2020 Film List

Finding himself down and out in Los Angeles, ex porn star Mikey Saber decides to crawl back to his hometown of Texas City, Texas, where his estranged wife and mother-in-law are living. Just as this dysfunctional family seems to be making things work, Mikey meets a young woman named Strawberry working the cash register at a local doughnut shop. He falls right back into his old habits.

John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father who is searching for a place to retire, their two very different worlds collide.

Following the economic collapse of a company town in rural Nevada, Fern (Frances McDormand) packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad. The third feature film from director Chloé Zhao, NOMADLAND features real nomads Linda May, Swankie and Bob Wells as Fern's mentors and comrades in her exploration through the vast landscape of the American West.

At a Jewish funeral service with her parents, a college student runs into her sugar daddy.

David desperately tries to keep his family of six together during a separation from his wife. They both agree to see other people but David struggles to grapple with his wife's new relationship.

From a screenplay by Shia LaBeouf, based on his own experiences, award-winning filmmaker Alma Har'el brings to life a young actor's stormy childhood and early adult years as he struggles to reconcile with his father through cinema and dreams. Fictionalizing his childhood's ascent to stardom, and subsequent adult crash-landing into rehab and recovery, Har'el casts Noah Jupe and Lucas Hedges as Otis Lort, navigating different stages in a frenetic career. LaBeouf takes on the daring and therapeutic challenge of playing a version of his own father, an ex-rodeo clown and a felon. Artist and musician FKA Twigs makes her feature-film debut, playing neighbor and kindred spirit to the younger Otis in their garden-court motel home. Har'el's feature narrative debut is a one-of-a-kind collaboration between filmmaker and subject, exploring art as medicine and imagination as hope.

Based on the bestselling memoir by J.D. Vance, HILLBILLY ELEGY is a modern exploration of the American Dream and three generations of an Appalachian family as told by its youngest member, a Yale Law student forced to return to his hometown.

Leda is a middle-aged divorcee devoted to her work as an English teacher and to her two children. When her daughters leave home to be with their father in Canada, Leda anticipates a period of loneliness and longing. Instead, slightly embarrassed by the sensation, she feels liberated, as if her life has become lighter, easier. She decides to take a holiday by the sea, in a small coastal town in Greece. But after a few days of calm and quiet, things take a menacing turn. Leda encounters a family whose brash presence proves unsettling, at times even threatening. When a small, seemingly meaningless event occurs, Leda is overwhelmed by memories of the difficult, unconventional choices she made as a mother and their consequences for herself and her family. The seemingly serene tale of a woman's pleasant rediscovery of herself soon becomes the story of a ferocious confrontation with an unsettled past.

Over the course of a decade, a young woman becomes increasingly dysfunctional due to undiagnosed mental illness, or perhaps to drugs, while her more stable friend sometimes tries to help, sometimes backs away to preserve herself.

Johnny is an emotionally stunted and softspoken radio journalist who travels the country interviewing a variety of kids about their thoughts concerning their world and their future. Then Johnny's saddled with caring for his young nephew Jesse. Jesse brings a new perspective and, as they travel from state to state, effectively turns the emotional tables on Johnny.

Martha and Sean are a Boston couple on the verge of parenthood whose lives change irrevocably when a home birth ends in unimaginable tragedy. Thus begins a yearlong odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother, along with the publicly vilified midwife, whom she must face in court. A deeply personal, searing, and ultimately transcendent story of a woman learning to live alongside her loss.

Follows one day in the life of Jane (Julia Garner), a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant's - making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered.

Jimmie Fails IV, a black man, is a third generation San Franciscan. Having been pushed out by circumstances like many others, Jimmie, who works a low paying job as a nurse in a seniors' care facility, returned to San Francisco three years ago and has been living in his best friend Montgomery Allen's house that he shares with his blind grandfather, Jimmie who sleeps on the floor in Mont's already cramped bedroom. Despite the house, Mont's situation is not much better than Jimmie's, Mont who works at a supermarket fish counter while he sketches and writes a play on the side. Other black people around him who are showing their anger in also being disenfranchised from San Francisco life are the soapbox preacher who Jimmie and Mont often watch as they wait for the bus, and a group of young black men who hang outside of Mont's house. All of Jimmie's family, who he rarely sees, are also disenfranchised from that San Francisco life in one way or another: his estranged father lives in an SRO; his mother and her new husband long moved to Los Angeles; and his paternal Auntie Wanda has been pushed out to the suburbs. Jimmie has long wanted to reclaim what he sees as his place in San Francisco, which to him means the house he grew up in and which his same named paternal grandfather built in the post-war era in a style indicative to the area a century earlier. The problems are that his father lost the house long ago, the neighborhood has since been gentrified from the immigrant neighborhood it once was, increasing the value of the house to the several millions, and a white couple currently lives there, there being no indication that they are either planning on leaving or selling even if Jimmie could afford it. Regardless, Jimmie, with Mont by his side, has and continues to take steps to reclaim the house as his to his standards.

Faced with the responsibility to take care of her addict, veteran father, headstrong teen Mickey Peck keeps her household afloat. When she has the opportunity to leave for good, she must choose between familial obligation and personal fulfillment.

Yearning to own a small patch of land and be more than a chicken sexer, the ambitious paterfamilias, Jacob Yi, relocates his Korean-American family: sceptical wife, Monica, and their children, David and Anne, from California to 1980s rural Arkansas, to start afresh and capture the elusive American Dream. However, new beginnings are always challenging, and to find out what is best for the family, let alone start a 50-acre farm to grow and sell Korean fruits and vegetables, is easier said than done. But, amid sincere promises, cultural unease, fleeting hopes, and the ever-present threat of financial disaster, Jacob is convinced that he has found their own slice of Eden in the rich, dark soil of Arkansas. Can grandma Soonja's humble but resilient minari help the Yi family figure out their place in the world?

A web designer for a nonprofit in Brooklyn, is ecstatic to be the surrogate and egg-donor for her best friend and his husband. Twelve weeks into the pregnancy, a prenatal test comes back with unexpected results that pose a moral dilemma.

Pushing thirty, and defined by a hideous crime involving her bosom friend, Nina, emotionally scarred medical school dropout, Cassie, knows firsthand that some wounds never heal. Leading an uneventful existence, still living with her parents, waiting tables at a cheap coffee shop to earn a living, Cassie has found the perfect way to deal with the painful past. Dressed to kill, at night, Cassie frequents the local bars and nightclubs, pretending to be dead-drunk, utterly helpless and vulnerable. And, every week, lethally beautiful Cassie is on the prowl for all sorts of nocturnal predators and other wolves in sheep's clothing, who are unaware that, sometimes, the hunter can become the prey. Then, Ryan, a kindly and caring old classmate who is the bee's knees, enters the picture, and just like that, Cassie wants out. However, everybody knows that breaking bad habits is easier said than done. Could Ryan be the one?

Thirty-four-year-old aimless server Bridget hasn't yet achieved her goal of becoming a respected writer. When casual relations with a younger 'nice guy' leads to an unexpected confrontation with potential motherhood, she manifests a job nannying a pint-sized spirit guide disguised as an obstinate six-year-old.