Movies based on Jane Austen's novels

Encounter of three social classes of England at the beginning of the twentieth century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.

When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family father, Charles, start a passionate secret affair.

The story of independent, beautiful and headstrong Bathsheba Everdene (

Kate Croy's (Helena Bonham Carter's) mother was born to wealth and privilege, but she threw it all away to marry Kate's Father (Sir Michael Gambon), a penniless opium addict who admits to having stolen from his wife. After her mother's death, Kate is offered an opportunity to return to the life her mother gave up. There is one condition, however: Kate must sever all of her old ties, not only to her father, but also to her lover, the muck-raking journalist Merton Densher (Linus Roache), whom she has promised marriage. Kate reluctantly agrees to this, and in the meantime becomes friendly with "the world's richest orphan", Milly Theale (Alison Elliott), an American making the Grand Tour. Desperate to see Kate, Merton crashes a party that she and Milly are attending, and Milly is attracted to him. When Kate learns that Milly is dying, she comes up with a plan to have her cake and eat it too, but all does not go as planned.

The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive Priest lead Moll to rebel as a teenager, escaping to the dangerous streets of London. Further misfortunes drive her to accept a job as a prostitute from the conniving Mrs. Allworthy. It is there that Moll first meets Hibble, who is working as Allworthy's servant, but takes a special interest in the young woman's well-being. With his help, she retains hope for the future, ultimately falling in love with an unconventional artist who promises the possibility of romantic happiness.

During France's belle époque before World War I, elegant cars, mansions, and servants defined the lives of les grandes horizontals, the courtesans of kings and millionaires. One of the most successful, Lea de Lonval, is approaching a certain age when an older associate, Charlotte Peloux, asks Lea to take on her 19 year old son, whom Lea has called Chéri since he was a child. They become lovers and, to their surprise, the relationship lasts six years. When it ends abruptly with a marriage his mother arranges to the daughter of another courtesan, Lea finds herself lonely. Has she fallen in love? If so, do she -- and Chéri - have any choices?

When Lucy Honeychurch (Helena Bonham Carter) and chaperone Charlotte Bartlett (Dame Maggie Smith) find themselves in Florence with rooms without views, fellow guests Mr. Emerson (Denholm Elliott) and son George (Julian Sands) step in to remedy the situation. Meeting the Emersons could change Lucy's life forever, but once back in England, how will her experiences in Tuscany affect her marriage plans?

Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to become a teacher and eventually seeks employment outside of the school. Her advertisement is answered by the housekeeper of Thornfield Hall, Mrs. Fairfax.

The year is 1795 and young Jane Austen (Anne Hathaway) is a feisty twenty-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable, marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter's future social standing. They are eyeing Mr. Wisley (Laurence Fox), nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham (Dame Maggie Smith), as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy (James McAvoy), sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire, then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends, and fortune.

The film follows 17-year-old Cassandra Mortmain, and the fortunes of her eccentric family, struggling to survive in a decaying English castle. Her father is desperate to repeat the spectacular success of his first novel, but hasn't written a word for 12 years; her exquisite sister Rose can only rail against their fate, and their Bohemian step-mother Topaz is a nudist and no help at all. Salvation comes in the form of their American landlord Simon Cotton and his brother Neil. Although initially repelled by Simon, Rose is determined to make him fall in love with her and succeeds. A wedding is arranged and Cassandra is left on the sidelines as everyone around her is drawn into a maelstrom of interconnected relationships. But events spiral out of control, and before the summer ends she will experience frustrated desire, first love, and a broken heart.

After a bleak childhood, Jane Eyre (Mia Wasikowska) goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Edward Rochester (Michael Fassbender). Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?

Andy Tennant directed this Cinderella variant. The Brothers Grimm arrive at the home of a wealthy Grande Dame (Jeanne Moreau) who speaks of the many legends surrounding the fable of the cinder girl before telling the "true" story of her ancestor. In flashback, the story then focuses on eight-year-old Danielle, daughter of a wealthy widower, a 16th-century landowner. After returning to France with his new wife Rodmilla (Anjelica Huston) and her two daughters, he dies of a heart attack. Ten years later, Danielle (Drew Barrymore) is now treated as a servant by the trio. Fortunately, she has an encounter with Prince Henry (Dougray Scott), who is fleeing an arranged marriage. Later, when Danielle poses as a Lady, the Prince takes an interest in her. Inventor-artist Leonardo Da Vinci (Patrick Godfrey), accepting the French court's patronage, offers advice to Prince Henry on matters of the heart.

Young lovers Hero (Kate Beckinsale) and Claudio (Robert Sean Leonard) are to be married in one week. To pass the time, they conspire with Don Pedro (Denzel Washington) to set a "lover's trap" for Benedick (Sir Kenneth Branagh), an arrogant confirmed bachelor, and Beatrice (Dame Emma Thompson), his favorite sparring partner. Meanwhile, the evil Don Jon (Keanu Reeves) conspires to break up the wedding by accusing Hero of infidelity. In the end, though, it all turns out to be "much ado about nothing".

On VE Day in May 1945, as peace is declared across Europe and London is celebrating, Princesses Elizabeth and Margaret are allowed to join the celebrations, against the Queen's wishes. The King, impressed by Elizabeth's pleading, asks her to report back on the people's feelings towards him and his midnight speech on the radio. Each girl, incognito, is chaperoned by a Royal Army officer with an itinerary to be back at Buckingham Palace by 1:00 a.m. Soon realizing the Queen's planned itinerary does not fulfill their expectations of fun and meeting the ordinary people, Margaret is the first to slip away from her escort, followed by Elizabeth. Both princesses are separated on two different buses and have their own night-long adventure. Margaret is befriended by a Royal Naval officer seeking to take advantage of what he believes is just an ordinary girl. Elizabeth meets and becomes acquainted with an airman who is AWOL (absent without leave). Margaret is led by her naval officer into a world of nightclubs, gambling, spiked drinks and brothels. Elizabeth and her airman have their own adventure trying to catch up with Margaret, which take them far beyond the 1:00 a.m. deadline into the early hours of the following morning.

The movie is a study of a family of country gentry in Victorian England. William Adamson (Mark Rylance), a young scientist, is introduced into the Alabaster family by Sir Harald Alabaster (Jeremy Kemp) who is also fascinated by insects. William marries the elder daughter of the family and studies the amounts of insects in the garden of the villa. His - for the gentry - strange behaviors reveal at the same time their own failures and passions.

Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.

In 1874, in the Imperial Russia, the aristocratic Anna Karenina travels from Saint Petersburg to Moscow to save the marriage of her brother Prince Oblonsky, who had had a love affair with his housemaid. Anna Karenina has a cold marriage with her husband, Count Alexei Karenin, and they have a son. Anna meets the cavalry officer Count Vronsky at the train station and they feel attracted by each other. Soon she learns that Vronsky will propose to Kitty, who is the younger sister of her sister-in-law Dolly. Anna satisfactorily resolves the infidelity case of her brother and Kitty invites her to stay for the ball. However, Anna Karenina and Vronsky dance in the ball, calling the attention of the conservative society. Soon they have a love affair that will lead Anna Karenina to a tragic fate.

In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him.