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8 Music Artists

Post-Punk

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Picture of a musician: 39 Clocks
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39 Clocks

The 39 Clocks waren eine Underground-Band aus Hannover. Zusammen mit Nova Express, The Beauty Contest, Shiny Gnomes, Multicoloured Shades, den Kastrierten Philosophen und Yellow Sunshine Explosion rechnet man sie zu den Neo-Psychedelic-Bands des deutschen 1980er-Jahre Underground.

1980 erschien ihre 7-Inch DNS bei dem unabhängigen Plattenlabel No Fun Records, 1981 ebendort auch ihre LP Pain It Dark. Später wurden 39 Clocks-Platten auf dem eigenen Label „Psychotic Promotion“ und beim Hamburger Indie-Label What’s So Funny About veröffentlicht.

Kennzeichen der Band war ihre optisch von Velvet Underground, musikalisch aber von amerikanischen Garagenrock der 1960er-Jahre beeinflusste psychedelische Direktheit, die vergleichsweise simple eingesetzte Produktionstechnik (4-Spur-Gerät u. ä.), sowie die etwas „schräge“ Verwendung der englischen Sprache, teilweise ähnlich dem so genannten Denglisch. Optisch traten sie immer in schwarz und mit Sonnenbrillen auf und prägten Sätze wie „Schwarz-Weiß-Fernseher zeigen bessere Filme als Farbfernseher“. In Abgrenzung zum eher melodischen Psychedelic Rock nannten sie ihre Musik „Psycho-Beat“. Im Rückblick sprechen heute manche von den 39 Clocks als „deutsche Velvet Underground“ – ein Vergleich, den das Duo stets zurückwies. Einen Rockpalast-Auftritt wie die hannoverschen Kolleginnen von Hans-A-Plast hatten die 39 Clocks zwar nie, vergessen wurden sie aber dennoch nicht ganz. 1998 fand z. B. ein Titel der 39 Clocks auf dem Soundtrack des Films 23 – Nichts ist so wie es scheint Verwendung. Außerdem erinnert man sich der Vorreiter der deutschen „Psychedelic Renaissance“ wieder im Rahmen des Versuchs, Hannover zur kommenden Pop- und Rockmetropole zu stilisieren. Dabei werden die 39 Clocks zusammen mit Mainstream-Produkten, wie Scooter und Mousse T., genannt, eine zumindest befremdliche Mixtur.

Picture of a musician: Sex Gang Children
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Sex Gang Children

Sex Gang Children are an early gothic rock and post-punk band that formed in early 1982 in Brixton in London, England. Although the original group only released one official studio album, their singles and various other tracks have been packaged into numerous collections, and they remain one of the more well-known bands of the early Batcave scene and have reformed for new albums and touring at various times since the early 1990s.

The original lineup was Andi Sex Gang (vocals, guitar), Dave Roberts (bass), Terry McLeay (guitar) and Rob Stroud (drums). They were a dramatic band, relying on heavy bass, tribal drumming, sudden mood shifts, dramatic vocals and a cabaret sound (influencing the rise of the later dark cabaret scene). The band's first release was a cassette-only live album, Naked, in 1982. The Beasts EP, their first vinyl release, followed the same year after they signed to the Illuminated label. The band's only studio album from their original period together, Song and Legend, was released in 1983, reaching the top of the UK Indie Chart and spawning the single "Sebastiane". Stroud departed to form Aemoti Crii, to be replaced by former Theatre of Hate drummer Nigel Preston, who played on the band's next single, "Mauritia Mayer", before himself being replaced by former Death Cult drummer Ray Mondo. Roberts left in late 1983 to form Carcrash International, and the line-up settled to Andi, McLeay, Cam Campbell (bass) and Kevin Matthews (drums), a change forced by Ray Mondo's deportation to his native Sierra Leone.

Picture of a musician: Colin Newman
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Colin Newman

Colin Newman (born 16 September 1954) is an English musician, record producer and record label owner. He is best known as the primary vocalist and songwriter for the post-punk band Wire.

Newman was born in Salisbury, Wiltshire in 1954 and grew up in Newbury, Berkshire. He later attended the Watford School of Art.

In 1976 Newman formed the band Wire and was its main songwriter, singer and guitarist. Their first performance was on 1 April 1977 at the London nightclub Roxy. At the start, the band was considered a part of London's punk rock scene but later reached critical acclaim for their massive influence on post-punk, new wave and alternative rock. When the band temporarily split in 1980, Newman pursued a solo career. His first solo album, A-Z, was released in 1980 on the Beggar's Banquet record label. The album veered from extremely skewed pop to more mainstream numbers, such as "Order for Order", which was compared by some to Gary Numan. A track from the demos for this LP (but not included on the original vinyl release), "Not Me", was covered by This Mortal Coil on their It'll End in Tears LP; This Mortal Coil then covered the A-Z track "Alone" on their second album Filigree & Shadow. Newman's second LP, the entirely instrumental Provisionally Entitled The Singing Fish, in which all the tracks were titled for numbered fish, was released on the 4AD Records label in 1981. A third LP, Not To, which along with original compositions reworked a number of tracks originally written for Wire, was released in 1982 on 4AD.

Picture of a musician: Bauhaus
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Bauhaus

Bauhaus are an English rock band, formed in Northampton, England, in 1978. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). The band were originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the pioneers of gothic rock, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia, and funk.

Their 1979 debut single, "Bela Lugosi's Dead" is considered one of the harbingers of gothic rock music and has been influential on contemporary goth culture. Their debut album, In the Flat Field, is regarded as one of the first gothic rock records. Their 1981 second album Mask expanded their sound by incorporating a wider variety of instruments—such as keyboards, saxophone and acoustic guitar—and experimenting with funk-inspired rhythms on tracks like "Kick in the Eye". Bauhaus went on to achieve mainstream success in the United Kingdom with their third album, The Sky's Gone Out, which peaked at No. 3 on the UK Albums Chart in 1982. That same year, they also reached No. 15 on the Singles Chart with a standalone cover of David Bowie's "Ziggy Stardust", earning them an appearance on Top of the Pops. During recording sessions for their next album, Murphy fell ill and spent much of his time away from the studio, leaving the rest of the band to compensate for his absence. This created a rift between the singer and his bandmates, culminating in the group's dissolution on 5 July 1983, one week before Burning from the Inside was released. Featuring the hit single "She's in Parties", it would be their final studio album composed entirely of new material for a quarter century.