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Picture of a book: The End of Eternity
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Picture of a book: 2001: A Space Odyssey
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2001: A Space Odyssey

Arthur C. Clarke
The book is always better than the film, but I'd never read 2001 before. What I didn't know, until reading the foreword, is that this novel was literally written in tandem with the film, with Clarke and Kubrick feeding each other ideas. At some points, however, filming overtook writing, or vice versa, and the two stories, though similar, split along two different paths. After reading the book, the film becomes little more than a very well crafted container: It's pretty and neat to look at it, but open it up, and it's empty. There is none of Clarke's vision of how a being we'd call God would communicate with us across unfathomable time spans, or teach us, or lead us into higher consciousness. Stripped away by Kubrick is the sense that this being truly wants us to be in its image, and that the whole breadcrumb trail of monoliths was designed to do just that. And completely erased is the notion that David Bowman, as Star Child, is now one with the Universe, in some Zen-like way, and also much more like something we'd called a god.Don't get me wrong, 2001 is still one of my favorite films, but to get the full meaning and understand the full weight of why 2001 has been called "the perfect science fiction story," you must read the book. Clarke marries science, mysticism, theory, and fantasy in ways like no other. Unfortunately, Kubrick stripped away the mysticism and theory and left us what is, in comparison to the book, only a glimmer at something bigger.Kubrick touched the monolith, but Clarke went inside.
Picture of a book: Robots and Empire
books

Robots and Empire

Isaac Asimov
Robots and Empire (Robot #4), Isaac Asimov The Earthman Elijah Baley (the detective hero of the previous Robot books) has died nearly two centuries earlier. During these two centuries, Earth-people have overcome their agoraphobia and resumed space colonization, using faster-than-light drive to reach distant planets beyond the earlier "Spacer" worlds. Their inhabitants, calling themselves "Settlers" rather than "Spacers", revere Earth as their mother-world. ...تاریخ نخستین خوانش: ماه ژانویه سال 1994 میلادیعنوان: امپراطوری روباتها (کتاب 4 از سری روبات)؛ نویسنده: آیزاک آسیموف؛ مترجم: کامبیز شمس؛ تهران، شقایق، 1371؛ در 523 ص؛ چاپ دوم با عنوان: امپراتوری روباتها، 1373؛ در 523 ص؛ موضوع: داستانهای علمی تخیلی از نویسندگان امریکایی - سده 20 مسری روبات: کتاب 1: غارهای پولادی؛ کتاب 2: خورشید عریان؛ کتاب 3: روباتهای سپیده دم؛ کتاب 4: امپراتوری روباتها؛ این چهار کتاب را بارها و بارها خوانده و لذت برده ام؛ داستانی از سه جامعه ی زمین، اورورا، و سولاریا است. زمینیهای ضد روبات، در صلح و صفا، اورورا، به عنوان جامعه ای روبات زده، و سولاریا جامعه ای که تعداد روباتهایش از انسانیها بیشتر، و رو به انحطاط است. نقل آغاز داستان: گلادیا صندلی چمنی را لمس کرد، تا مظمئن شود، که مرطوب نیست، و سپس نشست، یک تماس با کنترل، باعث میشد که صندلی، به حالت نیمه خوابیده قرار گیرد، و با تماس دیگر، میدان دیامغناطیسی فعال شده، و مانند همیشه، در او احساس سستی مطلق، ایجاد میکرد. گلادیا، در حقیقت در یک سانتیمتری سطح زمین، شناور بود...؛ پایان نقل. ا. شربیانی