Lists

Picture of a movie: Upgrade
Picture of a movie: Judge Dredd
Picture of a movie: Total Recall
Picture of a movie: Demolition Man
Picture of a movie: Downsizing
Picture of a movie: Virtuosity
Picture of a TV show: Devs
Picture of a TV show: In the Flesh
Picture of a movie: K-PAX
Picture of a movie: Tokyo Project
Picture of a movie: A.I. Love You
Picture of a movie: Valerian and the City of a Thousand Planets
Picture of a movie: A Sound of Thunder
Picture of a movie: MindGamers
Picture of a movie: The Island
Picture of a movie: A.I. Artificial Intelligence

68 Movies, 15 Shows

Fantasy/Sci-Fi

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Picture of a movie: Contact
movies

Contact

1997
Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway (David Morse), who died when she was nine-years-old, leaving her orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (N.S.F.) was pulled on her work, which is referred to some, including her N.S.F. superior David Drumlin (Tom Skerritt), as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders, and other scientists, such as Drumlin, try to take over her work. When the messages received from space are decoded, the project takes on a whole new dimension, which strengthens for Ellie the quest for the truth. Thrown into the mix are the unknown person who has up until now funded most of Ellie's work and what his motivations are, and Palmer Joss (Matthew McConaughey), a renowned author and theologian, who despite their fundamental differences in outlook, is mutually attracted to Ellie, that attraction based in part on intellect and their common goal of wanting to know the truth.
Picture of a movie: The Final Cut
movies

The Final Cut

2005
It's sometime in the near future. Largely on affordability, one in twenty people have Zoe implants inserted at birth, they manufactured by EYE Tech. The implants record what the host sees over his entire life. It is the job of a cutter to edit the footage post-mortem into a rememory for loved ones, it the official record of only the good, editing out for posterity the bad, the ugly and especially the very ugly. Ethically, cutters cannot combine footage from more than one implant for a rememory, cannot sell footage, and cannot have an implant himself. Alan Hakman is known to be the best cutter in the business in his seeming detachment from his subject matter, especially in needing to view that very ugly without judgment. He is arguably able to do so in being a loner, he having a cordial enough business relationship with fellow cutters, with his current girlfriend, Delila, the only other person in his life with some meaning to him. His work and that of his fellow cutters is getting more dangerous as a very vocal anti-implant movement is emerging in society, protesters picketing at high profile memorials where a rememory is shown. Alan's latest job is the very sensitive one of Charles Bannister, one of the first EYE Tech executives to have his rememory done. Two issues arise in the process of this job. First, Fletcher, an ex-cutter who long ago left the business for unspecified reasons, approaches Alan wanting either to take over the job or purchase the Bannister footage, Alan who believes it is to expose the technology for the ill that it has in society by exposing something related to Bannister himself, Fletcher who will go to extreme measures to get that footage. And second, Alan discovers someone from his far past in Bannister's footage, that very bad in Alan's life which he thought was buried long ago literally never to rise from the grave.