In the Middle Of

This semi-autobiographical dark comedy starring Tig Notaro follows her as she returns to her hometown after the sudden death of her mother. Still reeling from her own declining health problems, Tig struggles to find her footing with the loss of the one person in her life who understood her. All while dealing with her clingy girlfriend and her dysfunctional family.

The heirs of a wealthy Southern businessman hatch a plan to get a piece of his fortune.

Stella (Lucy Hale) has lived the last 8 years of her life making everyday count. 8 years ago she was diagnosed with cancer, but when she finds out that her cancer has been cured, she struggles to make some life choices. How do you make choices when there isn't a weight on your shoulders anymore?

A group of successful female executives who have been friends since college turn to each other for guidance as they juggle their careers with family in New York City.

THE BIG LEAP is a big-hearted, rowdy dramedy about a group of diverse, down-on-their-luck characters attempting to change their lives by participating in a potentially life-ruining reality dance show that builds to a live production of Swan Lake. What this group of underdogs lack in dance training, they make up for with their edge, wit, and desire to reimagine an iconic story to fit their own mold. THE BIG LEAP is a modern tale about second chances and chasing your dreams and taking back what's yours. Inspired by a U.K. reality format, THE BIG LEAP is an innovative show-within-a-show that takes viewers on a journey of self-acceptance, body-positivity, and empowerment at any age.

A deep cut into the days and nights of a public schoolteacher in the San Fernando Valley.

Callie and Mariana Foster move to Los Angeles and begin their lives as young adults.

Beth's life looks pretty great on paper. Impressive to everyone she grew up with. She makes a good living as a wine distributor. She's in a long-term relationship with an attractive, successful guy and lives in Manhattan. But when a sudden incident forces her to engage with her past, her life changes forever.

An American socialite runs off to join a Renaissance Faire after her wedding goes awry.

A self-destructive woman who has a spiritual awakening becomes determined to live an enlightened life, creating havoc at home and work.

Flight attendant Cassandra Bowden wakes in her hotel room in Bangkok, hungover from the night before and with a dead body lying next to her. Afraid to call the police, she continues her morning as if nothing happened, joining the other flight attendants and pilots traveling to the airport. In New York, she is met by FBI agents who question her about her recent layover in Bangkok. Still unable to piece the night together, she begins to wonder if she could be the killer.

Inspired by the book Satan's Sisters written by Star Jones, one of the original co-hosts of The View, the series will chronicle the daily fireworks that erupt between the five female co-hosts of fictitious long-running talk show entitled "The Lunch Hour". On screen, they are best friends with five very different points of view, but behind the scenes, they inhabit a world of power struggles, cat fights and cocktails.

Why Women Kill details the lives of three women living in three different decades: a housewife in the '60s, a socialite in the '80s, and a lawyer in 2019, each dealing with infidelity in their marriages. The series examines how the roles of women have changed, but how their reaction to betrayal - has not.

A woman seeks out ways to change her life without changing her body.

"The Bold Type" is inspired by the life of "Cosmopolitan" editor in chief, Joanna Coles. The show is a glimpse into the outrageous lives and loves of those responsible for a global women's magazine. Their struggles are about finding your identity, managing friendships and getting your heart broken, all while wearing the perfect jeans to flatter any body type.

Sam is a true Kansan on the surface, but, beneath it all, struggles to fit the hometown mould. Grappling with loss and acceptance, she discovers herself and a community of outsiders who don't fit in but don't give up.

Follows Samantha Fink who, after a spectacularly embarrassing public breakdown, is forced to move back home with her overbearing mother to sober up and avoid jail time.

Kevin Can Fk Himself follows the story of Allison McRoberts (Murphy), a woman we all grew up believing we knew: the prototypical Sitcom Wife. She's beautiful and can take a joke (though she's usually the butt of them). And she's married to a guy who must've won some sort of marriage lottery, because she looks the way she does and he's... funny. But what happens when we follow Allison out of her husband's domain? When she finally wakes up to (and revolts against) the injustices in her life? Kevin Can FK Himself breaks television convention and blends multi-camera comedy with single-camera realism to make us ask, "who and what have we been laughing at all of these years?"