Lists

Picture of a movie: Mystery of the Wax Museum
Picture of a movie: Mark of the Vampire
Picture of a movie: Cosmic Journey
Picture of a movie: M
Picture of a movie: The Mask of Fu Manchu
Picture of a movie: Alice in Wonderland
Picture of a movie: Alice in Wonderland
Picture of a movie: The Old Dark House
Picture of a movie: Island of Lost Souls
Picture of a movie: Freaks
Picture of a movie: Vampyr
Picture of a movie: bride of frankenstein
Picture of a movie: Dr. Jekyll and Mr. Hyde
Picture of a movie: Frankenstein
Picture of a movie: Dracula
Picture of a movie: The Mummy

16 Movies

1930s films

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Black and white movies from the start of the talkie era in the 30s. Mostly into horror, but there's adventure/drama too. USED TO BE 30s-60s BUT I SEPARATED THEM.

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Picture of a movie: The Unknown
movies

The Unknown

1927
Alonzo is an armless knife thrower and gun shooter for a circus---or so he appears. He is actually a criminal with his arms intact. He and his accomplice, Cojo (a little person), are hiding from the police. Alonzo views his disguise as perfect, especially since it keeps from view an unusual deformity of his left hand that would immediately give him away as the criminal the police are searching for. Nanon, the daughter of Zanzi, the circus owner, is the target in his act. Although Alonzo is in love with her, Nanon's father despises him. Malabar, the circus strong man, is attracted to Nanon but she is repulsed by his uninhibited sexual advances and desire to touch and hold her. Her phobia extends to the touch of any man's hand. Alonzo feeds her fears in the hopes that Nanon will fall in love with him since he is "armless." Because Zanzi discovers Alonzo really has arms, Alonzo kills him, but Nanon witnesses the killing without seeing Alonzo's face; however, she does see the telltale deformity of his left hand. As Alonzo continues to plot to steal Nanon away from Mirabar, Cojo makes him realize that she will hate him once she discovers he has arms---and the deformity showing that he is her father's murderer. Alonzo decides to have both his arms amputated, which he succeeds in doing through blackmailing a surgeon. While Alonzo is away recuperating from the surgery, Nanon gets over her fear of being touched and falls completely in love with Mirabar. Discovering this upon his return, Alonzo hatches a scheme to kill Mirabar as he attempts his latest, most dangerous stunt.
Picture of a movie: London After Midnight
movies

London After Midnight

1927
When Roger Balfour is found shot dead in his London home, his death is declared a suicide by Inspector Burke of Scotland Yard, even though the executor of Balfour's estate, Sir James Hamlin, insists his friend never would have taken his own life. Five years later, the abandoned Balfour house comes to life again with the arrival of two sinister-looking tenants: a fiendish-looking man with pointed teeth, bulging eyes and a tall beaver hat, and a pale young woman in a long gown. The presence of the strangers prompts Sir James, who lives next door, to call in Inspector Burke again. Also living in the Hamlin household are the other people who were also present in Balfour's house the night he died: Sir James' nephew, Arthur Hibbs; the late Balfour's now-grown daughter, Lucille; and Williams, the butler. Burke expresses skepticism about Sir James' suspicions that the new neighbors might have been involved in Balfour's death, until strange things start happening: Balfour's body disappears from its tomb. The new maid, Smithson, tells a terrifying tale of being menaced in Lucille's bedroom by the stranger in the beaver hat. And a man spotted inside the Balfour house by Burke and Sir James looks distinctly like the late Roger Balfour. A skittish Arthur becomes convinced the neighbors are vampires. Burke takes Lucille aside, and tells her he doesn't believe her father committed suicide. He asks her to trust him. Burke also has a private talk with Arthur. Burke uses hypnosis to put Arthur into a trance, but learns nothing new about Balfour's death. That night, someone fires a shot into Arthur's room, but Arthur isn't there; instead, it's Burke who's slightly wounded. Lucille is abducted by the beaver-hatted man and the butler and brought to her former home. Sir James, acting at Burke's instruction, also shows up at the Balfour house; he's met out front by the beaver-hatted man, who puts him into a hypnotic trance. Arthur breaks into the Balfour house in an attempt to rescue Lucille; he's caught by Burke and a couple of detectives and locked away. It turns out the man with the beaver hat and pointed teeth was really a disguised Inspector Burke, who was aided at times by a double; Smithson, the maid, is an assistant detective; the mysterious young woman, a stage performer working for the police. Under Burke's hypnosis, Sir James re-creates his actions the night Roger Balfour died, with Lucille and the butler, Williams, playing themselves, and Burke's double playing the part of Balfour. It turns out Sir James shot and killed Balfour and made the death appear a suicide after Balfour rejected Sir James as a future husband for young Lucille. Sir James is brought out of his trance and arrested by Burke. The mystery of Balfour's death solved, Lucille and Arthur, who have come to realize how much they love each other, are now free to marry.
Picture of a movie: Cat People
movies

Cat People

1942
Serbian national Irena Dubrovna, a fashion sketch artist, has recently arrived in New York for work. The first person who she makes a personal connection with there is marine engineer Oliver Reed. The two fall in love and get married despite Irena's reservations, not about Oliver but about herself. She has always felt different than other people, but has never been sure why. She lives close to the zoo, and unlike many of her neighbors is comforted by the sounds of the big cats emanating from the zoo. And although many see it purely as an old wives' tale, she believes the story from her village of ancient residents being driven into witchcraft and evil doing, those who managed to survive by escaping into the mountains. After seeing her emotional pain, Oliver arranges for her to see a psychiatrist to understand why she believes what she does. In therapy, Dr. Judd, the psychiatrist, learns that she also believes, out of that villagers' tale, that she has descended from this evil - women who change into great cats like panthers in passion, anger or jealousy - and that she will turn into a such a dangerous big cat upon being kissed in turn killing her lover and others who have betrayed her. This belief is why she has resisted falling in love before she met Oliver. Learning this information from Irena, Oliver wants to do whatever needed to help her as does Dr. Judd. But Irena's beliefs may be tested when Oliver's friendship with a co-worker named Alice Moore may become more than just friends...