Spanish

In Madrid, the housewife Gloria lives in a tiny apartment with her husband, the taxi driver and forger Antonio; her lunatic mother-in-law, who is addicted in bottled water and cupcakes; and two teenage sons, one of them a drug dealer and the other gay. Gloria works as cleaning lady to raise some money for her dysfunctional family and is addicted in pills; her best friend is her neighbor, the call-girl Cristal. Antonio has a secret passion on a decadent German singer for whom he had worked as driver in Germany. A writer tries to convince Antonio to forge letters from Hitler and travels to Germany to meet the singer to invite her to participate in the scheme. Meanwhile Gloria delivers her gay son to a pervert dentist. Her mother-in-law finds a lizard while walking with her grandson on the street and they call it Dinero (Money) and bring it home. When Gloria has an argument with Antonio, she hits him on the head with a piece of wood, killing him. Now the police detectives investigate the murder case.

In Madrid, orphan sisters Irene, Ana, and Maite are raised by their austere aunt Paulina and their mute, crippled grandmother after the deaths of their mother and their military father Anselmo. Ana is a melancholic girl, fascinated by death, after watching her mother having a painful death and her father dead in bed.

Through Adela and Antonia's lives, we have a glimpse of those brief moments of joy and sorrow common to anyone who lives in a big city.

Uxbal, single father of two children, finds his life in chaos as he is forced to deal with his life in order to escape the heat of crime in underground Barcelona, to break with the love for the divorced, manic depressive, abusive mother of his children and to regain spiritual insight in his life as he is diagnosed with terminal cancer.

In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget.

In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them.

Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in Brussels and Bosnia that is never at home. She will try anything to change her life.

Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car. She brings Irene to her apartment, where secrets from the past are disclosed.

Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course.

El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates, and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.

Pizza delivery man Victor is having an argument with Elena, whom he met a few days ago, but she was high then and doesn't want to hear about him. Reacting to the noise, two cops, young David and older Sancho, arrive at the scene, the gun accidentally goes off.. Four years later David is a wheelchair basketball star, he's married to Elena, Victor is released out of prison and their destinies begin to cross again.

When journalist Manuel Cueto is hired to type novelist Joaquín Góñez's last book, his presence provokes an avalanche of feelings that bring Joaquín to the edge of emotions and memories that had lain dormant in the solitude of the last stages of his creative life. Accustomed to years of loneliness, Joaquín finds in the young journalist a bridge to the forgotten years of his youth in the 60's and 70's, during his wild years in Buenos Aires. Argentina had been witness to the mistakes made in the passage to adulthood, the memories of old friends, the meaning of loyalty, the influences of cinema and jazz, the taste of first love and the experiences of the many which followed and the intimate relationship with his parents, particulary with his mother Roma, a strong, intelligent woman, a supporter of his youthful ideals. It is to Roma to whom Joaquín owes his free, bohemian spirit and the aspirations shared with her in the shadow of the memory of his father will awaken in Joaquín the desire and the impatience to recover all he had, so far, believed lost.

2001: men without jobs, in the port city of Vigo. Six men worked in a shipyard, now shuttered. They pass the time at La Naval, a bar opened by one of them after the yard closed. They face their futures in makeshift ways: Rico has his bar and a sharp 15-year-old daughter, Reina has become a watchman and a moralizer, Lino fills out job applications, Amador drinks heavily and talks of his wife's return; José is married to Ana, who works at a cannery and tires of being the breadwinner amidst José's emasculated moodiness; Santa, the group's conscience and troublemaker, occasionally fantasizes about Australia. In truth, all are joined like Siamese twins, adrift.

Viridiana, a young novice about to take her final vows as a nun, accedes, moved purely by a sense of obligation, to a request from her widowed uncle to visit him. Stirred by her resemblance to his late wife, he attempts to seduce her and tragedy ensues. In the aftermath, Viridiana tries to assuage her guilt by creating a haven for the destitute folk who live around her uncle's estate. But little good comes from these good intentions.

An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish, and a young man whose religious upbringing has driven him insane are the main characters in this stylish black comedy about the dark sides of human nature.

Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She is a bit reluctant, so he ties her up. Will this approach endear him to her?

The protagonist of "Pain and Glory" was at the decline of his career. The man involuntarily looks back into the past, and a stream of vivid memories falls upon him. He recalls such moments from his youth as tender feelings for his mother, love and separation, the search for happiness and success. All this leads the master of cinema to important thoughts about life and art, because this is the most important thing for him.

Argentine Manuela Echevarria, an organ transplant coordinator at a Madrid hospital, ran off from her husband in Barcelona eighteen years ago upon learning that she was pregnant, their son, Esteban, who she has never told about his father despite his curiosity, and her husband who didn't know about the pregnancy when she ran off. An event coinciding with Esteban, an aspiring writer, turning seventeen leads to Manuela feeling the need to return to Barcelona to look for her husband. There, she ends up further acting as the maternal figure for people in need. One is a young nun named Sister Rosa, who she meets through her old friend, a transvestite prostitute who has assumed the name Agrado in her agreeable nature. Rosa has a strained relationship with her own conservative mother, as she is consumed with caring for her ill husband, who suffers from Alzheimer's. The other is actress Huma Rojo, currently appearing as Blanche Dubois in a stage production of A Streetcar Named Desire, which has long been a touchstone for Manuela in productions of it coinciding with milestone moments in her life, this production no different. Huma is in a troubled codependent relationship with her younger "Stella Kowalski" costar Nina Cruz, a closet junkie, hence Huma's emotional need for support. By the end of her stay in Barcelona, Manuela will have another non-relative for who she will feel the need to act as a mother figure.