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Picture of a book: Tractatus Logico-Philosophicus
Picture of a book: Nihil Unbound: Naturalism and Anti-Phenomenological Realism
Picture of an author: Carlo Michelstaedter
Picture of an author: Alenka Zupančič
Picture of an author: Mina Loy
Picture of an author: Peter Sloterdijk
Picture of an author: Graham Harman
Picture of an author: Ray Brassier
Picture of an author: Alexandre Kojève
Picture of an author: Daniel C. Dennett
Picture of an author: Jürgen Habermas
Picture of an author: Adam Smith
Picture of an author: David Hume
Picture of an author: Carl Schmitt
Picture of an author: John Rawls
Picture of an author: John Dewey

90 Authors, 8 Books

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Mina Loy

Mina Loy (born Mina Gertrude Löwy; 27 December 1882 – 25 September 1966) was a British-born artist, writer, poet, playwright, novelist, painter, designer of lamps, and bohemian. She was one of the last of the first-generation modernists to achieve posthumous recognition. Her poetry was admired by T. S. Eliot, Ezra Pound, William Carlos Williams, Basil Bunting, Gertrude Stein, Francis Picabia, and Yvor Winters, among others. As stated by Nicholas Fox Weber in the New York Times, "This brave soul had the courage and wit to be original. Mina Loy may never be more than a vaguely familiar name, a passing satellite, but at least she sparkled from an orbit of her own choosing."

Loy was born in Hampstead, London. She was the daughter of a Hungarian Jewish tailor, Sigmund Felix Lowy, who had moved to London to evade persistent antisemitism in Budapest, and a Christian, English mother, Julia Bryan. Loy reflected on their relationship, and the production of her identity, in great detail in her mock-epic Anglo-Mongrels of the Rose (1923–1925). The marriage of Lowy and Bryan was fraught. Unknown to Loy, as biographer Carolyn Burke records, her mother married her father under the pressure of disgrace as she was already seven months pregnant with the child that would be Mina; this situation was mirrored later in Loy's life when she rushed into a marriage with Stephen Haweis after becoming pregnant out of wedlock. Lowy and Bryan had three daughters in total, with Mina being the oldest.

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Picture of a book: The Will to Power
books

The Will to Power

Friedrich Nietzsche
Nietzsche's notebooks, kept by him during his most productive years, offer a fascinating glimpse into the workshop and mind of a great thinker, and compare favorably with the notebooks of Gide and Kafka, Camus and Wittgenstein. The Will to Power, compiled from the notebooks, is one of the most famous books of the past hundred years, but few have studied it. Here, at last, is the first critical edition in any language.Down through the Nazi period The Will to Power was often mistakenly considered to be Nietzsche's crowning systematic labor; since World War II it has frequently been denigrated, just as fallaciously, as being not worth reading. In fact, it represents a stunning selection from Nietzsche's notebooks, in a topical arrangement that enables the reader to find what Nietzsche wrote on nihilism, art, morality, religion, the theory of knowledge, and whatever else interested him. But no previous edition—even in the original German—shows which notes Nietzsche utilized subsequently in his works, and which sections are not paralleled in the finished books. Nor has any previous edition furnished a commentary or index.Walter Kauffman, in collaboration with R.J. Hollingdale, brings to this volume his unsurpassed skills as a Nietzsche translator and scholar. Professor Kauffman has included the approximate date of each note. His running footnote commentary offers the information needed to follow Nietzsche's train of thought, and indicates, among other things, which notes were eventually superseded by later formulations, and where all German editions, including the very latest, depart from the manuscripts. The comprehensive index serves to guide the reader to the extraordinary riches of this book.
Picture of a book: Spinoza: Practical Philosophy
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Spinoza: Practical Philosophy

