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Hello and welcome to my book. Inside you will find:× The smell of honeysuckle× Heartbreak× A French-kissing rabbit× A haunted house× Death× A vagina singing sad old songs× Young geraniums in an ancient castle× Birth× A dog who appears in dreams as a spiritual guide× Divorce× Electromagnetic energy fields× Emotional horniness× The ghost of a sea captain× And moreI hope you enjoy these little weirds.Love,Jenny Slate

Author and essayist Kiese Laymon is one of the most unique, stirring, and powerful new voices in American writing. How to Slowly Kill Yourself and Others in America is a collection of his essays, touching on subjects ranging from family, race, violence, and celebrity to music, writing, and coming of age in Mississippi. In this collection, Laymon deals in depth with his own personal story, which is filled with trials and reflections that illuminate under-appreciated aspects of contemporary American life. New and unexpected in contemporary American writing, Laymon’s voice mixes the colloquial with the acerbic, while sharp insights and blast-furnace heat calls to mind a black 21st-century Mark Twain. Much like Twain, Laymon's writing is steeped in controversial issues both private and public. This collection introduces Laymon as a writer who balances volatile concepts on a razor's edge and chops up much-discussed and often-misunderstood topics with his scathing humor and fresh, unexpected takes on the ongoing absurdities, frivolities, and calamities of American life.

A new high point for a master novelist, an emotionally charged reckoning with art, marriage, and the pastKevin Pace is working on a painting that he won’t allow anyone to see: not his children; not his best friend, Richard; not even his wife, Linda. The painting is a canvas of twelve feet by twenty-one feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn’t know or, more accurately, doesn’t care.What Kevin does care about are the events of the past. Ten years ago he had an affair with a young watercolorist in Paris. Kevin relates this event with a dispassionate air, even a bit of puzzlement. It’s not clear to him why he had the affair, but he can’t let it go. In the more distant past of the late seventies, Kevin and Richard traveled to El Salvador on the verge of war to retrieve Richard’s drug-dealing brother, who had gone missing without explanation. As the events of the past intersect with the present, Kevin struggles to justify the sacrifices he’s made for his art and the secrets he’s kept from his wife.So Much Blue features Percival Everett at his best, and his deadpan humor and insightful commentary about the artistic life culminate in a brilliantly readable new novel.

Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly in a culture that revolves around the self. In each essay, Jia writes about the cultural prisms that have shaped her: the rise of the nightmare social internet; the American scammer as millennial hero; the literary heroine’s journey from brave to blank to bitter; the mandate that everything, including our bodies, should always be getting more efficient and beautiful until we die.

A mesmerizing, indelible coming-of-age story about a girl in Boston's tightly-knit Ethiopian community who falls under the spell of a charismatic hustler out to change the worldA haunting story of fatherhood, national identity, and what it means to be an immigrant in America today, Nafkote Tamirat's The Parking Lot Attendant explores how who we love, the choices we make, and the places we’re from combine to make us who we are.The story begins on an undisclosed island where the unnamed narrator and her father are the two newest and least liked members of a commune that has taken up residence there. Though the commune was built on utopian principles, it quickly becomes clear that life here is not as harmonious as the founders intended. After immersing us in life on the island, our young heroine takes us back to Boston to recount the events that brought her here. Though she and her father belong to a wide Ethiopian network in the city, they mostly keep to themselves, which is how her father prefers it.This detached existence only makes Ayale’s arrival on the scene more intoxicating. The unofficial king of Boston’s Ethiopian community, Ayale is a born hustler—when he turns his attention to the narrator, she feels seen for the first time. Ostensibly a parking lot attendant, Ayale soon proves to have other projects in the works, which the narrator becomes more and more entangled in to her father’s growing dismay. By the time the scope of Ayale’s schemes—and their repercussions—become apparent, our narrator has unwittingly become complicit in something much bigger and darker than she ever imagined.

