As a hall fills with performers, a narrator says that flamenco came from Andalucia, a mix of Greek psalms, Mozarabic dirges, Castillian ballads, Jewish laments, Gregorian chants, African rhythms, and Iranian and Romany melodies. The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba. Families present numbers, both festive and fierce. The camera and the other performers are the only audience.

1995 Spanish documentary film directed by Carlos Saura

In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.

1986 Spanish musical film directed by Carlos Saura

A group of flamenco dancers are rehearsing a very Spanish version of Bizet's dramatization of Prosper Merimee's novella Carmen. The choreographer Antonio falls in love with Carmen, the main dancer. Their story then turns similar to the play.

Roseanne McNulty must vacate the soon-to-be demolished mental institution in Roscommon, Ireland that she's called home for over 50 years. The hospital's psychiatrist, Dr. William Grene, is called in to assess her condition. He finds himself intrigued by Roseanne's seemingly inscrutable rituals and tics, and her fierce attachment to her Bible, which she has over the decades transformed into a palimpsest of scripture, drawings, and cryptic diary entries. As Grene delves deeper into Roseanne's past, we see her as a young woman, whose charisma proves seductive. We learn that she moved to Sligo to work in her aunt's café, fell in love with a dashing fighter pilot, and that a local priest fell tragically in love with her.

Beginning - At first they seem very, awkward and of course they have nothing to say to each other, it's been years. They go out to get some coffee and they bond for a while, you start to see their friendship, Amanda seems reserved whilst Jim seems more forward and more talkative. It just happens that they both left their hometown, sort of symbolizes their fear of having to confront their past for years to come. But they both come back and happen to run into each other, just coincidental.

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movie

Aysegul Hatay

1981 Spanish musical film directed by Carlos Saura

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More lists by Aysegul Hatay

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