Shit that i like ✩

The film follows Nishi, a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, the film follows Nishi as he journeys to heaven and back, and ends up trapped in an even more unlikely place. Nishi (and some friends) attempt to break out of their trap, and discover what it truly means to be alive along the way. This is a mind-bending trip that uses some of the most innovative animation ever created.

Slaves and masters dominate the narrative of the faraway world of Ygam. Set around the lifespan of Terr, a minute human shaped Om slave, and pet, of the giant blue alien Draags. Escaping into the wilderness and with a device used for intellectual advancement of the Draags, Terr finds refuge and support from fellow Oms and using the learning tool, he finds that knowledge is power and then sets to use the new found knowledge to revolt against the Draag masters...

2019. 31 years after being destroyed during World War 3, Tokyo (now 'Neo-Tokyo') has been rebuilt and is a thriving metropolis. Shotaro Kaneda is the leader of a biker gang. His friend Tetsuo is injured in an accident and taken to a top-secret government facility. He develops telekinetic powers but decides to use them for evil rather than good. He has the same powers as Akira, the force that destroyed Tokyo in 1988, and now it appears that history will repeat itself.

A memorably bizarre screen version of Lewis Carroll's novel 'Alice's Adventures in Wonderland', mixing one live actor (Alice) with a large variety of stop-motion animated creatures, ranging from the complex (the White Rabbit) to the incredibly simple (the Caterpillar, consisting of a sock, a couple of glass eyes and a pair of false teeth). The original story is followed reasonably faithfully, though those familiar with this director's other films won't be the least bit surprised by the numerous digressions into Svankmajer territory, living slabs of meat and all. As the opening narration says, it's a film made for children... perhaps?

Oshare (Gorgeous) is excited about spending summer vacation with her father, until she finds out that his beautiful, freakishly serene girlfriend Ryouko would be going as well. Oshare decides she will be going to her aunt's house in the country instead. She brings with her her friends from school - Fanta (who likes to take pictures, and daydreams a lot), KunFuu (who has very good reflexes), Gari/Prof (who is a major nerd), Sweet (who likes to clean), Mac (who eats a lot), and Melody (a musician). However, the girls are unaware that the house is actually haunted. When they arrive at the house, crazy events take place and the girls disappear one by one while slowly discovering the secret behind all the madness.

Mima leaves the idol group CHAM, in order to pursue her dream as an actress. Mima climbs up the rocky road to success by performing as rape victims and posing nude for magazines, but is haunted by her reflections of the past.

There has been peace between the worlds of the mortals and the supernatural for centuries, but the balance is now being threatened. The Radical elements from the Supernatural world are crossing over into the mortal universe for the purpose of destroying the peace forever!

Seven short films from different directors. Atsuko Fukushima's intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with "Happy Machine," his spin on a child's earliest year. Shinji Kimura's spookier "Deathtic 4," meanwhile, seems to tap into the creepier corners of a child's imagination and open up a toybox full of dark delights. Hideki Futamura's "Limit Cycle" conjures up a vision of virtual reality, while Yuji Fukuyama's "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with "Shanghai Dragon," takes the tropes and conventions of traditional anime out for very fun joyride.

In Treasure Town, life can be both peaceful and violent. This is never truer than for our heroes, Black and White - two street kids who claim to traverse the urban city as if it were their own. But in this town, an undercurrent of evil exists and has its sights set on the pair of brothers, forcing them to engage in battle with an array of old-world Yakuza as well as dangerous assassins vying to rule the decaying metropolis, Treasure Town.

Blessed--and at the same time cursed--with the precious but fatal gift of beauty, the young peasant, Jeanne, falls in love with the beautiful villager, Jean, in middle-aged France. However, as the village's foul feudal lord exercises the "Droit du Seigneur" or the "Right of the First Night" on the couple's wedding night, a desperate plunge to a world of disturbing hallucinations will eventually lead Jeanne to a damned Faustian bargain with the Prince of Darkness. Thirsting for power and sweet retribution, Jeanne will gradually transform into an omnipotent and destructive vessel of seduction, as her newly acquired powers go hand in hand with the blackest of witchcraft. Is there a limit to Jeanne's hatred?

A young anthropomorphic cat goes on a psychedelic journey with his sister in order to save her soul.

When a Yakuza boss named Anjo disappears with 300 million yen, his chief henchman, a sadomasochistic man named Kakihara, and the rest of his mob goons go looking for him. After capturing and torturing a rival Yakuza member looking for answers, they soon realize they have the wrong man and begin looking for the man named Jijii who tipped them off in the first place. Soon enough Kakihara and his men encounter Ichi, a psychotic, sexually-repressed young man with amazing martial arts abilities and blades that come out of his shoes. One by one Ichi takes out members of the Yakuza and all the while Kakihara intensifies his pursuit of Ichi and Ichi's controller Jijii. What will happen as the final showdown happens between the tortured and ultra-violent Ichi and the pain-craving Kakihara?

A love story between two people that each have a secret to hide. One a pro-wrestler, the other a Nun. Losing never felt so good.

A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star, Chiyoko Fujiwara, who has been a recluse since she left acting some 30 years ago. Tachibana delivers a key to her, and it causes her to reflect on her career; as she's telling the story, Tachibana and his long-suffering cameraman are drawn in. The key was given to her as a teenager by a painter and revolutionary that she helped to escape the police. She becomes an actress because it will make it possible to track him down, and she spends the next several decades acting out that search in various genres and eras.

Mad with pain by the festering wound in his thigh, an extreme sado-sexual "Metal Fetishist" dashes out into the street, and is accidentally hit by the car of a white-collar worker and his girlfriend. But, strangely, instead of dying, the salaryman finds himself before a mysterious and agonisingly majestic transformation--one that twists and bends the pliable human flesh, inextricably intertwining it with the strong and cold iron. Now, there is no turning back, and nothing can stand in the way of the glorious final mutation. Is this the beginning of a new era?

Metropolis is a visually stunning, rich, and memorable pleasure. It's contributors have brought us other classics such as Astroboy and Akira. The story takes place in the muti-leveled, fascinating, megalopolis called Metropolis. Metropolis is loosely ruled by Duke Red, who is close to presenting his ultimate work, an advanced AI robot girl named Tima. His son; however, is an opponent of AI and resents Tima. Tima finds herself deep within the labyrinth of Meteoplolis. She befriends the kind son of a police officer and begins exploring her new world. When Duke Red's son separates this new friendship, he puts much more at risk than anyone thought possible.

"Memories" is made up of three separate science-fiction stories. In the first, "Magnetic Rose," four space travelers are drawn into an abandoned spaceship that contains a world created by one woman's memories. In "Stink Bomb," a young lab assistant accidentally transforms himself into a human biological weapon set on a direct course for Tôkyô. The final episode, "Cannon Fodder," depicts a day in the life of a city whose entire purpose is the firing of cannons at an unseen enemy.

Three scientists at the Foundation for Psychiatric Research fail to secure a device they've invented, the D.C. Mini, which allows people to record and watch their dreams. A thief uses the device to enter people's minds, when awake, and distract them with their own dreams and those of others. Chaos ensues. The trio - Chiba, Tokita, and Shima - assisted by a police inspector and by a sprite named Paprika must try to identify the thief as they ward off the thief's attacks on their own psyches. Dreams, reality, and the movies merge, while characters question the limits of science and the wisdom of Big Brother.