder . . .