Books

The Department of Scientific Intelligence (aka "The Shop") never anticipated that two participants in their research program would marry and have a child. Charlie McGee inherited pyrokinetic powers from her parents, who had been given a low-grade hallucinogen called "Lot Six" while at college. Now the government is trying to capture young Charlie and harness her powerful firestarting skills as a weapon.--stephenking.com

It's the summer of 1960 in Elm Haven, Illinois, and five 12-year old boys are forming the bonds that a lifetime of changes will never erase. But then a dark cloud threatens the bright promise of summer vacation: on the last day of school, their classmate Tubby Cooke vanishes. Soon, the group discovers stories of other children who once disappeared from Elm Haven. And there are other strange things happening in town: unexplained holes in the ground, a stranger dressed as a World War I soldier, and a rendering-plant truck that seems to be following the five boys. The friends realize that there is a terrible evil lurking in Elm Haven...and they must be the ones to stop it.

Every little boy dreams about putting on a cape and soaring up, up, and away... but "what if "one day that dream were to come true? Eric was like every other eight-year-old boy, until a tragic accident changed his life forever. THE CAPE explores the dark side of power, as the adult Eric - a confused and broken man - takes to the skies... and sets out to exact a terrible vengeance on everyone who ever disappointed him. This critically acclaimed, Eisner-Award nominated story, written by Jason Ciaramella, based on the short story by "New York Times" bestselling author Joe Hill, with art by Zach Howard and Nelson Daniel, will linger with you long after you turn the last page, and force you to ask yourself the question: "What if?"

Suspected of killing Vera Donovan, her wealthy employer, Dolores Claiborne tells police the story of her life, harkening back to her disintegrating marriage and the suspicious death of her violent husband, Joe St. George, thirty years earlier. Dolores also tells of Vera's physical and mental decline and of her loyalty to an employer who has become emotionally demanding in recent years.

**4.5-stars rounded up**To the residents of Poplar Street, in suburban Wentworth, Ohio, July 15, 1996 seems like any other summer day. The paperboy is dutifully tending to his route, the Reed twins are entertaining young ladies and the corner store is functioning like a well-oiled machine.Not one of them suspects that the proverbial shitis about to hit the fan.The Regulators are coming to Poplar Street and they're coming for blood!It's hard to imagine a 475-page novel, taking place in one afternoon, on one suburban street, making you sweat in anticipation, but this one certainly does. We follow this cast of characters from the minute the Regulators arrive until the bitter end. Some we love, some we hate but in the end, no one escapes their fate.You may wonder, yeah, but what's it all about?Trust me when I say, it's best to go into this knowing as little as possible, but for those of you who are just going to insist on knowing more, I will give you this one small clue: (view spoiler)[ A supernatural hitchhiker named Tak from a mine just outside of Desperation, Nevada, has invaded the mind of one of the young residents of Poplar Street. You may know Tak from a little story aptly named Desperation by Stephen King. (hide spoiler)]

Cujo slept.He lay on the verge of grass by the porch, his mangled snout on his fore-paws. His dreams were confused, lunatic things. It was dusk, and the sky was dark with wheeling, red-eyed bats. He leaped at them again and again, and each time he leaped he brought one down, teeth clamped on a leathery, twitching wing. But the bats kept biting his tender face with their sharp little rat-teeth. That was where the pain came from. That was where all the hurt came from. But he would kill them all. He would--Cujo is a two-hundred-pound Saint Bernard, the beloved family pet of the Joe Cambers of Castle Rock, Maine, and the best friend ten-year-old Brett Camber has ever had. One day Cujo pursues a rabbit into a bolt-hole--a cave inhabited by some very sick bats. What happens to Cujo, and to those unlucky enough to be near him, makes for the most heart-squeezing novel Stephen King has yet written.Vic Trenton, New York adman obsessed by the struggle to hand on to his one big account, his restive and not entirely faithful wife, Donna, and their four-year-old son, Tad, moved to Castle Rock seeking the peace of rural Maine. But life in this small town--evoked as vividly as a Winesburg or a Spoon River--is not what it seems. As Tad tries bravely to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage suddenly on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight, and that the fateful currents of their lives will eddy closer and faster to the horrifying vortex that is Cujo.Stephen King has never written a book in which readers will turn the pages with such a combination of anticipation and dire apprehension. Doing so, they will experience an absolute master at work.

