A young man becomes infected with a ferocious parasite.

A look at life for a group of high school students as they grapple with issues of drugs, sex and violence. The series focuses on the relationship between two young girls trying to find their place in the world: recovering addict Rue and new-in-town Jules.

2019 American teen drama television series

After twenty-eight long days of absence, Sin-Dee is back on the block. It's Christmastime, and everyone wants to get into the festive spirit; however, Sin-Dee is in for a shock when she accidentally discovers that Chester, the love of her life, has been cheating on her. And to think that poor Sin-Dee has been making plans for the future. To save what's left of her dignity, heartbroken Sin-Dee embarks on a desperate mission to locate two-timing Chester, and no one can stop her--not even her best friend Alexandra, who vainly tries to be the voice of reason. Now, nothing can stand in the way of justice. After all, who wants to live a lie?

In his feature film directorial debut, comedian Bo Burnham deftly encapsulates the awkwardness, angst, self-loathing and reinvention that a teenage girl goes through on the cusp of high school. Given that the 27-year-old stand-up comic achieved fame as a teenager himself through YouTube by riffing on his insecurities, he is uniquely capable as the film's writer and director to tell the story of Kayla, an anxious girl navigating the final days of her eighth grade year, despite creating a protagonist female instead of male. Like Burnham did more than a decade ago, 13-year-old Kayla turns to YouTube to express herself, where she makes advice blogs in which she pretends to have it all together. In reality, Kayla is sullen and silent around her single father and her peers at school, carrying out most of her interactions with her classmates on Instagram and Twitter. Her YouTube videos are a clever narrative tool that provide insight into her inner hopes and dreams, much like an inspirational online diary. One of Eighth Grade's biggest triumphs is in its realism.

Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean-Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,000 per person, or Sandra's job, leaving the decision to those sixteen. On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co-worker Juliette after the "show of hands" vote is held, the result a 13-3 decision for the bonuses over Sandra's job. Because Juliette knows Jean-Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering through misinformation, Juliette and Sandra, at the end of the working day on Friday, are able to convince Dumont to hold another secret ballot on Monday morning, with Sandra needing a majority to keep her job, meaning nine votes. By Saturday morning, Sandra's supportive husband, Manu, convinces her that over the weekend she should speak to each and all of the thirteen who voted for the bonuses to get them to change their minds. The Byas not only need the income from Sandra's job but Manu believes the job is a symbol for Sandra of her own self worth, important now in her tenuous mental state. As Sandra reluctantly goes about this task, she finds that not only is she uncomfortable being in this somewhat confrontational situation, but that the people who voted against her have their own household conflicts over their own EUR1,000, which would keep some of them afloat financially. As the weekend progresses, Sandra will find if she is strong enough emotionally to deal with the situation.

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