This thrilling critique of the forces vying for our attention re-defines what we think of as productivity, shows us a new way to connect with our environment and reveals all that we’ve been too distracted to see about our selves and our world.When the technologies we use every day collapse our experiences into 24/7 availability, platforms for personal branding, and products to be monetized, nothing can be quite so radical as… doing nothing. Here, Jenny Odell sends up a flare from the heart of Silicon Valley, delivering an action plan to resist capitalist narratives of productivity and techno-determinism, and to become more meaningfully connected in the process.

"Wild, wickedly funny, and refreshingly relevant."—Elle"Raucous . . . [and] unapologetically raw."—New York TimesIt's 1999 in San Francisco, and as shockwaves of gentrification sweep through Michelle's formerly scruffy neighborhood, money troubles, drug-fueled mishaps, and a string of disastrous affairs send her into a tailspin. Desperate to save herself, Michelle sets out to seek a fresh start in Los Angeles.Meanwhile, climate-related disruptions and a string of extinctions are the background noise of impending doom. One day, Michelle wakes up to an official announcement: the world will be ending in exactly one year. Daily life in Los Angeles quickly becomes intensely surreal.Humans begin to collectively dream of the lives and loves they would have had, if not for the end of the world, and the lines between fantasy and reality become increasingly blurred. As the planet nears its expiration date, Michelle holes up in an abandoned bookstore and calmly begins to write—convinced she's finally stumbled upon the elusive "universal story"—a novel about a struggling writer facing the end of the world.Funny, gritty, improbable, and endearing, Black Wave muses on the hallucinatory confusions of addiction, the hope and despair of a barely published writer, notions of destiny, and the porous boundaries between memoir and fiction.Michelle Tea has published four memoirs, including the award-winning Valencia; the novel Rose of No Man's Land; and the poetry collection The Beautiful. Her latest book How to Grow Up: A Memoir, was recently published by Plume.

On the eve of Evangeline’s wedding, a dead whale is trapped in the harbor of Winter Island, the groom may be lost at sea, and Evie’s mostly absent mother has shown up out of the blue. From there, in this mesmerizing, provocative debut, Evie remembers and reckons with her complicated upbringing in this lush, wild land off the coast of Southern California.  Evie grew up with her well-meaning but negligent father, surviving on the money he made dealing the island’s world-famous strain of marijuana, Winter Wonderland. Although he raised her with a deep respect for the elements, the sea, and the creatures living within it, he also left her to parent herself. With wit, love, and bracing  ashes of anger, Creatures probes the complexities of love and abandonment, guilt and forgiveness, betrayal and grief—and the ways in which our ability to love can be threatened if we are not brave enough to conquer the past.  Lyrical, darkly funny, and ultimately cathartic, Creatures exerts a pull as strong as the tides.

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

\ From "a formidably gifted writer" (\ \ The New York Times Book Review\ \ ), a book that asks: Is there life after the internet? \ As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?"Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

A fabulously off-beat collection of short stories about love--the best and worst thing in the universe.In "A Most Blessed and Auspicious Occasion," a young couple planning a wedding is forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices. "Missed Connection--m4w" is the tragicomic tale of a pair of lonely commuters eternally failing to make that longed-for contact. The members of a rock band in "Up-and-Comers" discover they suddenly have superpowers--but only when they're drunk. And in "The Serial Monogamist's Guide to Important New York City Landmarks," a woman maps her history of romantic failures based on the places she and her significant others visited together.Equally at home with the surreal and the painfully relatable (or both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability. The resulting collection is a punchy, perfect bloody valentine.

