1900-1929: Silent Era

Extremely rare work of Robert Wiene. From the director and year of excellent "The Cabinet of Dr. Caligari" this work was eventually overshadowed by the success of Caligari. It has a dreamy atmosphere, like another world or something.

Balduin, a student of Prague, leaves his roystering companions in the beer garden, when he finds he has reached the end of his resources. He is scarcely seated in a quiet corner when a hideous, shriveled-up old man taps him upon the shoulder and whispers vaguely of a big inheritance for Prague's finest swordsman and wildest student if he will enter into a certain agreement. Balduin rebuffs him, satirically asking his weird companion to procure him "the luckiest ticket in a lottery or a doweried wife." The old man goes off chuckling and thence onward persistently shadows Balduin, exerting a sinister influence over him, while Balduin is still disconsolate under the frowns of fortune. The Countess Margit Schwarzenberg, hunting with her cousin, to whom her father has betrothed her, meets with an accident. She is thrown over her horse's head into a river, but Balduin, who has been directed to the spot by his evil genius, plunges in and rescues her. Subsequently Balduin calls to inquire as to her condition at the castle of her father, the count, but be makes a hurried departure when Baron Waldis arrives, the contrast in their appearance discrediting him. His desire to win the countess and to humiliate the baron becomes so pronounced that he readily accedes to the compact suggested by Scapinelli, the old man, who has so pertinaciously dogged his footsteps, particularly when he learns that untold wealth and power will be his when he assigns to the other the right to take from his room whatever he chooses for his own use as he desires. The agreement is signed. Balduin receives a shower of gold and notes as his portion; Scapinelli takes Balduin's soul exposed in concrete form by his shadow. Balduin prosecutes his love affair assiduously and with apparent success, till the baron is informed of it by a jealous gypsy girl. He challenges Balduin to a duel, and the latter, assured of his superiority as a fencer, readily agrees. Count Schwarzenberg learns of the impending duel and appeals to Balduin not to kill "my sister's child, my daughter's future husband, and my heir." Balduin gives his promise, but when he goes to the venue of the duel he meets, his own counterpart stalking away derisively wiping his gory sword on his cloak. Balduin turns and in the far distance sees the dying victim of the deed he swore he would not do. He rushes from the spot horror-stricken. When he regains sufficient composure he makes his way to the castle of the count, but is refused admission. Determined to explain that he had no complicity in the death of the baron, Balduin climbs into a room in which the countess is seated. She receives him coldly, but soon succumbs to his ardent wooing. Just as he seeks to leave her she notices he has no shadow and that the mirror gives no reflection of him; and she drops back affrighted, the ghastly apparition of himself which takes shape in the corner of the room sends Balduin scuttling away from the castle in a paroxysm of terror. He makes a frenzied flight through a woodland estate and the streets of Prague, but wherever he stops to recover his breath he is haunted by the counterpart of himself. He reaches his rooms and draws a murderous looking fire-arm from its case. As the phantasmagorical figure strides towards him with a sinister grin, he fires, and in a few minutes the blood gushes from his own side from a fatal wound.

Buster is playing golf with Sybil when he gets knocked out. An escaped prisoner changes clothes with him. Buster goes to prison and learns that he is to be hanged. He changes clothes with a guard just as prisoner Roberts attacks all the guards.

The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. It is the annual fair in Holstenwall. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep. When Alan asks Cesare about his future, Cesare answers that he will die before dawn. The next morning Alan is found dead. Francis suspects Cesare of being the murderer, and starts spying on him and Dr. Caligari. The following night Cesare is going to stab Jane in her bed, but softens when he sees the beautiful woman, and instead of committing another murder, he abducts her. Jane's father awakens because of the noise, and he and some servants follow the fleeing Cesare. When Cesare cannot outrun his pursuers anymore, he gently places Jane down on the ground, and runs away. Francis and the police investigate the caravan of Dr. Caligari, but the doctor succeeds in slipping away. Francis pursues the fleeing Dr. Caligari, and sees him disappear into a madhouse. Francis enters the madhouse, where he is sure he will find the truth behind all these mysterious events.

Through a series of mistaken identities Buster winds up with a load of furniture in the middle of parade of policemen. An anarchist's bomb lands in his carriage. After lighting his cigarette with it, he tosses it into the ranks of police. When it explodes the police chase him all over town.

Wisbourg, Germany based estate agent Knock dispatches his associate, Hutter, to Count Orlok's castle in Transylvania as the Count wants to purchase an isolated house in Wisbourg. They plan on selling him the one across the way from Hutter's own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter's trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter does manage to sell the Count the house, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in the daytime when the Count is unusually asleep. Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisbourg, causing death along his way, which most attribute to the plague. Hutter himself tries to rush home to save his town and most importantly save Ellen from Nosferatu's imminent arrival. In Wisbourg, Ellen can feel the impending darkness as Nosferatu gets closer. But she learns that a sinless woman can sacrifice herself to kill the vampire. Will Hutter be able to save Ellen either from Nosferatu and/or her self-sacrifice?

