Books

I closed Adrian Tomine's Sleepwalk and Other Stories feeling depressed, something in Tomine's negativity, his view of the disconnect inherent in the relationships between his characters and contemporary life filled me with a (temporary, I hope) despair. These short graphic stories are deeply unsettling, there is no hope, no grand resolutions. Sleepwalk doesn't wallow in the angst of the various situations presented, but is resigned to an elementary bleakness. Sleepwalk again proves that Tomine's style is better suited to the short story form. We are only briefly exposed to these drifting, disaffected lives, but that glimpse is enough to identify the hopelessness, the isolation, and the misunderstandings within. A minor issue is Tomine's overreliance on slabs of text, as if he is using a voice-over for his characters instead of relying on dialogue and image to show their stories. "Supermarket", the story of the girl in the grocery store and the blind man, completely devastated me, just ... painful in the obvious and honest depiction of enforced interactions.Sleepwalk is a difficult book to recommend, but undoubtedly provides some basic understanding and insight into the emotional landscape of the alienated and the outcast.

Berlin: City of Stones presents the first part of Jason Lutes' captivating trilogy, set in the twilight years of Germany's Weimar Republic. Kurt Severing, a journalist, and Marthe Muller, an art student, are the central figures in a broad cast of characters intertwined with the historical events unfolding around them. City of Stones covers eight months in Berlin, from September 1928 to May Day, 1929, meticulously documenting the hopes and struggles of its inhabitants as their future is darkened by a glowing shadow.

Celebrating its 25th anniversary in 2007, Love and Rockets is finally released in its most accessible form yet: As a series of compact, thick, affordable, mass-market volumes that present the whole story in perfect chronological order. This volume collects the first half of Gilbert Hernandez's acclaimed magical-realist tales of "Palomar," the small Central American town, beginning with the groundbreaking "Sopa de Gran Pena" (which introduces most of his main cast of characters as children, plus the imposing newcomer Luba), and continuing on through such modern-day classics as "Ecce Homo," "Act of Contrition," "Duck Feet," and the great love story "For the Love of Carmen."

This aptly-titled collects for the first time Joe Matt`s compelling and often hilarious storyline chronicling the crucial moments in his miserable life, beginning with his secret lust for his lover`s best friend, and its ensuing devastating consequences. Ongoing troubles with women, an insatiable obsession with pornography...this poor bastard has serious problems, yet unlike the rest of us, he works them out in full public view, allowing us to get closer to him...maybe a little too close!

Gorgeous, Obsessive, NightmarishCharles Burns’ X'ed Out-The Hive-Sugar Skull Trilogy feels to me like an amalgam of all my personal obsessions, which in itself is a little scary: thick, clean, stripped-down lines – check; lots of soothing black ink – check; a fragmented narrative that subverts this soothing effect by messing with my mind – check; neurotic and obsessive compulsive behavior – check; doomed romance and psychological horror – check; punk rock and visual culture – check; some postmodern reflexivity – check. No surprise, then, that I am the story’s protagonist… or at least that my GR profile picture has been incorporated into the story in the form of a comic-book panel. Wait, or was it the other way round?Anyway, what is the story all about? The plot is easily summarized: a young artist named Doug tries to work through mysterious, traumatic events from his past, while sliding into some kind of parallel world. What gives the story its hypnotic impact, though, is the way it is told. The reader is not provided with a reliable, stable perspective on Doug’s difficult situation, but is instead sucked right into the vortex of his struggles by a narrative that undermines conventional notions of reality and identity, blurring the line between external and internal states of being, between surface and depth. The narrative’s disorienting effect is supported by the artwork’s dense black ink and hard straight lines that take on a character of their own.Gorgeous, obsessive, nightmarish - Burns at his best.

Utterly eschewing the general bonhomie surrounding the newly-minted contemporary regard for the comic strip medium as a language of complicated personal expression and artistic sophistication, professional colorist and award-winning letterer F. C. Ware returns to the book trade with "The ACME Novelty Library," a hardcover distillation of all his surviving one-page cartoon jokes with which he tuckpointed the holes of his regular comic book periodical over the past decade.Sometimes claimed to be his "best work" by those who really don't know any better, this definitive congestion of stories of the future, the old west, and even of modern life nonetheless tries to stay interesting by including a luminescent map of the heavens, a chart of the general structure of the universe, assorted cut-out activitites, and a complete history of The ACME Novelty Company itself, decorated by rare photographs, early business ventures, not to mention the smallest example of a Comic Strip ever before offered to the general public. All in all, it will likely prove a rather mild disappointment, but at least it catches the light in a nice way and may force a smile here and there before being shelved for the next generation's ultimate disregard and/or disposal.

