Why Women Kill details the lives of three women living in three different decades: a housewife in the '60s, a socialite in the '80s, and a lawyer in 2019, each dealing with infidelity in their marriages. The series examines how the roles of women have changed, but how their reaction to betrayal - has not.

American dark comedy-drama web television series

John Tavner doesn't really fit in with his quirky colleagues at the industrial piping corporation where he works. They don't really know much about him, but what they don't realize is that his life has been anything but mundane. To prevent Iran from going nuclear, he has assumed a fake persona as an average businessman when in reality he is actually a highly skilled intelligence officer, who took the piping job because of the routine business trips to Luxembourg, and because the job is secluded and too dull to be noticed. Unfortunately for him a European cop is at his heels trying to discover who he is, his incessantly grim and nervous coworker Mr. Icabod has figured out that he isn't who he says, and Steven, a chubby employee with a recent brain injury, is starting to remember a horrible act which John may have inflicted.

An existential comedy about a man struggling in life who undergoes a new treatment to become a better person, only to find that he's been replaced by a new and improved version of himself.

A news team attempts to create a news show that reports the news in an ethical and reasonable way. They take real, newsworthy events from our world as they're happening (such as bin Laden's justified killing, NSA spying, etc) and report on them as if they were an actual news station that followed rational and moral guidelines, in a biting criticism of our popular press and a clever blurring of art and reality.

American television political drama series

A self-destructive woman who has a spiritual awakening becomes determined to live an enlightened life, creating havoc at home and work.

Following the parallel lives of identical twin brothers Dominick and Thomas Birdsey in a story of betrayal, sacrifice and forgiveness.

Old New York the 1880's. Old Money and New Money are the opposites that attract to create a Post Civil War Era New York society. The Who's Who of society is carefully orchestrated by the Old Money folks that can't help but be fascinated and seduced by the "nouveau riche" folk. The lives of the characters are also merged with people from all walks of life.

After a fallout with their previous morning show co-host, the popular but #MeToo-scandal-ridden Mitch Kessler, a New York City TV station hires a new spunky journalist, the progressive and hotheaded southern girl Bradley Jackson, as the new co-host. The scheming station head manager Cory Ellison sees in her the chance to push his career further. The show's other popular co-host Alex Levy, disgruntled by the fact that she has to take in a newbie, tries to use this new situation to make her own power move and turn Bradley into an ally. Meanwhile, Mitch refuses to accept defeat and tries to take everyone in the station who knew about his sexual abuse scandal but said nothing down with him. Other characters include Chip Black, the show's cynical top producer and program organizer, Hannah Shoenfeld, the station's employee and Mitch's emotionally gutted silent victim, Yanko Flores, a romantic and the Morning Show's most popular reporter, Claire Conway, a British junior employee of the station and Yanko's smitten secret girlfriend, and Fred, the station's sleazy chief executive who tried to help Mitch cover up the scandal.

Luine: Maybe