Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.

Bruno Cortona and Roberto Mariani meet by chance as Roberto helps Bruno one day while everything is closed in Rome for the holiday weekend. The two men could not be more different. Thirty-six year old Bruno is extroverted, a man who seizes opportunities as they arise, is an excitement seeker, has never really grown up, but is a person to whom many are drawn because of his exuberance and masculine good looks. Law student Roberto is introverted, controlled and so unsure of himself that he doesn't really know why he chose law as a career and is afraid not only to let the girl who lives across the way from him, Valeria, know that he likes her, but even to speak to her. He even has a photograph of her in his wallet that he took clandestinely. Roberto reluctantly gets caught up in the whirlwind of Bruno's last minute change in plans for the holidays as the two head off together in Bruno's Lancia Aurelia sports car, their joy ride which will be largely at Bruno's whim. That reluctance is because Roberto would rather stay at home to study for an exam a few weeks away. Roberto tries to ditch Bruno at every stop, he however afraid to tell Bruno the truth that he'd rather not be with him. But as their time together progresses, they each learn a little more about the other, with Roberto in particular beginning to understand how stultified his life has been. The question becomes whether Roberto and Bruno can find that good balance in their lives because of their time with the other.

Having lost the elder son on the war, Mustafa has to transfer his dead body to the homeland - Crimea. During this long and challenging trip, Mustafa tries to solve the innumerable problems and to find a common language with his younger son. On the way back home, the youngster becomes a man, finds his inner core and understands who he is. At the same time, the father learns to admit his mistakes and apologize for them. Having lost the one they both loved, the father and the son grow genuinely close to each other.

From the dawn of man to the distant future, mankind's evolution (or lack thereof) is traced. Often ridiculous but never serious, we learn the truth behind the Roman Emperor, we learn what really happened at the Last Supper, the circumstances that surrounded the French Revolution, how to test eunuchs, and what kind of shoes the Spanish Inquisitor wore.

Heli, a factory worker in rural Mexico must try and protect his young family when his 12 year old sister inadvertently involves them in the brutal drug world when she agrees to look after some cocaine found by her older boyfriend. When the drug cartel want their drugs back they go after the boyfriend and Heli's young family.

A dark, twisted retelling of the famous Carlo Collodi fairy tale about the wooden puppet who dreams of becoming a real boy. When Pinocchio comes to life, he turns out not to be that nice of a boy, creating mischief and playing mean tricks. He eventually learns a few lessons.

A string of bank robberies sets off a public panic. To appease the residents of the city and fulfill his own ambitions, the newly-appointed chief of police decides to hold an anti-bank robbery drill to demonstrate the effectiveness of the police. He secretly appoints a naïve traffic cop to disguise as a robber, overlooking the fact that the inflexible, by-the-book officer will go all out in accomplishing any assigned mission--even when it's a robbery.

Blondie, The Good (Clint Eastwood), is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes, The Bad (Lee Van Cleef), is a hitman who always commits to a task and sees it through--as long as he's paid to do so. And Tuco, The Ugly (Eli Wallach), is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership making money off of Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor, Bill Carson (Antonio Casale), that he and a few other men have buried a stash of gold in a cemetery. Unfortunately, Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know where the gold is; now he needs them to lead him to it. Now The Good, the Bad, and the Ugly must all battle it out to get their hands on $200,000.00 worth of gold.

Drifting from town to town, the poncho-clad Man with No Name and the lightning-fast right hand rides into the town of El Paso in search of maniacal escaped convict El Indio. It's been 18 short months since the deadly confrontation in

Drifter gunman Joe (Clint Eastwood) arrives in the Mexican village of San Miguel at the border of the United States of America, and befriends the owner of the local bar, Silvanito. Joe discovers that the town is dominated by two gangster lords: John Baxter (Wolfgang Lukschy) and the cruel Ramón Rojo (Gian Maria Volontè). When Joe kills four men of Baxter's gang, he is hired by Ramón's brother Esteban Rojo (Sieghardt Rupp) to join their gang. However, Joe decides to work for both sides, playing one side against the other.

This is essentially eight separate short films, though with some overlaps in terms of characters and thematic material - chiefly that of man's relationship with his environment. 'Sunshine Through The Rain': a young boy is told not to go out on the day when both weather conditions occur, because that's when the foxes hold their wedding procession, which could have fatal consequences for those who witness it. 'The Peach Orchard': the same young boy encounters the spirits of the peach trees that have been cut down by heartless humans. 'The Blizzard': a team of mountaineers are saved from a blizzard by spiritual intervention. 'The Tunnel': a man encounters the ghosts of an army platoon, whose deaths he was responsible for. 'Crows': an art student encounters 'Vincent Van Gogh' and enters the world of his paintings. 'Mount Fuji in Red': nuclear meltdown threatens the devastation of Japan. 'The Weeping Demon': a portrait of a post-nuclear world populated by human mutations. 'Village of the Watermills': a sunny portrait of a village whose population is entirely at one with nature.

Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same).

Terry is a suicidal voyeur who doesn't seem to be able to kill himself. While preparing for jumping off a bridge, he meets Nick who ends up saving his life. Terry discovers that Nick is terminally ill and doesn't have much time left. Scared by the lack of time, Nick offers Terry a deal he can't refuse: Terry will become the beneficiary of Nick's life insurance or, since money doesn't matter to Terry, Nick promises to kill him before he dies. All Nick asks is Terry's help to realize a few fantasies before dying.

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson's wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what's going on. The Americans in the War Room are dismayed to learn that the Soviets have an as yet unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. "King" Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can't make it to his intended target.

1964 British satire film directed by Stanley Kubrick

A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization.

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