To ease their roommate through a relationship-induced depression, Christina Walters and Courtney Rockcliffe take her out on the town. During their attempts to find her "Mr. Right Now", Christina meets Peter Donahue. Missing her opportunity with him that night, Christina is talked into pursuing him to his brother's wedding.

Two girls at an elite Parisian ballet academy have their bond and bodies tested as they compete for a contract to join the company of the Opéra national de Paris.

CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th-century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

At 16, Nick Twisp is wry about his teen funk: he lives in Oakland with his sex-addled mother; his father's child support is her meal ticket. While camping in Ukiah, Nick meets Sheeni: for him, it's love at first sight. Nick has to figure out how to get his father a job in Ukiah, then how to get sent to live with his father, then how to get close to Sheeni, whose religious parents may want her sent away from temptation to a boarding school. There's also Sheeni's all-American boyfriend to contend with. Overwhelmed by the challenges, Nick's about to give up when he conjures an alter ego who whispers revolt into his ear. Nick is not altogether hapless, but can this end well?

Greetings from Tim Buckley follows the story of the days leading up to Jeff Buckley's eminent 1991 performance at his father's tribute concert in St. Ann's Church. Through a romance with a young woman working at the concert, he learns to embrace all of his feelings toward the father who abandoned him - longing, anger, forgiveness, and love. Culminating a cathartic performance of his father's most famous songs, Jeff's debut stuns the audience and launches his career as one of the greatest young musicians of his time.

Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle's friends reject due to her sexuality, and by association most begin to reject Adèle. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adèle and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship.

Tracey Berkowitz, 15, a self-described normal girl, loses her 9-year old brother, Sonny. In flashbacks and fragments, we meet her overbearing parents and the sweet, clueless Sonny. We watch Tracey navigate high school, friendless, picked on and teased. She develops a thing for Billy Zero, a new student, imagining he's her boyfriend. We see the day she loses Sonny and we watch her try to find him. In bits and pieces, we see what leads up to her riding in the back of a city bus wrapped in a shower curtain. Coming of age, or just surviving?

Based on the award-winning critically-acclaimed short film, "Love is All You Need?" is the theatrical feature-length version that explores bullying, racism, and prejudice in a way never done before on the big screen. As you read this, a preteen or teen in the United States has committed suicide. Teen suicide in the LGBT community has gained immense popularity on a larger social scale then ever before. While the interest in this social dilemma is thrust into the spotlight, none have ever before addressed this social issue in such a manner as Kim Rocco Shields' newest film. Love Is All You Need? thrusts its audience into another thought of existence that does more than just acknowledge there is a serious social problem affecting the gay community and does more than just talk about the issue. In Love Is All You Need? its audience lives the issue. Different people and their individual, unique lives intertwine and collide in a world confronted with controversy and forbidden love. This world is very much like our own: filled with family gatherings at church, kids playing in the yard, and college frat parties. Except these families are led by same-sex couples, and homosexuality is the expectation. To be heterosexual is to be shunned and ridiculed because it means you are different. In this world, to be GAY is right and to be STRAIGHT is wrong. That's the world of Jude Klein, star quarterback of the Sparta University football team. While celebrating her most recent win at the Phi Beta Lambda fraternity house party, Jude meets sports journalist Ryan Morris. The two quickly form a romantic bond that must be hidden from the rest of the world. Cold, cruel local priest Rachel Duncan discovers this secret affair and is inspired to fervently organize a hateful campaign against the local "hetero". Meanwhile, 11-year-old Emily is often teased at her elementary school and kicked off her school's football team. She finds comfort in her new friendship with Ian Santilli, one of her male classmates. Ashley forms a crush on her new playmate, despite how strongly her mother Karen is against being straight. These separate stories connect to one another in unexpected ways as each of them struggle with their own problems in this "gay" world. When you live in a world that hates the way you love, is really love all you need?

Charlie is a troublesome 18-year-old who breaks out of a youth drug treatment clinic, but when he returns home to Los Angeles, he's given an intervention by his parents and forced to go to an adult rehab. There, he meets a beautiful but troubled girl, Eva, and is forced to battle with drugs, elusive love and divided parents.

18-year-old Matthew Kidman is a straight 'A' over-achiever who feels that he has never really lived life to the full. That is, until he meets 'the girl next door'. Danielle moves in next door, and Matthew thinks he's found the girl of his dreams. All is going well, until Matthew's sex-mad friend Eli reveals that Danielle is actually a ex-porn star. Matthew doesn't know how to take the news or how to treat Danielle, and things go from bad to worse when Danielle's former producer Kelly appears to take her back.

