Andy Tennant directed this Cinderella variant. The Brothers Grimm arrive at the home of a wealthy Grande Dame (Jeanne Moreau) who speaks of the many legends surrounding the fable of the cinder girl before telling the "true" story of her ancestor. In flashback, the story then focuses on eight-year-old Danielle, daughter of a wealthy widower, a 16th-century landowner. After returning to France with his new wife Rodmilla (Anjelica Huston) and her two daughters, he dies of a heart attack. Ten years later, Danielle (Drew Barrymore) is now treated as a servant by the trio. Fortunately, she has an encounter with Prince Henry (Dougray Scott), who is fleeing an arranged marriage. Later, when Danielle poses as a Lady, the Prince takes an interest in her. Inventor-artist Leonardo Da Vinci (Patrick Godfrey), accepting the French court's patronage, offers advice to Prince Henry on matters of the heart.

The beautiful Princess Giselle (Amy Adams) is banished by evil Queen Narissa (Susan Sarandon) from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale Prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

2007 American live-action/animated musical film

Buddy was a baby in an orphanage who stowed away in Santa's sack and ended up at the North Pole. Later, as an adult who happened to be raised by elves, Santa allows him to go to New York City to find his birth father, Walter Hobbs. Walter, who is on Santa's naughty list for being a heartless jerk, had no idea that Buddy was even born. Buddy, meanwhile, experiences the delights of New York City (and human culture) as only an elf can. When Walter's relationship with him interferes with his job, he is forced to reevaluate his priorities.

After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and perfect marriage to Maggie, and how much he still misses her. Among the many women who hear Sam's story and fall in love with him solely because of it is Annie Reed, a Baltimore-based newspaper writer. Annie's infatuation with Sam's story and by association Sam himself is despite being already engaged. But Annie's relationship with her straight-laced fiancé Walter is unlike her dream love life in the movie

Britain's Prince Albert (Colin Firth) must ascend the throne as

Patch Adams is determined to become a medical doctor because he enjoys helping people. Unfortunately, the medical and scientific community does not appreciate his methods of healing the sick, while the actual patients, medical professors, and hospital nurses all appreciate the work *he* can do, because they are unable to do it.

In North Carolina especially in Beaufort a prank on a guy goes wrong and puts the student in the clinic. Carter, a famous student with no plans for the future, is held responsible and forced to join in after-school community service activities as consequence, which include starring as the lead in the play. And participating in these activities is Jamie Sullivan, the reverend's daughter who has great ambitions and nothing in common with Landon. When Landon decides he wants to take his activities seriously, he asks Jamie for help and begins to spend most of his time with her. But he starts to like her, that he did not expect to do. They relationship, much to the chagrin of Landon's old popular friends and Jamie's strict reverend father. But when a heart-breaking secret becomes known that puts their relationship to the test, it is then that Landon and Jamie realize the true meaning of love and fate.

Helen Harris (Kate Hudson) is living the life she's always dreamed of: her career at a top modelling agency is on the rise; she spends her days at fashion shows and her nights at the city's hottest clubs. But her carefree lifestyle comes to a screeching halt when one phone call changes everything. Helen soon finds herself responsible for her sister's children: fifteen-year-old Audrey (Hayden Panettiere), ten-year-old Henry (Spencer Breslin), and five-year-old Sarah (Abigail Breslin). No one doubts that Helen is the coolest aunt in New York City, but what does this glamor girl know about raising kids? The fun begins as Helen goes through the transformation from super-hip to super-mom, but she quickly finds that dancing at 3a.m. doesn't mix with getting kids to school on time, advice that Helen's older sister, Jenny Portman (Joan Cusack), is only too quick to dish out. Along the way, Helen finds support in the most unusual place, with Dan Parker (John Corbett), the handsome young pastor and principal of the kids' new school, and realizes the choice she has to make is between the life she's always loved and the new loves of her life.

Peter Pan (Robin Williams) has grown up to be a cut-throat merger and acquisitions lawyer, and is married to Wendy's (Dame Maggie Smith's) granddaughter, Moira (Caroline Goodall). Captain James Hook (Dustin Hoffman) kidnaps his children, Jack (Charlie Korsmo) and Maggie (Amber Scott), and Peter returns to Neverland with Tinkerbell (Julia Roberts). With the help of her and the Lost Boys, he must remember how to be Peter Pan again in order to save his children by battling with Captain Hook once again.

Jason thought his inheritance was going to be the gift of money and lots of it. Was he ever in for a big surprise. Based on the best-selling book "The Ultimate Gift" by Jim Stovall, the story sends trust fund baby Jason Stevens on an improbable journey of discovery, having to answer the ultimate question: "What is the relationship between wealth and happiness?" Jason had a very simple relationship with his impossibly wealthy Grandfather, Howard "Red" Stevens. He hated him. No heart-to-heart talks, no warm fuzzies, just cold hard cash. So of course he figured that when Red died, the whole "reading of the will" thing would be another simple cash transaction, that his Grandfather's money would allow him to continue living in the lifestyle to which he had become accustomed. But what Red left him was anything but simple. Red instead devised a plan for Jason to experience a crash course on life. Twelve tasks, which Red calls "gifts," each challenging Jason in an improbable way, the accumulation of which would change him forever.

July, 1899: When Joseph Pulitzer and William Randolph Hearst raise the distribution price one-tenth of a cent per paper, ten cents per hundred, the newsboys, poor enough already, are outraged. Inspired by the strike put on by the trolley workers, Jack "Cowboy" Kelly (Christian Bale) organizes a newsboys' strike. With David Jacobs (David Moscow) as the brains of the new union, and Jack as the voice, the weak and oppressed found the strength to band together and challenge the powerful.

Set in Mississippi during the 1960s, Skeeter (Stone) is a southern society girl who returns from college determined to become a writer, but turns her friends' lives -- and a Mississippi town -- upside down when she decides to interview the black women who have spent their lives taking care of prominent southern families. Aibileen (Davis), Skeeter's best friend's housekeeper, is the first to open up -- to the dismay of her friends in the tight-knit black community. Despite Skeeter's life-long friendships hanging in the balance, she and Aibileen continue their collaboration and soon more women come forward to tell their stories -- and as it turns out, they have a lot to say. Along the way, unlikely friendships are forged and a new sisterhood emerges, but not before everyone in town has a thing or two to say themselves when they become unwittingly -- and unwillingly -- caught up in the changing times.

In the years after the Civil War, Jo March (Saoirse Ronan) lives in New York City and makes her living as a writer, while her sister Amy March (Florence Pugh) studies painting in Paris. Amy has a chance encounter with Theodore "Laurie" Laurence (Timothée Chalamet), a childhood crush who proposed to Jo, but was ultimately rejected. Their oldest sibling, Meg March (Emma Watson), is married to a schoolteacher, while shy sister Beth (Eliza Scanlen) develops a devastating illness that brings the family back together.

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