to watch

Helen Harris (Kate Hudson) is living the life she's always dreamed of: her career at a top modelling agency is on the rise; she spends her days at fashion shows and her nights at the city's hottest clubs. But her carefree lifestyle comes to a screeching halt when one phone call changes everything. Helen soon finds herself responsible for her sister's children: fifteen-year-old Audrey (Hayden Panettiere), ten-year-old Henry (Spencer Breslin), and five-year-old Sarah (Abigail Breslin). No one doubts that Helen is the coolest aunt in New York City, but what does this glamor girl know about raising kids? The fun begins as Helen goes through the transformation from super-hip to super-mom, but she quickly finds that dancing at 3a.m. doesn't mix with getting kids to school on time, advice that Helen's older sister, Jenny Portman (Joan Cusack), is only too quick to dish out. Along the way, Helen finds support in the most unusual place, with Dan Parker (John Corbett), the handsome young pastor and principal of the kids' new school, and realizes the choice she has to make is between the life she's always loved and the new loves of her life.

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.

Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest. Anna, whom they knew when they were younger, comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she's not Jewish, he can't marry her as it would make his appointment less likely. Brian also finds himself attracted to Anna, but the priesthood doesn't allow that. Their friendship is strained when each learns of the other's feelings for her.

Jennifer does not fit in. A total misfit, she's as wacky as a teenager can be. Goth-ed out with multiple piercings, tattoos, and dyed hair, she listens to strange music, watches vintage TV, eats primarily chocolate, and self injures. But now high school is over and she needs a job. Can she possibly have anything in common with the overweight middle-aged man in the haberdashery window? He gives her a job, not to mention a real friendship.

Sisters Kat and Daisy work along with Jojo at the pizza parlour in Mystic, Connecticut. Kat, shortly off to Yale, finds herself drawn to a local architect she is babysitting for, while her more tearaway sister starts dating a guy from the money side of the tracks. Jojo leaves her man at the altar; she loves him but shies away from commitment. Meanwhile the fame of the pizza continues to spread; it seems to contain something almost ..... mystic.

This light-hearted romantic comedy centers tells of love sought, found, lost, and found again, revolving around the lives of two college students in New York City. Sophomore Al Connelly meets the girl of his dreams, freshman Imogen, and true love abounds. The two engage on a whirlwind courtship--they pick a song, eat a cake together, even make love. But Imogen's fear of lost youth causes her to push away from Al, and they go their separate ways. Al attempts to rebound from the relationship, determined to forget Imogen, and he goes to desperate measures to do so. The story is told from the points of view of both Al and Imogen.

Carmen Lowell is working on the backstage of a play at Yale. When the lead actress, her friend Julia, invites her to Vermont with her to work on a play with a professional cast, she decides to stay with her friends and her pregnant mother. However, she changes her mind after she finds that her friends will all leave for the summer: Lena Kaligaris will travel to a drawing course, Bridget Vreeland, who is in an existential crisis, missing her mother, will travel to an archaeological dig in Turkey, and Tibby Tomko-Rollins is working in a rental and still editing her documentary. Carmen grows a crush on the lead actor Ian, who convinces her to participate in an audition, and she is then invited by the director Bill Kerr to perform the lead female role. Later she finds the truth about the friendship of Julia. The broken-hearted Lena finds that Kostas has just married, and she dates the model of her drawing class. Bridget finds letters addressed to her from her grandmother that her father has hidden, and decides to visit her, discovering information about her mother. Tibby makes love with her boyfriend Brian McBrian and gets scared of a possible pregnancy. In the end, the girlfriends discover that their friendship is real and amounts to more than just a pair of jeans.

College poetry professor and poet Rebecca Trager Lott's husband Ben Lott has just died in a freak accident. Rebecca's support during this difficult time consists of her best friend Sylvie Morrow, her sister Lucy Trager, and her ex-stepmother Alberta Trager. Earth mother Sylvie is dealing with what she sees as the probable end of her own marriage to her husband Paul Morrow. Chain smoking Lucy is a directionless and insecure woman who is still mourning their mother's death fourteen years earlier from cancer. And Wall Street executive Alberta, who Lucy in particular doesn't like in her life (especially as Alberta and their father have since divorced) is a domineering but admittedly efficient woman who treats her personal life as an extension of her professional life. As time progresses and each woman deals with her own issues while trying to help Rebecca, a hunky house painter who they have nicknamed "Valentino" enters their collective lives. "Valentino" profoundly affects each of their lives, at the same time that Rebecca, the only one who is seen as having had the perfect marriage, provides what they hope is sage advice for their issues. What comes into question is the appropriate time that Rebecca is allowed to feel sorry for herself. She makes an admission about her marriage and about "Valentino" that may provide the answer.

