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As the world is in the middle of an industrial revolution, a monster appears that cannot be defeated unless its heart, which is protected by a layer of iron, is pierced. By infecting humans with its bite, the monster can create aggressive and undead creatures known as Kabane. On the island Hinomoto, located in the far east, people have built stations to shelter themselves from these creatures. People access the station, as well as transport wares between them, with the help of a locomotive running on steam, called Hayajiro. Ikoma, a boy who lives in the Aragane station and helps to build Hayajiro, creates his own weapon called Tsuranukizutsu in order to defeat the creatures. One day, as he waits for an opportunity to use his weapon, he meets a girl named Mumei, who is excused from the mandatory Kabane inspection. During the night, Ikuma meets Mumei again as he sees Hayajiro going out of control. The staff on the locomotive has turned into the creatures. The station, now under attack by Kabane, is the opportunity Ikoma has been looking for.

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

An innovative look at the life of fictional Mafia Capo Tony Soprano, this serial is presented largely first person, but additional perspective is conveyed by the intimate conversations Tony has with his psychotherapist. We see Tony at work, at home, and in therapy. Moments of black comedy intersperse this aggressive, adult drama, with adult language, and extreme violence.

The Byrdes and their teenage kids, Charlotte and Jonah, are, for all intents and purposes, an ordinary family with ordinary lives. Except for the job of Marty, a Chicago financial advisor who also serves as the top money launderer for the second largest drug cartel in Mexico. When things go awry, Marty must uproot his family from the skyscrapers of Chicago and relocate to the lazy lake region of the Missouri Ozarks.

In 2012, Louisiana State Police Detectives Rust Cohle and Martin Hart are brought in to revisit a homicide case they worked in 1995. As the inquiry unfolds in present day through separate interrogations, the two former detectives narrate the story of their investigation, reopening unhealed wounds, and drawing into question their supposed solving of a bizarre ritualistic murder in 1995. The timelines braid and converge in 2012 as each man is pulled back into a world they believed they'd left behind. In learning about each other and their killer, it becomes clear that darkness lives on both sides of the law.

Daigo Kagemitsu, who works for a Samurai general in Japan's Warring States period, promises to offer body parts of his unborn baby to 48 demons in exchange for complete domination of the country. When the baby boy is born, Daigo has him thrown into a river, expecting the boy to die. A kind sage, however, finds him and adopts him. The sage fits out his poor son with prosthetics. Time goes by and the baby grows into a boy who calls himself Hyakkimaru. Every time Hyakkimaru eliminates a demon, he retrieves one of his body parts. Hyakkimaru rescues a boy thief named Dororo from a band of men whom the young boy tried to rob. Together they travel the countryside in search of the demons who possess Hyakkimaru's parts. Throughout their travels, they face a host of monsters and ghosts.

He's smart, he's good looking, and he's got a great sense of humor. He's Dexter Morgan, everyone's favorite serial killer. As a Miami forensics expert, he spends his days solving crimes, and nights committing them. But Dexter lives by a strict code of honor that is both his saving grace and lifelong burden. Torn between his deadly compulsion and his desire for true happiness, Dexter is a man in profound conflict with the world and himself. Golden Globe winner Michael C. Hall stars in the hit SHOWTIME Original Series.

An innocent man is framed for the homicide of the Vice President's brother and scheduled to be executed at a super-max penitentiary, thus it's up to his younger brother to save him with his genius scheme: install himself in the same prison by holding up a bank and, as the final month ticks away, launch the escape plan step-by-step to break the both of them out, with his full-body tattoo acting as his guide; a tattoo which hides the layout of the prison facility and necessary clues vital to the escape.

The Elric brothers' mother is dead and their father has long since abandoned them. Deciding to perform a forbidden human transmutation to bring their mother back, they end up losing their bodies. Now Edward must join the military in order to gain certain alchemical privileges, with his one goal being to restore his brother to his original state. But with war on the horizon it's only a matter of time before they are both forced to question their morals and ultimately decide the value of human life.

