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Picture of a movie: The Twilight Saga: Breaking Dawn - Part 2
Picture of a movie: The Twilight Saga: Breaking Dawn - Part 1
Picture of a movie: The Twilight Saga: Eclipse

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Picture of a movie: Twilight
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Twilight

2008
Bella Swan has always been a little bit different. Never one to run with the crowd, Bella never cared about fitting in with the trendy girls at her Phoenix, Arizona high school. When her mother remarries and Bella chooses to live with her father in the rainy little town of Forks, Washington, she doesn't expect much of anything to change. But things do change when she meets the mysterious and dazzlingly beautiful Edward Cullen. For Edward is nothing like any boy she's ever met. He's nothing like anyone she's ever met, period. He's intelligent and witty, and he seems to see straight into her soul. In no time at all, they are swept up in a passionate and decidedly unorthodox romance - unorthodox because Edward really isn't like the other boys. He can run faster than a mountain lion. He can stop a moving car with his bare hands. Oh, and he hasn't aged since 1918. Like all vampires, he's immortal. That's right - vampire. But he doesn't have fangs - that's just in the movies. And he doesn't drink human blood, though Edward and his family are unique among vampires in that lifestyle choice. To Edward, Bella is that thing he has waited 90 years for - a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. Somehow or other, they will have to manage their unmanageable love. But when unexpected visitors come to town and realize that there is a human among them Edward must fight to save Bella? A modern, visual, and visceral Romeo and Juliet story of the ultimate forbidden love affair - between vampire and mortal.
Picture of a movie: Return to the Blue Lagoon
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Return to the Blue Lagoon

1991
While the general theme of this film resembles "The Blue Lagoon" (the film for which this is a sequel), the basic plot is quite different. We open the film with a ship finding the craft with our original characters in it, Richard and Emmeline dead and Paddy alive. Established in the first film, the only word Paddy ever says is "Richard", so the crew assumes Richard is the infant's name. Taken in by Sarah, a widow with an infant baby girl Lilli, Richard (Paddy) is cared for in a return to civilization. Struck by cholera, the crew of the ship start to die and the captain sets Sarah, Richard, Lilli and a healthy crew member on a lifeboat in an attempt to preserve their lives. With water and food running short, the crew member escorting Sarah and the children becomes dangerous, so Sarah takes the only course of action she feels suitable to preserve the children: she strikes him and throws him overboard. Taking control of the small craft, she eventually guides them back to the island of the first film. The infant Richard, recognizing where he is, finds his home and is very upset not to find his parents. Fixing up the hut and settling in the children, Sarah begins their life on the island, slowly teaching the children survival tools, as well as schooling them as though they were in school, and teaching them slowly about the facts of life, including Lilli's eventual growth to womanhood. When Sarah dies from pneumonia, she leaves the children far more prepared than Richard and Emmeline in the first film. Years later as the children grow into adulthood, the film skims the same themes as the first of their developing relationship, and introduces the characters to civilization when a ship, low on fresh water, stops on their island and offers to take them home. After a confrontation with one of the crew and the captain's daughter, Lilli finds herself pregnant and they decide to stay, as they feel the civilization the visitors have to offer will not compare to the life they lead on the island.