A group of teenagers try to sort out their lives and emotions while bizarre experiences happen to each one, including alien abductions, bad acid trips, bisexual experiences, suicides, bizarre deaths, and a rape by a TV star. All of this happens before "the greatest party of the year".

Takes place beyond the solar system in a future that seems like the present. About a group of criminals who accept a mission in space to become the subjects of a human reproduction experiment. They find themselves in the most unimaginable situation after a storm of cosmic rays hit the ship.

In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.

An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps. He soon suspects that the spa's miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.

Keeping at bay his inner demons by devoting himself to art, metal drummer, Ruben, has been living for the moment for the past four years. Then, while on tour with his lead-singer/girlfriend, Lou, Ruben realises that his hearing is rapidly deteriorating. As this sudden hearing loss turns his world upside down, and numbing fear paired with angry denial take over, Ruben reluctantly accepts to join a small deaf community overseen by Joe, a compassionate Vietnam War veteran. Now, Ruben needs to find some solid ground, understand that being deaf is not a handicap and that deafness isn't something to fix. But, is Ruben willing to accept his new life and learn how to be deaf?

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

In his feature film directorial debut, comedian Bo Burnham deftly encapsulates the awkwardness, angst, self-loathing and reinvention that a teenage girl goes through on the cusp of high school. Given that the 27-year-old stand-up comic achieved fame as a teenager himself through YouTube by riffing on his insecurities, he is uniquely capable as the film's writer and director to tell the story of Kayla, an anxious girl navigating the final days of her eighth grade year, despite creating a protagonist female instead of male. Like Burnham did more than a decade ago, 13-year-old Kayla turns to YouTube to express herself, where she makes advice blogs in which she pretends to have it all together. In reality, Kayla is sullen and silent around her single father and her peers at school, carrying out most of her interactions with her classmates on Instagram and Twitter. Her YouTube videos are a clever narrative tool that provide insight into her inner hopes and dreams, much like an inspirational online diary. One of Eighth Grade's biggest triumphs is in its realism.

A stripper named Zola embarks on a wild road trip to Florida.

In this absurdist dark political satire, a somewhat nutty and naive impoverished African American preacher, who along with his worried family and a small group of followers wishes to bring hope to the Miami projects by preaching about his own version of God based on the liberation theology and African nationalism, is forced by a nefarious character to agree to an arms deal in order to save his family from eviction and possibly start his revolution for real. What the preacher doesn't realize is that he has become a target of a complex false flag operation by the FBI to first turn him into a terrorist and then arrest him and score points in the U.S.'s war on terror. However, what the FBI does not realize is that, although a vocal revolutionary, the preacher is also a firm believer in pacifism, a loyal citizen and a very unpredictable character.

Suburban soccer moms find themselves constantly competing against each other in their personal lives as their kids settle their differences on the field.

2019 film directed by Jocelyn DeBoer and Dawn Luebbe

In the mid 1990's, 20 French urban dancers join together for a three-day rehearsal in a closed-down boarding school located at the heart of a forest to share one last dance. They then make one last party around a large sangria bowl. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night. If it seems obvious to them that they have been drugged, they neither know by who nor why. And it's soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music. While some feel in paradise, most of them plunge into hell.

In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a wild night of partying with symptoms of a strange illness and recurring visions as she struggles to get a grip on reality while stories of conspiracy spread.

In a dystopian future, an unidentified virus has caused a neurological disease of global proportions, decimating the majority of the earth's population. Little by little, as we observe the lives of a handful of survivors who still remain relatively unharmed by this illness, we understand their struggle to hopelessly attach to their former way of life, where even the simplest of affairs require great effort to be accomplished. Ultimately, as the last remaining souls suffer from varying degrees of memory loss, the urgent and paramount need to move forward with their lives will become an arduous task and a fierce battle with the inevitable.

Syd March is an employee at a clinic that sells injections of live viruses harvested from sick celebrities to obsessed fans. Biological communion - for a price. Syd also supplies illegal samples of these viruses to piracy groups, smuggling them from the clinic in his own body. When he becomes infected with the disease that kills super sensation Hannah Geist, Syd becomes a target for collectors and rabid fans. He must unravel the mystery surrounding her death before he suffers the same fate.

Against the backdrop of insufferable domestic ennui, the soft-spoken former saleswoman and newlywed housewife, Hunter, is struggling to stretch the bars of her gilded cage, a lavish and immaculate modernist villa in New York, even though she seems to have it all. But, more and more, as sad Hunter tries, unsuccessfully, to meet her controlling family's expectations, compliance turns into submission, obedience transforms into obsession, and pica, a compulsive eating disorder, starts to take over. Now, swallowing non-nutritive objects and engaging in increasingly impossible tasks becomes Hunter's dangerous newfound addiction, and there's no telling how far she'll go to maintain a false and fleeting sense of power. Who can save Hunter from herself?

18-year-old Pauline lives with her family, including younger sister Grace who has Cystic Fibrosis. Pauline has delusions of being a great surgeon, and she also has some horrific dreams that she actually finds "stimulating," to say the least. Her family puts up with her delusions, and her school classmates find her annoying. As this is all happening around her, she has a plan that will leave them all shocked--and some of them may not survive.

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