The 16-year-old Izumi Shinichi lives with his mother and father in a quiet neighborhood in Tokyo. One night, worm-like aliens called Parasytes invade Earth, taking over the brains of human hosts by entering through their ears or noses. One Parasyte attempts to crawl into Shinichi's ear while he sleeps, but fails since he is wearing headphones, and enters his body by burrowing into his arm instead, taking over his right hand and is named Migi. Because Shinichi was able to prevent Migi from traveling further up into his brain, both beings retain their separate intellect and personality. As the duo encounter other Parasytes, they capitalize on their strange situation and gradually form a strong bond, working together to survive. This gives them an edge in battling other Parasytes, who frequently attack the pair upon realization that Shinichi's human brain is still intact. Shinichi feels compelled to fight other Parasytes, who devour humans as food, while enlisting Migi's help.

Narcos tells the true-life story of the growth and spread of cocaine drug cartels across the globe and attendant efforts of law enforcement to meet them head on in brutal, bloody conflict. It centers around the notorious Colombian cocaine kingpin Pablo Escobar (Wagner Moura) and Steve Murphy (Holbrook), a DEA agent sent to Colombia on a U.S. mission to capture him and ultimately kill him.

Tokyo has been decimated by a terrorist attack, and the only clue to the culprit's identity is a bizarre internet video. While paranoia spreads, two mysterious children form "Sphinx," a clandestine entity determined to pull the trigger on this world.

Explores the early relationship between renowned psychiatrist Hannibal Lecter and a young FBI criminal profiler who is haunted by his ability to empathize with serial killers.

Tired of the same old life, Rock, finds himself being recruited by pirates and now is sailing across the sea with Revy as their leader. Along with her crew, Butch and Benny. Now with rock joining them, they find something else waits for them beyond the horizon.

OZ chronicles McManus' (Terry Kinney) efforts to control the inmates of Em(erald) City as well as the drug trade and the violence. There have been many groups of inmates during the run of the show and not everybody makes it out alive. There are the gangstas (Adebisi, Wangler, Redding, Poet, Keene, Supreme Allah), Muslims (Said, Arif, Hamid Khan), Italians (Pancamo, Nappa, Schiebetta), bikers (Hoyt), Aryans (Schillinger, Robson, Mark Mack), Christians (Cloutier, Cudney), Latinos (Alvarez, Morales, Guerra, Hernandez), gays (Hanlon, Cramer), and a pile of others (the O'Riley brothers, Keller, Stanislovsky, etc.). And a great "everyman" character called Beecher offers a good look at a normal man who made one tragic mistake. Besides the regular inmates, there are guest stars such as Method Man, Luke Perry, Master P, Treach, etc. and a bunch of prison staff doctors (Dr. Nathan), a nun/psychologist (Sister Peter Marie), a bunch of guards--some honest, some crooked--and, of course, the warden, Leo Glynn. The whole thing is narrated and held together by inmate Augustus Hill, who provides the show with context and some sense of theme, and ties everything together nicely.

When chemistry teacher Walter White is diagnosed with Stage III cancer and given only two years to live, he decides he has nothing to lose. He lives with his teenage son, who has cerebral palsy, and his wife, in New Mexico. Determined to ensure that his family will have a secure future, Walt embarks on a career of drugs and crime. He proves to be remarkably proficient in this new world as he begins manufacturing and selling methamphetamine with one of his former students. The series tracks the impacts of a fatal diagnosis on a regular, hard working man, and explores how a fatal diagnosis affects his morality and transforms him into a major player of the drug trade.

The Empire of Britannia has invaded Japan using giant robot weapons called Knightmare Frames. Japan is now referred to as Area 11, and its people the 11's. A Britannian who was living in Japan at the time, Lelouch, vowed to his Japanese friend Suzaku that he'd destroy Britannia. Years later, Lelouch is in high school, but regularly skips out of school to go play chess and gamble on himself. One day, he stumbles on terrorists 11's who've stolen a military secret and is caught by a member of the Britannian task force sent after them, who is Suzaku. As the rest of the squad arrives, Suzaku is shot for disobeying orders, while the military secret, a young immortal witch, gives Lelouch the power of Geass, which makes anyone obey any order. While Suzaku is secretly made the pilot of Britannia's brand new prototype Knightmare, Lancelot, Lelouch becomes the masked Zero to lead the rebellion to destroy Britannia once and for all.

In a futuristic world where criminal intent is analyzed by the Sybil System, a new top of the class recruit, Akane Tsunemori, joins the police force; however, she always puts her own sense of justice above the judgment of Sybil. Police are helped by Enforcers (latent criminals disposed to high criminal intent), one of which is a former inspector who supports Akane's method of action.