Five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War. In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror. In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast. In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and as haunted -- as their own lives. And in "Heavenly Shades of Night Are Falling," this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him. Full of danger, full of suspense, most of all full of heart, Stephen King's new book will take some readers to a place they have never been...and others to a place they have never been able to completely leave.

Roland and his tet have just returned to the path of the Beam when they discover that they are being followed by a group of inexperienced trackers. The trackers are from the town of Calla Bryn Sturgis, and they desperately need the help of gunslingers. Once every generation, a band of masked riders known as the Wolves gallop out of the dark land of Thunderclap to steal one half of all the twins born in the Callas. When the children are returned, they are roont, or mentally and physically ruined. In less than a month, the Wolves will raid again. In exchange for Roland’s aid, Father Callahan—a priest originally from our world—offers to give Roland a powerful but evil seeing sphere, a sinister globe called Black Thirteen which he has hidden below the floorboards of his church. Not only must Roland and his tet discover a way to defeat the invincible Wolves, but they must also return to New York so that they can save our world’s incarnation of the Dark Tower from the machinations of the evil Sombra Corporation.

Twenty years ago, a boy named Jack Sawyer travelled to a parallel universe called The Territories to save his mother and her Territories "twinner" from a premature and agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, WI. He has no recollection of his adventures in the Territories and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories.When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades earlier by a real-life madman named Albert Fish, the killer is dubbed "The Fisherman" and Jack's buddy, the local chief of police, begs Jack to help his inexperienced force find him. But is this merely the work of a disturbed individual, or has a mysterious and malignant force been unleashed in this quiet town? What causes Jack's inexplicable waking dreams, if that is what they are, of robins' eggs and red feathers? It's almost as if someone is trying to tell him something. As that message becomes increasingly impossible to ignore, Jack is drawn back to the Territories and to his own hidden past, where he may find the soul-strength to enter a terrifying house at the end of a deserted track of forest, there to encounter the obscene and ferocious evils sheltered within it.

From the Flap:The Master at his scarifying best! From heart-pounding terror to the eeriest of whimsy--tales from the outer limits of one of the greatest imaginations of our time!Evil that breathes and walks and shrieks, brave new worlds and horror shows, human desperation bursting into deadly menace--such are the themes of these astounding works of fiction. In the tradition of Poe and Stevenson, of Lovecraft and The Twilight Zone, Stephen King has fused images of fear as old as time with the iconography of contemporary American life to create his own special brand of horror--one that has kept millions of readers turning the pages even as they gasp.In the book-length story "The Mist," a supermarket becomes the last bastion of humanity as a peril beyond dimension invades the earth. . .Touch "The Man Who Would Not Shake Hands," and say your prayers . . .There are some things in attics which are better left alone, things like "The Monkey" . . .The most sublime woman driver on earth offers a man "Mrs. Todd's Shortcut" to paradise . . .A boy's sanity is pushed to the edge when he's left alone with the odious corpse of "Gramma" . . .If you were stunned by Gremlins, the Fornits of "The Ballad of the Flexible Bullet" will knock your socks off . . .Trucks that punish and beautiful teen demons who seduce a young man to massacre; curses whose malevolence grows through the years; obscene presences and angels of grace--here, indeed, is a night-blooming bouquet of chills and thrills.

Voluntary Committal is one of the most amazing novellas I've read in 2014. Once again Joe Hill breaths more fresh air into the horror genre! With so many over done cliches filled with vampires, teen slashers and the walking dead, Joe Hill shows us that we can have original plots that take place within a horror setting! One of the many things I admire about Joe Hill is that he gives us characters we can care about and would like to see survive until the end of the adventure. They have flaws, imperfections, likeable personalities, and realistic problems. As Joe Hill so elegantly put it, "You want to cringe every time their life it put in danger." As a avid horror fan I find it charming when someone can actually make me connect with the main protagonists in any horror story. The basic set up of this precious morsel is the regret and ongoing trauma of a older brother named Nolan. His younger sibling named Morris who has a strange ability to open up doors or gateways to other worlds. Joe Hill does the right thing by keeping these abilities mysterious and varied enough, so you get the genuine creeps throughout the whole 40 page story. We are also introduced to the troubled delinquent Eddie who pulls our main protagonist into a world of regret and trouble. I found all three of these main characters very interesting and very unique.I give this story a five out of five stars! It's definitely one of my top three favorite stories in 20th Century Ghosts! And for the most hardcore Joe Hill fans, my fan theory is that Morris' ability is really his inscape!