Melanie Carmichael, an up and rising fashion designer in New York, has gotten almost everything she wished for since she was little. She has a great career and the JFK-like fiancée of New York City. But when he proposes to her, she doesn't forget about her family back down South. More importantly, her husband back there, who refuses to divorce her ever since she sent divorce papers seven years ago. To set matters straight, she decides to go to the south quick and make him sign the papers. When things don't turn out the way she planned them, she realizes that what she had before in the south was far more perfect than the life she had in New York City.

Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad's house; worse behavior gets her tossed from Rose's apartment. Then, while searching in her father's desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

When Carla Tate, now a young woman, is 'graduated' out of the training school where she has resided for many years because she is mentally challenged, her hope is that she will be accepted for all that she can now do for herself. But Carla's family is wealthy which permits her mother, already blinded to her daughter's rather high-functioning abilities, to try and provide for Carla beyond her needs or desires, bringing forth the inevitable confrontations... for what Carla may lack in mental ability she certainly makes up for in her insistence on being independent, even to living in her own apartment. But if this isn't enough, into the mix comes a young man, equally challenged mentally, who moves Carla beyond anyone's control...

Everett Stone, who made it on Wall Street, returns home for Christmas with his new girlfriend, Meredith Morton. His ultra-liberal, anti-conventional rustic Connecticut family doesn't exactly warm to the outsider, who despite her best efforts to please the prospective in-laws, looks, sounds, and acts like the conservative bigots they hate, while various Stones have their own problems. Only matriarch Sibyl Stone's unshakable maverick other son Ben gives her a chance, and as Everett won't actively turn against either, she feels more supported by him and a weird romance blossoms. Feeling beleaguered, Meredith calls in help from her easygoing sister Julie, who proves no help to her but soon develops a chemistry with Everett, so everything may now shift if they dare follow their hearts.

Eleven articulate people work through affairs of the heart in Los Angeles. Paul produces Hannah's television cooking show, and they must move beyond gentle barbs when she wants to know about an affair of his years ago. Mark is dying of A.I.D.S., and his mother comes to his bedside: they must speak truthfully. Men have scalded Meredith, so she rebuffs Trent's charm, but he persists. The trendy, prolix Joan tries to pull the solitary Keenan into her orbit: why is he reluctant? An adulterous couple meets at hotels for evening sex, but she is unwilling for the relationship to grow. Hugh tells tall tales, usually tragic, to women in bars. By the week's end, their parallel stories converge.

In colorful, bustling, modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's therapist, Dr. Lisa Metzger, who is working to help Rafi overcome her fears of intimacy, finds out that Rafi's new lover is--unfortunately for Lisa--her only son, David. Both David and Rafi must contend with their 14-year age gap, vastly-different backgrounds, and the demands of David's traditional mother. Despite their intense attraction, the charmed couple soon realizes that vastly-different ages and backgrounds create much conflict. A Jewish hip-hop lover and closet painter who still lives with his grandparents, David has little in common with Rafi--a non-practicing Catholic from a wealthy, broken family who travels in the sophisticated world of high-end fashion.

Rosie (Michelle Pfeiffer), a 40-year-old divorced mother produces the has-been television comedy "You Go Girl," which seems doomed since her boss no longer allows the show to tackle any vaguely-controversial subjects. Then she meets Adam (Paul Rudd) , an attractive, spontaneously funny, single, 29-year-old actor at an audition. She successfully casts him, which revives the show's ratings. She also dates him, but her pathological insecurity, focused on their age difference, compromises the relationship. That culminates when she suspects him of infidelity with the show's star, and the studio gives those two their own sitcom.

Trentonian Stacy Holt's life has been guided by two general items. One is her father abandoning the family when she was young, leading to her and her mother turning to the music of

Finn is a young graduate student, finishing a master's thesis, and preparing for marriage to her fiance Sam. But thoughts of the end of the free life, and a potential summer fling, intrude. She goes home to her grandmother, where, over the making of her wedding gift by a group of quilting-bee friends, laughter, bickering, love, and advice lead her toward a more open-eyed examination of her course.

In New York City, Molly Gunn is a spoiled, wealthy, immature young woman who lives as if she were a fairytale princess. Her father, a popular rock guitarist, died in a plane crash with her mother when she was little. In a nightclub on her birthday she meets Lorraine "Ray" Schleine, a nasty young girl with an adult attitude, who lives with her careless mother and a terminally-ill father in a fancy uptown apartment. When Molly's accountant vanishes with her US$ 100,000,000.00 inheritance, she is left with nothing but debts and must work to survive--with no previous experience or marketable skills. She is hired to be Ray's babysitter, and their close contact makes Molly reach maturity and Ray act like the 8-year-old she is.