Marnie Edgar is a habitual liar and a thief who gets jobs as a secretary and after a few months robs the firms in question, usually of several thousand dollars. When she gets a job at Rutland's, she also catches the eye of the handsome owner, Mark Rutland. He prevents her from stealing and running off, as is her usual pattern, but also forces her to marry him. Their honeymoon is a disaster and she cannot stand to have a man touch her, and on their return home, Mark has a private detective look into her past. When he has the details of what happened in her childhood to make her what she is, he arranges a confrontation with her mother realizing that reliving the terrible events that occurred in her childhood and bringing out those repressed memories is the only way to save her.

Brandon and Philip are two young men who share a New York City apartment. They consider themselves intellectually superior to their friend David Kentley, and as a consequence, decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet, and their old schoolteacher Rupert, from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect.

Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon.

As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can't get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives - Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger - on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake's office for the first time, he learns that it isn't just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment. Dobisch, Kirkeby, Vanderhoff and Eichelberger are now feeling neglected as Baxter no longer needs their assistance in moving up.

In Hollywood of the 50's, the obscure screenplay writer Joe Gillis is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond, who lives alone with her butler and driver Max Von Mayerling. Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was her director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer, Norma becomes jealous and completely insane and her madness leads to a tragic end.

Frederick Manion (Ben Gazzara), a lieutenant in the army, is arrested for the murder of a bartender, Barney Quill. He claims, in his defense, that the victim had raped and beaten up his wife Laura (Lee Remick). Although Laura supports her husband's story, the local paper has reported that the police surgeon can find no evidence that she has been raped. Manion is defended by Paul Biegler (James Stewart), a humble small-town lawyer and recently deposed district attorney. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and also that his wife has a reputation for flirting with other men. Biegler realizes that the prosecution will try to make the court believe that Laura had been drunk and was picked up by the bartender and then her husband killed him and beat her up when he discovered they had been together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, tries to find evidence that will save Manion.

Ailing barrister Sir Wilfrid Robarts is thrust back into the courtroom in what becomes one of the most unusual and eventful murder case of the lawyer's career when he finds himself defending Leonard Vole, a man being tried for the murder of a wealthy woman. With Robarts choosing to represent him, the two find themselves up against Leonard's cold-hearted wife, Christine - who, in a surprising turn of events, chooses to appear in court against her husband.

1957 American film directed by Billy Wilder

The defense and the prosecution have rested, and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. What begins as an open-and-shut case of murder soon becomes a detective story that presents a succession of clues creating doubt, and a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, AND each other. Based on the play, all of the action takes place on the stage of the jury room.

A group of aspiring actors and filmmakers in post-World War II Hollywood try to make it big - no matter the cost.

ITells the story of the legendary rivalry between Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon) during their collaboration on the Academy Award®-nominated thriller What Ever Happened to Baby Jane? and after the cameras stopped rolling. The series explores how the two women endured ageism and misogyny while struggling to hang on to success and fame in the twilight of their careers.

The show consisted of forty episodes, half were live and half were on film. The shows, often involving murder, were designed to confuse and mystify the audience and dealt with their fears and suspicions.

Sir Alfred Hitchcock, the Master of Suspense hosts his own television show. Hitchcock introduced the show, which was then followed by a short half an hour episode which contained suspense, horror, and humor. After the story, Hitchcock would come back and end the show.

An anthology series modeled after and frequently based upon the original series of the 1950s-1960s. This version featured remakes of episodes from the original series as well as original stories.

old hollywood / classics

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