plan to watch

A city dweller, out for an evening stroll, hears a woman's cries for help and rescues her from an assailant who is trying to drown her in a public fountain. However, when our mild-mannered hero pulls her from the water, she proves to be not a woman but a harpy - with a woman's face and breasts and the body of bird of prey. He takes her home and treats her like a human, but she is true to her nature, mercilessly and ravenously taking command of the household, dispatching his pet, and trying to make sure he can't leave. When he does manage, by a clever ruse, to get out of the flat and enjoy a snack, things don't go as he'd hoped.

This is the story of Mr. Fox (George Clooney) and his wild ways of hen heckling, turkey taking, and cider sipping, nocturnal, instinctive adventures. He has to put his wild days behind him and do what fathers do best: be responsible. He is too rebellious. He is too wild. He is going to try "just one more raid" on the three nastiest, meanest farmers that are Walter Boggis (Robin Hurlstone), Nathan Bunce (Hugo Guinness), and Franklin Bean (Sir Michael Gambon). It is a tale of crossing the line of family responsibilities and midnight adventure and the friendships and awakenings of this country life that is inhabited by Fantastic Mr. Fox and his friends.

A memorably bizarre screen version of Lewis Carroll's novel 'Alice's Adventures in Wonderland', mixing one live actor (Alice) with a large variety of stop-motion animated creatures, ranging from the complex (the White Rabbit) to the incredibly simple (the Caterpillar, consisting of a sock, a couple of glass eyes and a pair of false teeth). The original story is followed reasonably faithfully, though those familiar with this director's other films won't be the least bit surprised by the numerous digressions into Svankmajer territory, living slabs of meat and all. As the opening narration says, it's a film made for children... perhaps?

Algiers, 1920s. Rabbi Sfar has more than one problem. His beautiful daughter Zlabya is becoming a teenager and above all, his parrot-killing cat has just started talking. The delivery of a box from Russia further complicates things when a painter is discovered inside, more dead than alive. He is on a quest for a hidden tribe and its mythical city in Africa. Convinced that the city exists, he sets off on an incredible adventure, taking with him the Rabbi, his cat, a wise old Arab Sheikh and an eccentric Russian millionaire.

In a fateful bumper car collision, Jake and Ella meet and become the most loving couple in the long history of romance. But when a scheming "other" woman drives a wedge of jealousy into their perfect courtship, insecurity and hatred spell out an untimely fate. With only the help of a disgraced magician and his forbidden "soul machine", Ella takes the form of Jake's numerous lovers, desperately fighting through the malfunction and deceit as they try to reclaim their destiny.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a stump in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real. When the root takes life they seem to have gained a child; but its appetite is much greater than that of a normal child.

A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter.

A world-weary yakuza in Tokyo is assigned to take his clan to Okinawa to help settle a dispute between two factions. He's suspicious of the assignment, but he goes, and within a couple days, his role remains unclear and several of men are dead. He retreats to a house on a remote beach to wait. The first night there , he rescues a young woman from an assault, and they develop a playful relationship. Over time, it becomes clear he's been set up, sent to Okinawa so that others can take over his lucrative territory. As his clan dwindles, he plans a revenge. But, what if he's successful? What is there to life anyway?

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

Details the story of a dying breed of stage entertainer whose thunder is being stolen by emerging rock stars. Forced to accept increasingly obscure assignments in fringe theaters, garden parties and bars, he meets a young fan who changes his life forever.

The 1960s. Fed up with the monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees New York City, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Now, immersed in a world surrounded by drugs and sex, Fritz takes part in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers. Will Fritz ever find what he's looking for?

Blessed--and at the same time cursed--with the precious but fatal gift of beauty, the young peasant, Jeanne, falls in love with the beautiful villager, Jean, in middle-aged France. However, as the village's foul feudal lord exercises the "Droit du Seigneur" or the "Right of the First Night" on the couple's wedding night, a desperate plunge to a world of disturbing hallucinations will eventually lead Jeanne to a damned Faustian bargain with the Prince of Darkness. Thirsting for power and sweet retribution, Jeanne will gradually transform into an omnipotent and destructive vessel of seduction, as her newly acquired powers go hand in hand with the blackest of witchcraft. Is there a limit to Jeanne's hatred?

Bill struggles to put together his shattered psyche, in this new feature film version of Don Hertzfeldt's animated short film trilogy.

Dreams. What are they? An escape from reality or reality itself? Waking Life follows the dream(s) of one man and his attempt to find and discern the absolute difference between waking life and the dreamworld. While trying to figure out a way to wake up, he runs into many people on his way; some of which offer one sentence asides on life, others delving deeply into existential questions and life's mysteries. We become the main character. It becomes our dream and our questions being asked and answered. Can we control our dreams? What are they telling us about life? About death? About ourselves and where we come from and where we are going? The film does not answer all these for us. Instead, it inspires us to ask the questions and find the answers ourselves.

Madame Souza, an elderly woman, instills in her grandson Champion (for who she acts as his guardian) a love of cycling. As a young man, he does become a dedicated road racer with his grandmother as his trainer. During a mountainous leg of the Tour de France in which Champion is racing, he goes missing. Evidence points to him being kidnapped. Indeed, he and two of his competitors were kidnapped, the kidnappers who want to use the threesome's unique skills for nefarious purposes. With Champion's overweight and faithful pet dog Bruno at her side, Madame Souza goes looking for Champion. Their trek takes them overseas to the town of Belleville. Without any money, Madame Souza and Bruno are befriended and taken in by three eccentric elderly women, who were once the renowned jazz singing group The Triplets of Belleville. The triplets help Madame Souza and Bruno try to locate and rescue Champion.

In the wake of his early but undeniable theatrical success in Broadway, the idealistic author of the proletariat and self-pitying 1940s New York playwright, Barton Fink, finds himself lured to dazzling Hollywood to write scripts for eccentric Jack Lipnick's Capitol Pictures. But, instead of writing a story pivoting around the common man, Fink's first screenplay turns out to be a

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. Svankmajer's Faust is a nondescript man who, after being lured by a strange map into a sinister puppet theatre, finds himself immersed in an indescribably weird version of the play, blending live actors, clay model animation and giant puppets.

The movie is about Sita, the Hindu Goddess from the epic "The Ramayana", who accompanies Lord Rama on a 14 year exile in forest. Sita is abducted by Ravana, the ruler of Lanka. This movie tells the story of Rama and Sita, along-with a biographical account of the director's relationship with her husband.