Rural Louisiana, summer of 1957, Elvis is King. At 14, Dani is coming of age. Her older sister is beautiful, smart, and off to Duke in the fall; her mom's pregnant with number four (Dad wants a son), and Dad's pretty strict. Life gets sweeter when 17-year-old Court Foster, his widowed mom, and two little brothers move into the vacant farm next door. Court likes Dani's high spirits and direct way, and though he has a man's responsibilities on the farm, they go off swimming sometimes. The waters of adolescence are deeper than Dani realizes as hers and Court's feelings get jumbled. Then Mother Nature throws wrenching surprises at Dani, and she must come to terms with new emotions.

Jay Hernandez stars as Carlos Nunez, a poor but athletically gifted Latino teenager who endures a two-hour bus ride every day from East L.A. to attend the posh, wealthy Pacific Palisades High School in Los Angeles on a football scholarship. A straight-A student, Carlos is focused and driven, but his future is cast in doubt when he becomes the flirtation target of spoiled, self-destructive bad girl Nicole Oakley (Kirsten Dunst), who's the daughter of a prominent congressman (Bruce Davison). When his friends, family, and even Nicole's own father oppose the romance for Carlos' sake, he chooses to ignore their advice and stubbornly pursues his relationship with Nicole, whose feelings grow from simple physical attraction to something much deeper.

A coming-of-age drama about a former child actress attending college in search of independence and who ends up becoming romantically involved with a female professor.

Grown Up Movie Star tells the story of disgraced NHL star Ray and his precocious daughters Ruby and Rose. Once the town hero, Ray has returned home to Newfoundland from the US following a drug conviction, only to have his wife Lillian leave him for another man and aspirations of stardom. With Lillian gone, Ray flails from woman to woman trying to find a replacement for her, while struggling against a growing awareness of his homosexuality. At loose ends for lack of guidance, Ruby is becoming increasingly curious about her own sexuality and, in a desperate plea for attention, putting herself in increasingly risky situations. Ruby begins spending more and more time with Ray's best friend Stuart, confined to a wheelchair following an accident involving Ray. When Stuart finds himself attracted to Ruby, dangerously motivated by fear and anger, he leads the three of them towards a heartbreaking conclusion.

Jackie Kimball is a likable, normal 17-year-old girl in every way but one: she has been in love all her life with her brother Matthew, one year older than her. Matthew is bringing his new girlfriend Yolanda home to dinner at the Kimball house, and Jackie's melodramatic anguish disrupts the family's preparations. Surprisingly sociable during the dinner, Jackie later confronts her brother tearfully in the attic room that is their traditional meeting place. Matthew and Jackie have been symbiotically close all their lives, but Matthew doesn't share Jackie's incestuous inclinations, and Jackie has no choice but to deal with the intrusion of adult life upon their childhood intimacy. Long widowed, Jackie's mother Alice is a sympathetic but detached presence, often found at her writing desk, drinking coffee and composing letters and journals. An older brother, Will, is an exchange student abroad; sister Jeanne, impatient with Jackie's flamboyance, is poised to leave home soon. Though Jackie makes little effort to hide her love for Matthew, the family prefers to interpret the attraction as a long-standing childhood phase. Jackie has school friends, but no interest in other boys. Matthew's unexpected breakup with Yolanda gives Jackie a temporary reprieve from her grief, and brother and sister spend a pleasant summer together, capped by an idyllic evening out at a concert. Always monitoring Matthew for any sign that he might become receptive to her overtures, Jackie is filled with melancholy as summer wanes and Matthew's departure for college approaches. Jackie takes the separation hard, and her concerned mother sends her to psychotherapy. Though the therapy is paralyzed at first by her habitual secrecy about her feelings for Matthew, Jackie eventually becomes close to her therapist Linda and develops a fascination with the therapeutic process. Meanwhile, she and Matthew keep up contact via video letters and a host of electronic media. Out of restlessness, Jackie tries her hand with boys, and manages to seduce an attractive classmate named Tristan. Though she learns that she enjoys sex, she has little emotion invested in this new pastime, and she does not hesitate to alienate Tristan when Matthew returns on vacation. Delighted at Matthew's return, Jackie regales him with tales of her sexual explorations. Encouraged at Matthew's unfazed response, and emboldened by her recent experiences, Jackie makes a final attempt to attain her life-long goal.

Anna and Jacob fall instantly in love when they meet as students at an L.A. university. But Anna is British and when graduation approaches, Anna decides to stay and violate her student visa rather than returning to England. After a visit home, she is then unable to return to the United States. While fighting customs and immigration battles, Anna and Jacob must decide if their relationship is worth the distance and the hardship.

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