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Tasya Vos is a corporate agent who uses brain-implant technology to inhabit other people's bodies, driving them to commit assassinations for the benefit of the company. While she has a special gift for the work, her experiences on these jobs have caused a dramatic change in her, and in her own life she struggles to suppress violent memories and urges. As her mental strain intensifies, she begins to lose control, and soon she finds herself trapped in the mind of a man whose identity threatens to destroy her own.

Anne produces third-rate gay porn. After her editor and lover Lois leaves her, she tries to win her back by shooting her most ambitious film yet with her trusted, flamboyant sidekick Archibald. But one of her actors is brutally murdered and Anne gets caught up in a strange investigation that turns her life upside down.

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Susie Bannion is a young American ballerina who travels to Berlin to study dancing at Madame Blanc's Markos Tanz Company, one of the world's most renowned schools. On her first day, one of the students who had been recently expelled from the school is murdered. As this appalling happening does not seem to be an isolated occurrence, the brilliant new student soon begins to suspect that the school might be involved in the homicide. Her mistrust heightens when Sarah, one of the girls at the school, tells her that before she was killed, Pat confided to her that she knew and guarded a terrifying secret.

The obnoxious, cynical and sarcastic web designer Owen lives with his girlfriend Isabelle. Owen has analysis with his psychiatrist Florence since he feels guilty for the fire that killed his parents and deformed his sister Pearl. When Isabelle discloses that she is pregnant, she asks Owen to make up with his only family composed by his estranged grandmother Violet and Pearl. Owen warns Isabelle that Violet is a nasty woman, but they travel to his hometown. Isabelle realizes that Owen has told the truth about Violet, but they stay for a couple of days more because of Pearl with tragic consequences.

In suburban Connecticut, upper-class high schooler Amanda (Olivia Cooke) euthanizes her crippled horse with a knife, resulting in charges of animal cruelty. Some time later, Amanda arrives at the home of the more popular and academically-inclined Lily (Anya Taylor-Joy). The girls had previously been best friends but grew apart after the death of Lily's father. They meet under the pretense of hanging out and having a casual tutoring session, but Amanda knows that her mother (Kaili Vernoff) has paid Lily to socialize with Amanda. Lily denies being paid, but Amanda, left emotionless by an unspecified mental disorder, is unfazed. Lily meets with Amanda again, this time voluntarily, and they rekindle their friendship..

Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

A brilliant painter facing the worst creative block of her life turns to anything she can to complete her masterpiece, spiraling into a hallucinatory hellscape of drugs, sex and murder in the sleazy underbelly of Los Angeles.

After a malicious data hack exposes the secrets of the perpetually American town of Salem, chaos descends and four girls must fight to survive, while coping with the hack themselves.

Soon-to-be-a-dad Michael makes a last ditch effort to save his longtime but addicted friend Chris from a foreseeable drug related death. Visiting Chris and handcuffing him to an exposed plumbing pipe, Michael forces his buddy into detox, but while watching over his friend he also discovers that all is not right within the territory Chris has drifted into. Situated on Indian Reservation land, the area seems to attract a number of strange people. Someone or some thing has a longtime interest in recording activities in the area, all captured on a variety of recording devices (CDs, film, phonographs, etc.). Michael comes to understand he's been pulled into the latest "story" of an unseen entity, one with a grizzly resolution projected for him and his pal unless they can possibly work out their own agreeable alternate ending.

BRAID is the female driven psychological thriller and horror story of Petula Thames and Tilda Darlings, two self proclaimed artists turned dealers and schemers on the run. The Girls moved to NYC to follow their dreams, but ended up getting involved in illegal activities instead. One unfortunate night, they mishandle eighty thousand dollars worth of narcotics and are given 48 hours to pay their vengeful drug lord back. The girls leave town and arrive at a desolate, gothic mansion in the countryside with the plan of robbing their wealthy childhood friend, Daphne Peters. Daphne inherited a fortune when she was little and has since been living secluded in the manor her whole life, growing into a dangerous schizophrenic agoraphobe, prisoner of the fantasy world the three created as children. To take her money the girls have to take part in Daphne's twisted and violent game of make believe. The three of them quickly descend into a deadly maze of hallucinations, role play, torture and murder. A female version of A Clockwork Orange, Mulholland Drive meets Heavenly Creatures meets Funny Games, with The Others twist at the end.

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, Christian invites a grieving Dani to join him and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in the North European land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing.

Outwardly, Reed leads a typical yuppie life living in a stylish apartment with his wife Mona and their newborn daughter, it afforded by a white collar professional career. But Reed has a need not only to kill, but kill in a specific way, with an ice pick. Rather than his initial target, he instead chooses as his victim an English speaking prostitute. On the pretense of an out of town conference, he leaves home, and instead checks into an upscale hotel, goes through the motions of the murder to ensure that that part of it goes off without a hitch, and hires his target prostitute through a service, the intended victim named Jackie. What Reed does not anticipate is that Jackie has her own agenda for their time together, which he at times believes is on her knowledge and acceptance of her fate at his hands. Regardless, what ensues is a psychological cat and mouse game between the two, it never clear who is the mouse and who is the cat.

Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a dizzying emotional spiral. When her skeptical friend Jane discovers Amy's feeling of imminent death to be contagious, they both begin bizarre journeys through what might be the last day of their lives.

In Daniel Goldhaber and Isa Mazzei's paranoid horror thriller "Cam," an erotic webcam performer finds her followers stolen by a doppelganger who hijacks her channel, pushes the sexual envelope further, and otherwise seems determined to destroy her life. Call it identity theft of a possibly supernatural kind.

The Los Angeles-set tale follows Ronnie, a man who runs a Disco Walking tour along with his browbeaten son, Brayden. When a sexy, alluring woman comes to take the tour, it begins a competition between father and son for her attentions. It also signals the appearance of an oily, slimy inhuman maniac who stalks the streets at night and strangles the innocent, soon dubbed 'The Greasy Strangler.'

As renowned for her morose nature as she is for her horror fiction, writer Shirley Jackson (Elizabeth Moss) is crafting yet another masterpiece when the arrival of newlyweds Fred and Rose disrupt her creative process and marriage to literary critic - and philandering professor - Stanley Hyman (Michael Stuhlbarg). As Stanley spars to maintain academic dominance over his would-be protégé Fred, Rose attempts to dampen her own ambitions and adjust to married life while living under the roof of their fiery intellectual hosts with quicksilver loyalties and myriad neuroses. When the motives of Shirley's literary muse prove elusive, Rose's curiosity and trusting nature make her tender prey for a brilliant author whose only allegiance is to her work.