Allan Gray arrives late in the evening to a secluded riverside inn in the hamlet of Courtempierre. An old man enters his room, puts a sealed parcel on the table, blurts out that some woman mustn't die, and disappears. Gray senses in this a call for help. He puts the parcel in his pocket, and goes out. Eerie shadows lead him into an old house, where he encounters a weird village doctor. The doctor receives a bottle of poison from a strange, old woman. Through the window of an old castle Gray recognizes the old man from the inn. A shadow shoots the man, who drops dead. Inside the house Gray finds his two daughters, Gisèle and Léone, and some servants. He opens the parcel, and finds an old book about vampires. Léone is seriously ill after being bitten by a vampire. Instead of helping her, the village doctor places the bottle of poison at her bedside table, and then abducts her sister Gisèle. An old servant starts reading the old book, and finds out that the vampire in Courtempierre is a dead woman called Marguerite Chopin. He goes to the cemetery, opens her grave and strikes a thick iron stick through her body. The curse is broken, Léone recovers, Gray liberates Giséle.

Buster bids goodbye to Virginia and all women, sailing away in his "Cupid." Later, without food or water, he is taken on board "The Love Nest" which has a very mean captain. A crewman who spills coffee on the captain's hand is thrown overboard. So is anyone else who bothers the captain.

Out of work, Buster tries various ways to commit suicide. At last he tries "poison" from a bottle containing booze. The president of a sporting club speaks of the need for a sportsman to promote the club and drunken Buster gets the job for which he must learn fishing, hunting and riding.

The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look at the owner's pretty daughter, starts writing stories featuring the models, the daughter and himself. In the first, he is a baker, married to the girl, who is a little bit too much flirting with the customers, among them the wezir of sultan Harun Al-Rashid, who has just ordered his execution because the smell from the bakery is drifting to his palace, yet Harun Al-Rashid wants to meet the beautiful girl himself, while an angry baker is trying to get the Sultan's whishing ring to proof he's not a weakling... The second story is about Tzar Ivan the Terrible who likes watching people die together with his court-chemist. When he orders the execution of the chemist, the chemist thinks of a nice revanche, but till the revanche works, a nobleman is murdered, his daughter kidnapped by Ivan and her groom tortured. While writing the third story about Jack the Ripper, he falls asleep and dreams he and the girl are pursued by that serial killer.

After Siegfried's death Kriemhild marries Etzel (Atilla), the King of the Huns. She gives birth to a child, and invites her brothers for a feast. She tries to persuade Etzel and the other Huns, to kill Hagen, the murderer of Siegfried, but he is protected by her brothers. A fierce battle begins to force her brothers to give Hagen to her.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

Botany major Buster mistakenly graduates in electrical engineering and is hired to wire a new home. He installs lots of fanciful gadgets. The one who should have received the degree gets even by rewiring all the gadgets to wreak havoc.

A young man shows his millionaire grandfather a film based on Molière's Tartuffe, in order to expose the old man's hypocritical governess who covets his own inheritance.

Portraying more than twenty characters at once--including lively stage actors, an attentive audience, an orchestra, and an entire nine-member minstrel act--

Buster is thrown off a train near an amusement park. There he gets a job in a shooting gallery run by the Blinking Buzzards mob. Ordered to kill a businessman, he winds up protecting the man and his daughter by outfitting their home with trick devices.

Um Mitternacht steigen der Tod, der Teufel und eine Dirne aus ihren Bildern in einem Antiquariat und erzählen einander fünf Gruselgeschichten: 1. "Die Erscheinung": In einem Hotel verschwindet eine Frau spurlos. Die Hotelleitung wollte vertuschen, dass sie an der Pest gestorben ist. 2. "Die Hand": Die Hand eines Ermordeten verfolgt den Mörder aus dem Jenseits. 3. "Die schwarze Katze": Ein Mann bringt seine Frau um und mauert die Leiche im Keller ein, aber die ebenfalls eingemauerte Katze verrät ihn. 4. "Der Selbstmörder-Klub": Ein Polizeikommissar gerät in einen Geheimbund, in dem derjenige, der die Todeskarte zieht, sterben muss. 5. "Der Spuk": Durch einen inszenierten Spuk vertreibt ein Mann seinen Nebenbuhler. - Am Ende verschwinden die drei Erzähler, aber der Antiquar ist wahnsinnig geworden.