Buddy (Affleck) has just signed an airline in Chicago as a big client, but is ironically delayed at the airport waiting for a flight to LA on that same airline. He meets fellow passenger Greg, who opts to be bumped, even though it means missing an activity with his older son. When the flight gets resumed, Buddy thinks he's doing a good deed by swapping tickets with Greg so he can get home to his son. Sadly, the flight crashes. Buddy conspires with his friend, the ticket agent that night, to take his name off the passenger list and put Greg's on. Once he's back in LA, his new client dictates that the company run a series of feel-good ads about the crash. Buddy feels very hypocritical, and completely loses it when the commercials win a Cleo. After going through re-hab, he decides he needs to check on Greg's widow. But he doesn't plan on falling in love with her.

Wealth can't spare three male generations of the dysfunctional Jewish New York Gromberg family grief or grim reality. However successful in life, Alex never felt pleasing pride or proper parental support from sprightly patriarch Mitchell, who sarcastically imposes his own values and priorities on everyone and everything. Alex starts despairing that his modern permissiveness may ruin his own bright firstborn, college-boy Asher, unlike adoring kid-brother Eli. A dorm-drug-bust pushes things to the limit -- or beyond?

Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, suffers a nervous breakdown and is committed to the state mental hospital. Dr. T's eldest daughter, Dee Dee, is planning to go through with her approaching wedding despite the secret that she's a lesbian and is romantically involved with Marilyn, the maid of honor. Dr T's youngest daughter, Connie, is a conspiracy theorist freak who has her own agenda to everything, while Dr. T's loyal secretary, Carolyn, has romantic feelings for him, which are not mutual. Dr. T's sister-in-law, Peggy, meddles in every situation she stumbles into, while one woman, Bree, a golf instructor, is the only one who offers him any comfort and salvation.

Chicago Sun Times copy editor Josie Gellar (25), who was desperate to graduate from perfectionist copy editor to reporter, gets her chance when the goody owner orders the editor to cover the high-school scene by undercover. Josie, who was a frustrated, ridiculed nerd, gets a popular make-over from her drop-out, naturally funny brother Rob Geller. Both siblings find love and joys of youth again. But in Josie's case, it's sensitive bachelor teacher Sam Coulson, who enjoys sophisticated conversation. As the publication deadline approaches, the price of blowing their cover seems ever more daunting, yet inevitable unless she sacrifices her career.

Donna Jensen was raised literally and figuratively on the wrong side of the trailer park in Silver Springs, Nevada. She always believed it was her destiny to get out of Silver Springs. After reading Sally Weston's book, Sally who is arguably the most famous now ex-flight attendant in the world, Donna believes the path to leaving Silver Springs is to become a flight attendant despite never having been on an airplane. After an initial bumpy start to this career, Donna shows a natural flair for the job, so much so that she applies to work for world class Royal Airlines, where Sally Weston mentors. After meeting Donna, Sally believes Donna is destined for flight attendant greatness, namely working first class in the New York-Paris flights. Donna believes in herself as a flight attendant, but has to overcome some obstacles, including flight attendant trainer John Witney, who has some hidden anger issues, and her friend Christine Montgomery who also wants to be a great flight attendant despite not having Donna's aptitude at it. In her path to the top of the profession, Donna also has to decide where Ted Stewart, the man with who she falls in love, fits in, he a law student based in the airline flight backwater of Cleveland.

It's an hour before Lucy's wedding and her best friend wants to hear all about what led up to that moment. So, Lucy tells about the five men she had blind dates with over the past year (Doug, Gabriel, Bobby, Barry, and Luke) and her experiences with each one. As each date is told at the same time as the other four, the many ups and downs of new relationships are shown. So, while some dates start off terribly, but end well others are just the opposite. But which one of the five men is Lucy about to walk down the aisle with?

Jake and Brian are friends. They are Jewish and Catholic respectively. They would grow up and become a rabbi and priest. Anna, whom they knew when they were younger, comes back to town a stunning woman. Jake is up to be the head of his synagogue but he is not married which doesn't make his appointment any easier. Jake finds himself attracted to Anna but because she's not Jewish, he can't marry her as it would make his appointment less likely. Brian also finds himself attracted to Anna, but the priesthood doesn't allow that. Their friendship is strained when each learns of the other's feelings for her.

Three stories of Angelenos linked linearly by people associated with each are told. In story one, Mamie works as a psychologist at an abortion clinic, she, in addition to providing counseling, assessing mental fitness and thus approving or declining the request by potential patients for the procedure. This job is somewhat ironic as she purportedly aborted a pregnancy when she was seventeen, nineteen years ago. Her stepfather urged her to go through with the pregnancy and give the baby up for adoption, he, now dead, the only person in her personal life who knew that she went through with it. She is approached by Nicky, an aspiring filmmaker, who has proof of her son's identity, said son who threw such information away in no longer wanting to contact her. As his application for a scholarship to the AFI, Nicky wants to make a film on Mamie "discovering" her son. Not wanting to have her story splashed across a movie screen, especially as the biological father is still in her life and doesn't know, while wanting to know the identity of her son which Nicky won't divulge unless she agrees to the documentary, Mamie enlists the help of her masseuse boyfriend, Mexican immigrant Javier, to throw Nicky off the track of her plan of stealing the information from him while helping him with his AFI scholarship submission. Mamie, Nicky and Javier's lives may take a turn as documentaries often take on a life of their own. In story two, Charley, Mamie's stepbrother, who is the biological father of Mamie's child from a very brief sexual relationship they had after her mother and his father married, has grown up to realize his homosexual orientation. Managing the last existing of the chain restaurants he and Mamie inherited from their father, Charley is in a long term relationship with Gil, an architect. They are best friends with Gil's friend from high school, Pam, and her current partner, Diane. Pam and Diane had once asked Gil to be the sperm donor to artificially inseminate Pam, but ultimately they decided to use sperm from a bank instead that resulted in their now two year old son, Max. Sharing his belief with Gil but not the extent to which he is going, Charley is convinced that Pam and Diane did end up using Gil's sperm to father Max without telling them, he going on a quest to discover proof. And in story three, twenty-two year Otis has worked at Charley's restaurant for two years. He also plays in a band. Not the best drummer or backup vocalist, Otis' band-mates keep him in the band as his wealthy father, Frank, provides the band with many of their toys, he spreading his money easily to those in his life. Still in the closet in fearing Frank's disapproval, inexperienced Otis secretly has a crush on Charley. Needing a temporary vocalist, the band ends up hiring Jude, who Otis met performing karaoke at the restaurant. Opportunistic Jude knows the situation into which she is walking, she using Otis' naiveté to get to Frank and his money.