Delightfully BRUTAL Psychological Horror.Jumping into this novella, I wasn't sure what to expect. To be honest, I never even read the synopsis. I see the name, Stephen Graham Jones, and immediately pick books up. It's a compulsion.Night of the Mannequins follows Sawyer, and his group of childhood friends, when a prank goes horribly wrong.Disguising a discarded mall mannequin as a patron at the local movie theater seemed like the perfect way to get back at the stuffy assistant manager. The same one who happened to recently punish the friend group for sneaking into a movie unpaid.What starts off as a fairly innocent prank, however, turns more deadly than this group of teens could have ever imagined. Sawyer seems to be the only one with a plan to limit the destruction.First, let me just swoon for a bit over how much I love SGJ's writing. I promise not to rave for too long.The style is edgy AF, yet feels like Classic Horror all the same. I love the humor and witty dialogue that he is able to bring to such dark and haunting tales.Also, his books always go there, all the way to the deepest, darkest crevices of the human mind. It's weird. It's powerful. It's freakingly disturbing.With this being said, I was really into this novella, loving everything about it until about the 70% mark. Then I started feeling lost. While I understand the ending, some of the choices of events leading up to the ending didn't seem to fit. It made the ending seem a little abrupt and disjointed for me.Overall though, this novella is fantastic. You cannot deny the level of creativity it takes to write a story like this.One that leads you in one direction, flips that on its head and then smacks you in the face with a healthy dose of depressing reality.Sawyer is a very special protagonist. He's one of those characters that (view spoiler)[can do horrible, terrible things, but still you feel like you are on their side (hide spoiler)]

In a small New England town, in the early 60s, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs Jacobs; the women and girls – including Jamie’s mother and beloved sister – feel the same about Reverend Jacobs. With Jamie, the Reverend shares a deeper bond, based on their fascination with simple experiments in electricity.Then tragedy strikes the Jacobs family; the preacher curses God, mocking all religious belief, and is banished from the shocked town.Jamie has demons of his own. In his mid-thirties, he is living a nomadic lifestyle of bar-band rock and roll. Addicted to heroin, stranded, desperate, he sees Jacobs again – a showman on stage, creating dazzling ‘portraits in lightning’ – and their meeting has profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings. Because for every cure there is a price…This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It’s a masterpiece from King, in the great American tradition of Nathaniel Hawthorne and Edgar Allan Poe.