It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

Reality and dream collide in Amy Bonnaffons's dazzling, darkly playful debut novel about a love affair between the living and the dead.For weeks, Rachel has been noticing the same golden-haired young man sitting at her Brooklyn bus stop, staring off with a melancholy air. When, one day, she finally musters the courage to introduce herself, the chemistry between them is undeniable: Thomas is wise, witty, handsome, mysterious, clearly a kindred spirit. There's just one tiny problem: He's dead.Stuck in a surreal limbo governed by bureaucracy, Thomas is unable to "cross over" to the afterlife until he completes a 90-day stint on earth, during which time he is forbidden to get involved with a member of the living -- lest he incur "regrets." When Thomas and Rachel break this rule, they unleash a cascade of bizarre, troubling consequences.Set in the hallucinatory borderland between life and death, The Regrets is a gloriously strange and breathtakingly sexy exploration of love, the cataclysmic power of fantasies, and the painful, exhilarating work of waking up to reality, told with uncommon grace and humor by a visionary artist at the height of her imaginative power.

Isidore Mazal is eleven years old, the youngest of six siblings living in a small French town. He doesn't quite fit in. Berenice, Aurore, and Leonard are on track to have doctorates by age twenty-four. Jeremie performs with a symphony, and Simone, older than Isidore by eighteen months, expects a great career as a novelist. She's already put Isidore to work on her biography. The only time they leave their rooms is to gather on the old, stained couch and dissect prime-time television dramas in light of Aristotle's Poetics.Isidore has never skipped a grade or written a dissertation, but he notices things the others don't and asks questions they fear to ask. So when tragedy strikes the Mazal family, Isidore is the only one to recognize how everyone is struggling with their grief and perhaps the only one who can help them--if he doesn't run away from home first.Isidore's unstinting empathy, combined with his simmering anger, makes for a complex character study, in which the elegiac and comedic build toward a heartbreaking conclusion. With How to Behave in a Crowd, Camille Bordas immerses readers in the interior life of a boy puzzled by adulthood and beginning to realize that the adults around him are just as lost.

A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself.The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

A novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds a cryptic note on a walk in the woods that ultimately makes her question everything about her new home. While on her normal daily walk with her dog in the forest woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with a frame of stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body". Our narrator is deeply shaken; she has no idea what to make of this. She is new to area, having moved her from her longtime home after the death of her husband, and she knows very few people. And she's a little shaky even on best days. Her brooding about this note quickly grows into a full-blown obsession, and she begins to devote herself to exploring the possibilities of her conjectures about who this woman was and how she met her fate. Her suppositions begin to find echoes in the real world, and with mounting excitement and dread, the fog of mystery starts to form into a concrete and menacing shape. But as we follow her in her investigation, strange dissonances start to accrue, and our faith in her grip on reality weakens, until finally, just as she seems be facing some of the darkness in her own past with her late husband, we are forced to face the prospect that there is either a more innocent explanation for all this or a much more sinister one - one that strikes closer to home.A triumphant blend of horror, suspense, and pitch-black comedy, 'Death in Her Hands' asks us to consider how the stories we tell ourselves both guide us closer to the truth and keep us at bay from it. Once again, we are in the hands of a narrator whose unreliability is well earned, only this time the stakes have never been higher.

A searing debut novel from one of the most imaginative minds in fictionKelly Luce's Pull Me Under tells the story of Rio Silvestri, who, when she was twelve years old, fatally stabbed a school bully. Rio, born Chizuru Akitani, is the Japanese American daughter of the revered violinist Hiro Akitani--a Living National Treasure in Japan and a man Rio hasn't spoken to since she left her home country for the United States (and a new identity) after her violent crime. Her father's death, along with a mysterious package that arrives on her doorstep in Boulder, Colorado, spurs her to return to Japan for the first time in twenty years. There she is forced to confront her past in ways she never imagined, pushing herself, her relationships with her husband and daughter, and her own sense of who she is to the brink.The novel's illuminating and palpably atmospheric descriptions of Japan and its culture, as well its elegantly dynamic structure, call to mind both Ruth Ozeki's A Tale for the Time Being and David Guterson's Snow Falling on Cedars. Pull Me Under is gripping, psychologically complex fiction--at the heart of which is an affecting exploration of home, self-acceptance, and the limits of forgiveness.