This epic story of Sherman, Dorothy, Ed, Stephen, Jane, and Mr. Flavor is not to be missed. Alex Robinson's completely natural and inspiring knack for dialogue has made his story of dreary jobs, comic books, love, sex, messy apartments, girlfriends (and the lack thereof), undisclosed pasts, and crusty old professionals one of the most delightful and whimsical graphic novels to hit the stands in years.

Patience is a psychedelic science-fiction love story, veering with uncanny precision from violent destruction to deeply personal tenderness in a way that is both quintessentially "Clowesian"and utterly unique in the author's body of work. This 180-page, full-color original graphic novel affords Clowes the opportunity to draw some of the most exuberant and breathtaking pages of his life, and to tell his most suspenseful, surprising and affecting story yet.

The graphic novel that inspired the new Armando Iannucci movie which includes an all-star cast - Steve Buscemi, Simon Russell Beale, Jason Isaacs, Michael Palin, and Jeffrey Tambor. Fear, corruption and treachery abound in this political satire set in the aftermath of Stalin's death in the Soviet Union in 1953. When the leader of the Soviet Union, Joseph Stalin, has a stroke - the political gears begin to turn, plunging the super-state into darkness, uncertainty and near civil war. The struggle for supreme power will determine the fate of the nation and of the world. And it all really happened.

\ THE CLASSIC GRAPHIC NOVEL, BACK IN PRINTBack in print is the classic graphic novel by the acclaimed (though no longer working in comics) iconic artist Julie Doucet. In one of the first contemporary graphic novels, Doucet abruptly packs her bags and moves to New York. Trouble follows her in the form of a jealous boyfriend, insecurity about her talent, her worsening epilepsy, and a tendency to self-medicate with booze and drugs.\

Will Eisner (1917–2005) saw himself as "a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail." The publication of A Contract With God when Eisner was sixty-one proved to be a watershed moment both for him and for comic literature. It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super’s dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner’s own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents — the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans — whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner’' most poignant and enduring literary legacy.

What if we lived in a world where ‘murderer for hire’ was as legal and commonplace a profession as doctor or engineer?What if a scientist hired one of these assassins for the most amazing hit of his career…to go back in time and kill Adolf Hitler before his evil rise to power?And what if Hitler managed to survive that assassination attempt, steal the time machine, sneak back to the 21st century…leaving the world be killer stranded 70 years ago?If you think you can guess the answers to any of these questions…you’re wrong. And you need to read this graphic novel, the amazing deadpan masterpiece from mighty Jason.

Just along King Street at number 159 you will find the old storefront of the Clyde Fans Company. It's been locked up for years now and most people would naturally assume that it's completely abandoned. Look closer. Peer in through the display window into the dimly lit office and there on the far wall you will just be able to make out the black and white photographs of a pair of rather grim looking businessmen: Abraham and Simon Matchcard.If you were to go in further—back through that battered safety door and into the living and work spaces of the old building you would pass into the hidden world that has sustained these lonely brothers for more than five decades.In this, the first of two books, you will meet the Matchcard brothers and follow them through their journeys of disappointments, loss, and isolations. Two salesmen who have failed to "close."

The debut graphic novel from a dazzling newcomer with a singular, idiosyncratic styleIn the few short years since he began his pamphlet-size comic book series Lose, Michael DeForge has announced himself as an important new voice in alternative comics. His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic.From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it’s the story of this war, the destruction of a civilization, and the ants’ all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns—loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.DeForge’s striking visual sensibility—stark lines, dramatic color choices, and brilliant use of page and panel space—stands out in this volume.

Meet David Boring: a nineteen-year-old security guard with a tortured innner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is. And what seems truest in Boring's life is that, given the right set of circumstances (in this case, an orgiastic cascade of vengeance, humiliation and murder) the primal nature of humandkind will come inexorably to the fore.

Shortcomings, Adrian Tomine's first long-form graphic novel, is the story of Ben Tanaka, a confused, obsessive Japanese American male in his late twenties, and his cross-country search for contentment (or at least the perfect girl). Along the way, Tomine tackles modern culture, sexual mores, and racial politics with brutal honesty and lacerating, irreverent humor, while deftly bringing to life a cast of painfully real antihero characters. A frequent contributor to The New Yorker, Tomine has acquired a cultlike fan following and has earned status as one of the most widely acclaimed cartoonists of our time.Shortcomings was serialized in Tomine's iconic comic book series Optic Nerve and was excerpted in McSweeney's Quarterly Concern #13.

One of Europe's most exciting young cartoonists makes his American debut. This superbly evocative graphic novella by the award-winning Norwegian cartoonist Jason (his first appearance in the English language) starts off as a melancholy childhood memoir and then, with a shocking twist midway through, becomes the summary of lives lived, wasted, and lost. Like Art Spiegelman did with Maus, Jason utilizes anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His sparse dialogue, dark wit, and supremely bold use of "jump-cuts" from one scene to the next (sometimes spanning a number of years) make Hey, Wait... one of the most surprising and engaging debuts of the year.