”She opened her eyes and looked into yellow furnace-eyes, smelled sulphur and tannis root, felt wet breath on her mouth, heard lust-grunts and the breathing of onlookers.”Nightmare? Passionate dream? Real? How could it be real? It can’t possibly be real. \ \ Rosemary Woodhouse wants a baby. She is married to an actor named Guy. They have recently broken another lease to take an apartment in the exclusive Bramford Building. Guy, who glibly uses his acting skills to spin stories, has no difficulty extracting them from the first lease to take the open apartment in the Bramford. After all, that is what Rosemary wants. Whenever any of us look back on our lives, we can usually point to a specific moment in time when we made one decision that sent us down a pathway that led us, hopefully, only briefly, astray from the pursuit of happiness. None of us, or maybe I should say few of us, can see the future. We have to make our best guess, hopefully based on more logic than a hope of luck. The apartment at the Bramford had more Gothic overtones, detailed woodwork, and certainly a more interesting location than the other apartments the Woodhouses had looked at. Although smaller than some of the other places, having a hip apartment, especially to young pseudo-intellectuals, is much more important than a few extra square feet of space. They should have kept the first lease on the other apartment. I can’t help but think of Bram Stoker every time the Bramford name dances before my eyes on the pages of this book. Strange things have routinely happened in this apartment building. Unexplained, sometimes brutal, deaths have occurred too frequently to be ignored, especially if you are an inquisitive man, such as Rosemary’s dear friend Edward Hutchins. He, on further investigation, finds that there are far more sinister stories surrounding the history of that building than are known by the general public. He discourages Rosemary from continuing to live there, but she is a rational, modern woman who doesn’t believe that a building can have sinister connotations. \ \ \ \ \ Polanski used the Dakota for the outside shots of the Bramwell building.\ She might ignore the past and the warnings that come with it, but she does feel flutters of unease that are based more on what can easily be quantified as primordial superstition than on any real basis of fact. Coincidences do happen and can seem ominous or alarming to someone who is already hearing the tap tap tap of paranoia on the door of reason. Their next door neighbors are Roman and Minnie Castevet, who seem to be a well meaning, overly friendly, almost smothering, older couple. They are delighted to hear the news when Rosemary is pregnant. They suggest a more fashionable obstetrician and even a different regimen of vitamin enriched drinks than what her previous doctor had recommended. Rosemary goes along because Guy is so insistent, but the longer it goes on, the more suspicious she becomes of everyone’s motives. Run, Rosemary, run!I’ve been wanting to read this book for years. I’ve put off watching the famous movie by Roman Polanski because I wanted to read the book first. The story has become such a classic icon that people know the bare bones of the story without ever having read the book or seen the movie. The pacing of the book is simply a superb example of a writer who knows how to build tension and unease. By the time Rosemary is approaching the bassinet to see her baby for the first time, I was biting my knuckles, and the hackles on the back of my neck were not only raised but vibrating. I know what she is going to see, but until I read the words, I can hold off fully realizing the implications. \ \ I loved the fact that Rosemary is a reader. Two books that were mentioned that stand out were Flight of the Falcon by Daphne Du Maurier and The Rise and Fall of the Roman Empire by Edward Gibbon. I love it when books are part of the lives of the characters I read about. I’m a huge fan of Du Maurier and plan to read Rosemary’s choice soon. I was even more impressed by her taking on Gibbon. I have six volumes of Gibbon staring me in the face every time I pick my next book to read. Yes, yes, I will read Gibbon. I must read Gibbon to call myself a reasonably educated man. Rosemary’s Baby was published in 1967, the year of my birth, and has held up superbly, certainly much better than I have. It is a quick, flashy read that will give chills and thrills to all but the most jaded modern reader. If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

Roland, Eddie, Susannah, Jake, and Jake’s pet bumbler survive Blaine the Mono’s final crash, only to find themselves stranded in an alternate version of Topeka, Kansas, one that has been ravaged by the superflu virus. While following the deserted I-70 toward a distant glass palace, they hear the atonal squalling of a thinny, a place where the fabric of existence has almost entirely worn away. While camping near the edge of the thinny, Roland tells his ka-tet a story about another thinny, one that he encountered when he was little more than a boy. Over the course of one long magical night, Roland transports us to the Mid-World of long-ago and a seaside town called Hambry, where Roland fell in love with a girl named Susan Delgado, and where he and his old tet-mates Alain and Cuthbert battled the forces of John Farson, the harrier who—with a little help from a seeing sphere called Maerlyn’s Grapefruit—ignited Mid-World’s final war.

From the Flap:A solitary finger pokes out of a drain. Novelty teeth turn predatory. Flies settle and die on an old pair of sneakers in New York, and the Nevada desert swallows a Cadillac. Meanwhile the legend of Castle Rock returns . . . and grows on you. What does it all mean? What else could it mean? First there was Night Shift (1978), then Skeleton Crew (1985), and now Stephen King is back with a third collection of stories--a vast, many-chambered cave of a volume, with passages leading every which way to hell . . . and a few to glory.The long reach of Stephen King's imagination and the no-holds-barred force of his storytelling have never been so richly demonstrated. There's something here for readers of every stripe and predilection--classic tales of the macabre and the monstrous, cutting-edge explorations of the borderlands between good and evil, brilliant pastiches of Chandler and Conan Doyle, even a teleplay and a non-fiction bonus, a heartfelt piece of Little League baseball that first appeared in The New Yorker.In story after story, several published here for the first time, he will take you to places you've never been before, places that are both dark and vividly illuminated. Fair warning: You will lose a good deal of sleep. But Stephen King, writing to beat the devil, will do your dreaming for you.Can you believe? Then come . . .

This short story was originally published in Joe Hill's collection 20TH CENTURY GHOSTS.It was first published in the final issue of The High Plains Literary Review in 2002, and later included in Hill's own 2005 collection 20th Century Ghosts. The spirit of a young girl talks to various moviegoers at the Rosebud Theatre. She has been posthumously frequenting the cinema after she died during a screening of The Wizard of Oz. The story also focuses on Alec Sheldon, the theatre owner, and how he comes to terms with his nearing mortality and how the Rosebud will fare after his retirement.