Lists

Picture of a movie: Candyman
Picture of a movie: Children of Men
Picture of a TV show: The Equalizer
Picture of a movie: The Rock
Picture of a movie: Extreme Prejudice
Picture of a movie: The Bird with the Crystal Plumage
Picture of a movie: Ocean's Eleven
Picture of a movie: Mary Poppins
Picture of a movie: Hope and Glory
Picture of a movie: Pirates of the Caribbean: Dead Man's Chest
Picture of a movie: Elizabeth: The Golden Age
Picture of a movie: The War of the Gargantuas
Picture of a movie: The Road Warrior
Picture of a movie: Mad Max
Picture of a movie: Domino
Picture of a movie: Man on Fire

142 Movies, 4 Shows

From the Conversations of Tarantino and Edgar Wright

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All the references and recommendations from the Director’s Commentary of Hot Fuzz, as well as those from their conversation on the Empire Film Podcast

Inspired by this list

Picture of a movie: The Running Man
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The Running Man

1988
In the year 2019, the world economy has collapsed. The great freedoms of the United States are no longer, as the once great nation has sealed off its borders and become a militarized police state, censoring all film, art, literature, and communications. Even so, a small resistance force led by two revolutionaries manages to fight the oppression. With full control over the media, the government attempts to quell the nation's yearning for freedom by broadcasting a number of game shows on which convicted criminals fight for their lives. The most popular and sadistic of these programs is "The Running Man," hosted by Damon Killian. When a peaceful protest of starving citizens gathers in Bakersfield, California, a police officer named Ben Richards is ordered to fire on the crowd, which he refuses to do. Subdued by the other officers, the attack is carried out, and Richards is framed for the murder of almost a hundred unarmed civilians. Following a daring jail break months later, Richards is captured once again and forced to appear on "The Running Man" with three other convicts. With their help, he fights his way through a cadre of sadistic gladiators hunting them down through the ruins of a Los Angeles earthquake, but promising Killian that he'll return to settle the score when the show's host double-crosses him. In the meantime, the contestants must search through the ruins for the resistance in the hopes of finally broadcasting the truth about the government.
Picture of a movie: Close Encounters of the Third Kind
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Close Encounters of the Third Kind

1977
Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession both for Roy and Jillian is ratcheted up a notch when they begin to have a vision of a mound with vertical striations on its side as a key to what is going on. While the obsession negatively affects Roy's life as he knows it in its entirety, Jillian knows she has to find the answer as to its meaning, especially as it relates to her only child, three year old Barry Guiler, who may be more attuned to what is happening than the adult figures around him. These two stories have the potential to intersect if Roy and Jillian can discover where they've seen that mound before, and if they can overcome what they believe to be the lies perpetrated by those in authority in covering up what is going on.

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                  German films, 1962 - 1982, born out of the Oberhausen Manifesto. Disillusionment with post-War Germany, rejection of mainstream German cinema and art, socially critical. Would go on to influence Italian Neorealism, Nouvelle Vague, and British New Wave
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