It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son that they are the "good people" who have fire in their hearts, which in combination largely means that they will not resort to cannibalism to survive. The man owns a pistol with two bullets remaining, which he will use for murder/suicide of him and his son if he feels that that is a better fate for them than life in the alternative. Food and fuel are for what everyone is looking. The man has taught his son to be suspect of everyone that they may meet, these strangers who, out of desperation, may not only try to steal what they have managed to scavenge for their own survival, but may kill them as food. Although life with his father in this world is all the boy has known, he may come to his own thoughts as to what it means holistically to be one of the good or one of the bad. Meanwhile, the man occasionally has thoughts to happier times with his wife/the boy's mother before the apocalypse, as well as not as happy times with her after the apocalypse and the reason she is no longer with them.

The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (

As ghastly witches prophesy that Macbeth, the Thane of Glamis, will soon become the King of Scotland, ambitious Lady Macbeth prompts her husband to act. So, to speed things up, conflicted Macbeth seizes the opportunity, and as blood stains his hands, the throne is his for the taking. However, murder is an unbearable burden, and before long, rabid paranoia blackens the conscience and imperils the sanity of the cursed couple. Now, only death awaits. Can a mere mortal escape fate?

East of Boulder Flats, deep into the vast and unforgiving white territory of the Wind River Indian Reservation, the seasoned game tracker, Cory Lambert, discovers the frozen body of the young Native American, Natalie. As this is a federal crime, the F.B.I. dispatches the inexperienced but courageous agent Jane Banner to lead the investigation, however, the unprepared outsider will soon team up with Cory to unravel the mystery of Natalie's murder. Before long, Cory will inevitably have to face his own past, while at the same time, both he and Jane are thirsting to see justice done. In the end, will this be a fruitful alliance?

An astronaut brings home a glowing green orb for his daughter. However, the green orb wipes him out and corners the girl for its purposes. Claiming to embody ultimate evil, the malevolent sphere, known as the Loc-Nar, terrorizes the little girl by showing a series of bizarre and fantastic stories it has influenced. The first is "Harry Canyon", a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Loc-Nar her archaeologist father found. The second is "Den", which chronicles the adventures of a nerdish teenager who is thrown into the fantasy world of Neverwhere, where he is transformed into a handsome muscleman, desired by beautiful women, who must get involved in a conflict revolving around possession of the Loc-Nar. The third is "Captain Sternn", where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that the Loc-Nar throws into chaos. The fourth is "B-17", where a World War II bomber plane limps home after a bombing run, only to have the Loc-Nar ram into it and revive the dead crew members as murderous zombies. The next is "So Beautiful, So Dangerous", where a voluptuous secretary at the Pentagon is abducted by stoned alien wastrels and an oversexed robot. The final story is "Taarna", where the Loc-Nar has to come to a future Earth and changes a peaceful people into a horde of murderous barbarians who rampage with genocidal zeal. Only the last Tarrakian, a silent warrior woman known as Taarna, can avenge the victims and stop the Loc-Nar.

1981 Canadian adult animated sci-fi-fantasy anthology film

The story begins in Egypt, where Master Shake, Frylock and Meatwad are being attacked by an oversize poodle, who kills Frylock before being destroyed by Shake. Shake and Meatwad drive off with Frylock's corpse, and meet Time Lincoln, who plans to revive Frylock; however, when the CIA break into his house, the Aqua Teens flee in his wooden rocket ship, and Time Lincoln is shot. This, however, is all revealed to be an elaborate story concocted by Shake to explain the ATHF's origin to Meatwad. Shake then explains to Meatwad that women are only attracted to great bodies, then heads off to work out on his new exercise machine, the Insane-O-Flex. Together, they go in search of a missing piece of an exercise machine that happens to be more than an exercise machine, placing them on a collision course with the likes of Oglethorpe and Emory, a pair of jagged, ridiculous creatures from the future who travel with a robot companion claiming to be the Ghost of Christmas Past. They also encounter Dr. Weird, a mad and evil scientist given to disguises and who seeks revenge against the Hunger Force; McPee Pants, a rapping spider who wears a shower cap and diaper; and the hilarious Ignignokt and Err, two-dimensional villains from the ancient days of Pokey, Atari video games.

Hank Hill, a propane gas salesman in the fictional town of Arlen, Texas, is often besieged by the idiosyncrasies of society, but finds some serenity in his home life with his wife, substitute Spanish teacher Peggy, his awkward son Bobby, and his live-in niece-in-law Luanne Platter. Adding flavor were Hank's friends, divorcé military barber Bill Dauterive, paranoid Dale Gribble (with an obsession with government conspiracy theories), and gibberish-spouting Boomhauer.

The Jetsons are a family living in the future. They have all manner of technological appliances to help around the house. George Jetson works at Spaceley's Sprockets, doing his best for his family.

SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early '80s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God's 'chosen ones' and their strict moral code means that Will has never been allowed to mix with the other 'worldlies,' listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will's mind is blown wide open and he's easily convinced to be the stuntman in Lee Carters' diabolical home movie. Will's imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to dreaming up elaborate schemes to keep his partnership with Lee Carter a secret from the Brethren community. Will and Carter's complete disregard for consequences and innocent ambition means that the process of making their film is a glorious roller-coaster that eventually leads to true friendship. They start to make a name for themselves at school as movie makers but when popularity descends on them in the form of the Pied Piper-esque French exchange student, Didier Revol, their unique friendship and their precious film are pushed, quite literally, to breaking point.

In present-day London, 12-year-old Quinn Abercromby witnesses the awakening of a hibernating dragon from a centuries-long slumber, the result of a construction dig supervised by his mother and an incident for which Quinn feels partially responsible. Twenty years later, the adult Quinn (Christian Bale) is the fire chief of a refortified castle community, responsible for dousing the blazes lit by the dragon's prodigious number of flame-spewing offspring, airborne juggernauts that have wreaked havoc across the globe, torching civilization and turning humans into an endangered species. Hope arrives in the form of Denton "Dragon Slayer" Van Zan (Matthew McConaughey), an American known to be the only man to ever kill one of the dragons, and Alex (Izabella Scorupco), a scientist/pilot who's a member of Van Zan's army, a zealous fighting force that includes a secret weapon: the Archangels, paratroopers using themselves as bait to attract and then dispatch the deadly beasts.

Heidi, a blond rock chick, DJs at a local radio station, and together with the two Hermans (Whitey and Munster) forms part of the "Big H Radio Team." A mysterious wooden box containing a vinyl record arrives for Heidi, a gift of the Lords. She assumes it's a rock band on a mission to spread their word. As Heidi and Whitey play the Lords' record, it starts to play backwards, and Heidi experiences a flashback to a past trauma. Later, Whitey plays the Lords' record, dubbing them the Lords of Salem, and to his surprise, the record plays normally and is a massive hit with his listeners. The arrival of another wooden box from the Lords presents the Big H team with free tickets, posters and records to host a gig in Salem. Soon, Heidi and her cohorts are far from the rock spectacle they're expecting. The original Lords of Salem are returning and they're out for blood.

A sheriff investigating the disappearance of a young girl from a small island discovers there's a larger mystery to solve among the island's secretive, neo-pagan community.

Max Renn is the President of Channel 83 Civic-TV, a small television station on the UHF dial. He defends his programming of largely X-rated shows - which depict graphic sex and extreme violence - as a pure matter of economic survival as a small station. Behind closed doors in specific company, he would admit that he enjoys such programming, but as President will stay away from associated activities that may be dangerous for him in its purchase. His current girlfriend, radio personality Nicki Brand, who he met on a television talk show, is sexually aroused by light mutilation on her person, that despite or because her radio show is like an open air crisis hotline. On that same talk show, the other guest via video feed was Professor Brian O'Blivion - solely his stage name - who believes that television and video broadcasts will one day overtake the world as reality, which may make Max's programming in combination more dangerous. In Max's search for the next big thing in like programming already on Channel 83, Harlan, his pirater who scans satellite signals, illegally obtains a satellite feed of something called Videodrome, which depicts continual sexualized torture and murder with no storyline of which to speak. The background behind Videodrome is unknown, but believing it is that big thing for which he is looking, Max is determined to find the producers so that he can purchase it for his station. He is concerned for Nicki if she goes ahead against his warnings in wanting to appear on Videodrome, however it does not lessen his desire to purchase it. If Max in turn does not heed the warning of Masha, one of his long time show suppliers, based on what little she discovers about it, Max may discover that Videodrome is just the next but destructive step in O'Blivion's prognostication.

After Lexi leaves home to visit Central LA, there's a terrorist attack involving chemical bombs. After the attack, her musician husband, Brad, fails to find her and reluctantly seals himself inside his house. He will have to deal with this decision in the days to come.

Against the backdrop of insufferable domestic ennui, the soft-spoken former saleswoman and newlywed housewife, Hunter, is struggling to stretch the bars of her gilded cage, a lavish and immaculate modernist villa in New York, even though she seems to have it all. But, more and more, as sad Hunter tries, unsuccessfully, to meet her controlling family's expectations, compliance turns into submission, obedience transforms into obsession, and pica, a compulsive eating disorder, starts to take over. Now, swallowing non-nutritive objects and engaging in increasingly impossible tasks becomes Hunter's dangerous newfound addiction, and there's no telling how far she'll go to maintain a false and fleeting sense of power. Who can save Hunter from herself?

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