Gilles Deleuze
Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology, with a single infinite substance, and all beings as the modes of being his substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Attention has been drawn to Spinoza by deep ecologists such as Arne Naess, the Norwegian philosopher; and this reading of Spinoza by Deleuze lends itself to a radical ecological ethic. As Robert Hurley says in his introduction, "Deleuze opens us to the idea that the elements of the different individuals we compose may be nonhuman within us. One wonders, finally, whether Man might be defined as a territory, a set of boundaries, a limit on existence."Gilles Deleuze, known for his inquiries into desire, language, politics, and power, finds a kinship between Spinoza and Nietzsche. He writes, "Spinoza did not believe in hope or even in courage; he believed only in joy and in vision . . . he more than any other gave me the feeling of a gust of air from behind each time I read him, of a witch's broom that he makes one mount."Gilles Deleuze (1925-1995) was a French philosopher whose writings influenced many philosophical disciplines such as literary theory, post-structuralism, and postmodernism. He also taught philosophy at the University of Paris at Vicennes.Robert Hurley was a translator for many French philosophers including Michael Foucault (History of Sexuality), Gilles Deleuze, and George Bataille (Theory of Religion).
Picture of a book: On Truth and Lies in a Nonmoral Sense
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On Truth and Lies in a Nonmoral Sense

Friedrich Nietzsche
On Truth and Lie in an Extra-Moral Sense") is an (initially) unpublished work of Friedrich Nietzsche written in 1873, one year after The Birth of Tragedy. It deals largely with epistemological questions of truth and language, including the formation of concepts. Every word immediately becomes a concept, inasmuch as it is not intended to serve as a reminder of the unique and wholly individualized original experience to which it owes its birth, but must at the same time fit innumerable, more or less similar cases-which means, strictly speaking, never equal-in other words, a lot of unequal cases. Every concept originates through our equating what is unequal. According to Paul F. Glenn, Nietzsche is arguing that "concepts are metaphors which do not correspond to reality." Although all concepts are human inventions (created by common agreement to facilitate ease of communication), human beings forget this fact after inventing them, and come to believe that they are "true" and do correspond to reality. Thus Nietzsche argues that "truth" is actually: A mobile army of metaphors, metonyms, and anthropomorphisms-in short, a sum of human relations which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins. These ideas about truth and its relation to human language have been particularly influential among postmodern theorists, and "On Truth and Lies in a Nonmoral Sense" is one of the works most responsible for Nietzsche's reputation (albeit a contentious one) as "the godfather of postmodernism.
Picture of a book: Fanged Noumena: Collected Writings, 1987-2007
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Fanged Noumena: Collected Writings, 1987-2007

Robin Mackay, Nick Land
Level 1, or world-space, is an anthropomorphically scaled, predominantly vision-configured, massively multi-slotted reality system that is obsolescing very rapidly. Garbage time is running out.Can what is playing you make it to Level 2?Fanged Noumena assembles for the first time the writings of Nick Land, variously described as 'rabid nihilism', 'Deleuzian Thatcherism', 'accelerationism', and 'cybergothic'. Wielding weaponised, machinically-recombined versions of Deleuze and Guattari, Reich and Freud, in the company of fellow 'werewolves' such as Nietzsche, Bataille, Artaud, Trakl and Cioran, to a cut-up soundtrack of Bladerunner, Terminator and Apocalypse Now, Land plotted a rigorously schizophrenic escape route out of academic philosophy, and declared all-out war on the Human Security System. Despite his 'disappearance', Land's output has been a crucial underground influence both on recent Speculative Realist thought, and on artists, writers, musicians and filmmakers invigorated by his uncompromising and abrasive philosophical vision.Beginning with Land's radical rereadings of Heidegger, Nietzsche and Kant, and ending with Professor Barker's cosmic theory of geo-trauma and neo-qabbalistic attempts to formulate a numerical anti-language, Fanged Noumena rescues from obscurity papers, talks and articles some of which have never previously appeared in print. Long the subject of rumour and vague legend, Land's turbulent post-genre theory-fictions of cybercapitalist meltdown smear cyberpunk, philosophy, arithmetic, poetics, cryptography, anthropology, grammatology and the occult into unrecognisable and gripping hybrids.Fanged Noumena is a dizzying trip through Land's rigorous, incisive and provocative work, establishing it as an indispensable resource for radically inhuman thought in the twenty-first century.