The Marks family is a tightly-knit quartet of women. Jane is the affluent matriarch whose 3 daughters seem to have nothing in common except for a peculiar sort of idealism. Setting the tone of vanity and insecurity, Jane is undergoing cosmetic surgery to alter her figure, but serious complications put her health in real danger. Former homecoming queen Michelle, the eldest daughter, has one daughter of her own and an alienated, unsupportive husband. Elizabeth, the middle sister, has an acting career that is beginning to take off, but is timid and insecure, and habitually relieves her trepidation by taking in stray dogs. Only the youngest sister, Annie, an adopted African American 8-year-old, stands a chance of avoiding the family legacy of anxious self-absorption. If only her intelligence and curiosity will see her through what promises to be a confusing adolescence. Each of the women seeks redemption in her own haphazard way.

This is the story of Ana, a first generation Mexican-American teenager on the verge of becoming a woman. She lives in the predominately Latino community of East Los Angeles. Freshly graduated from high school, Ana receives a full scholarship to Columbia University. Her very traditional, old-world parents feel that now is the time for Ana to help provide for the family, not the time for college. Torn between her mainstream ambitions and her cultural heritage she agrees to work with her mother at her sister's downtown LA sewing factory. Over the summer she learns to admire the hardworking team of women who teach her solidarity and teamwork. Still at odds with what her mother expects of her, Ana realizes that leaving home to continue her education is essential to finding her place proudly in the world as an American and Chicana.

They're in their 20s. He works in a video store; he's eager, chatty, sleeps in his car. She rents adult films, looks disheveled, rarely speaks. He chats her up, she brushes him off. He takes her address from store records and contrives to run into her. He rings her doorbell; she tells him to go away. He invents a story of a great-aunt who lives in the building and fakes her death to get the girl to let him in her apartment but holds a butcher knife between them. So it goes and he is no longer living in his car. He presses for a relationship; she ignores him, insults him, or yells. He's persistent, inviting her to get out of the apartment, cooking, washing her hair. Both have demons and, as their stories become more clear, his addictive personality and her sex nausea may be on a collision course.

Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to understand how to treat her in the way she wants. Shortly after meeting Jeremy, she meets the second, wealthy fifty-something Ray Porter, who is the antithesis of Jeremy in almost every respect, including the fact that Ray is unwilling or unable to commit to Mirabelle, about which he is up front to her. To Mirabelle, that lack of commitment from Ray seems to be in name only, and as such she increasingly sees Ray as her boyfriend. Mirabelle has to decide if a long term future is either in the cards with Jeremy or Ray, which is made all the more complicated by an action by Jeremy to an off the cuff comment that she makes to him.

Jennifer does not fit in. A total misfit, she's as wacky as a teenager can be. Goth-ed out with multiple piercings, tattoos, and dyed hair, she listens to strange music, watches vintage TV, eats primarily chocolate, and self injures. But now high school is over and she needs a job. Can she possibly have anything in common with the overweight middle-aged man in the haberdashery window? He gives her a job, not to mention a real friendship.

Malcolm King is a wealthy and arrogant businessman whose ex-wife to be has plans to take him for everything he's worth in their divorce settlement. Determined to avoid losing his fortune to her, Malcolm plans his own kidnapping with the help of his dim-witted mistress and her ex-con brother. Unfortunately for Malcolm, he is not the only one with a kidnapping plot.

When a key informant against a notorious crime boss is assassinated, the only witnesses to his murder are five lively cheerleaders from the University of Texas: Barb, Anne, Evie, Heather, and Teresa. With the girls' lives in danger until the authorities discover the killer, the hard-headed Texas Ranger, Roland Sharp, has to go undercover and move in with them at a secret safe house, as the mysterious murderer is still at large. However, to effectively protect the teenage quintet of eyewitnesses, Sharp must first lay down the ground rules for a harmonious, and above all, safe coexistence. Will the man of the house succeed in his mission?

Max Keeble is a nice, quiet teenager, whose idea of 'superhero-requiring' danger is braving Evil Ice Cream Man who blames him for a health complaint from ma Lily. She spent six years on just the right interior and now hears from dad Don Keeble, a wimp whose 'career' in commercial publicity still only got him wearing sly costumes, a promotion requires the family to move to Chicago. Initially Max just hates giving up his high-school friends, a fatso and a music-maniac, but when their former friend Troy McGinty picks on them with his new image as bully realizes leaving means he can't be punished after Friday, and plans an orgy of revenge. Max's targets include the arrogant new principal, Elliot T. Jindraike, who spends the school budget on a new sports stadium to flatter the inspector, Superintendant Bobby 'Crazy Legs' Knebworth, and even plants to tear down the animal shelter. When it's all in motion, dad suddenly announces he has taken Max's first advice and turned down the promotion!

2000s Vibes

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