Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad's house; worse behavior gets her tossed from Rose's apartment. Then, while searching in her father's desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

Birdee Calvert-Pruitt is back in her hometown of Smithville, Texas, after discovering that her husband is having an affair with her best friend, Connie. The entire town knows what happened to flawless beauty Birdee since Connie let her know about the affair on a national talk show. Back in town, she's dealing with catty old friends and acquaintances from high school who can't help rubbing it in her face that she isn't as perfect as she thought while still trying to get back on her feet with her daughter, Bernice. Deeply depressed, she runs into an old friend, Justin Matisse, who tries to help her through, but is still in love with her. Birdee must make a new life for her and her daughter, but will Justin be able to be part of it?

Growing up in the Redneck country isn't easy for shy Jess Aarons, with a father struggling to make ends meet, three arrogant bigger sisters and a 'baby' he has to take to school and watches generally. In class he bonds with cheeky newcomer Leslie Burke, whose scientist parents moved into the neighboring villa, despite her taking his only local prestige by beating him in the race. Wandered off after school in the woods, they invent a fantasy land Terabithia, where they can be the superheroes of imaginary feral races. Together they also stand up against school bullies, but then tragedy strikes and Jess must adjust again.

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth. Sara's belief that "every girl's a princess" is tested to the limit, however, when word comes that her father was killed in action and his estate has been seized by the British government.

In 1957, when second-graders Bryce Loski and Julianna "Juli" Baker first meet, Juli knows it's love, but Bryce isn't so sure and tries to avoid Juli. By the sixth grade, in 1961, Bryce tries to get rid of Juli by dating Sherry Stalls, whom Juli despises. However, Bryce's best friend, Garrett, takes an interest in Sherry and eventually tells her the truth about Bryce asking her out; she doesn't take it well. From Juli's perspective, Bryce returned her feelings, but was shy. After finding out Bryce and Sherry broke up, she thought she could have Bryce back. But then they reconsider their decisions as time goes on. In 1962, Bryce's grandfather Chet Duncan moves in with the family. Chet has different views about Juli. There's a large, old sycamore tree that Juli loves which no one else understands. One day, it's cut down by a group of landscapers so a house can be built there, despite Juli's opposition. She becomes very depressed afterwards, as the tree let her see the world in a more enlightened way. Her father gives her a painting of the tree.

A fourteen-year-old girl in suburban 1970's Pennsylvania is murdered by her neighbor. She tells the story from the place between Heaven and Earth, showing the lives of the people around her and how they have changed all while attempting to get someone to find her lost body.

1972. Vada Sultenfuss (played by Anna Chlumsky) is an intelligent, bubbly, hypochondriacal 11-year old girl. Her father, Harry (Dan Aykroyd), is a mortician and a widower. Her best friend is Thomas J Sennett (Macaulay Culkin). Then her father hires a new receptionist, Shelly (Jamie Lee Curtis), and life will never be the same again.

late 19's early 20's movies