Watched

Connie Nikas forcibly removes his developmentally disabled brother Nick from a therapy session. The two rob a New York City bank for $65,000. In the getaway car, a dye pack explodes in a money bag, causing the driver to crash. Connie and Nick flee on foot, washing the dye from their clothes in a restaurant restroom. Stopped by police, Nick panics and runs; Nick is arrested while Connie escapes. Connie attempts to secure a bail bond, but needs $10,000 more to get Nick out of jail. He convinces his girlfriend, Corey, to pay with her mother's credit cards, but her mother cancels the cards. Connie learns that Nick has been hospitalized after a fight with an inmate.

The film, written and directed by Schrader, follows William Tell (Oscar Isaac), a gambler and former serviceman who sets out to reform a young man seeking revenge on a mutual enemy from their past. Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a retired military major. Tell sees a chance at redemption through his relationship with Cirk. Gaining backing from mysterious gambling financier La Linda, Tell takes Cirk with him on the road, going from casino to casino until the unlikely trio set their sights on winning the World Series of Poker in Las Vegas. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.

A 1950's housewife living with her husband in a utopian experimental community begins to worry that his glamorous company may be hiding disturbing secrets.

Under Wraps.

Decades after covering up his classmate's murder, Michael (Michael Greyeyes) has moved on from his reservation and fractured past. When a man who shares his violent secret seeks vengeance, Michael goes to great lengths to protect his new life with his wife (Kate Bosworth) and boss (Jesse Eisenberg) from the demons of his past.

In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

Defeated by unemployment and the ghosts of the past, Bill Baker, an unemployed oil-rig worker from Stillwater, Oklahoma, is on the ropes. However, convinced of his daughter's innocence, who has already served five long years of a nine-year prison sentence for the murder of her girlfriend, widowed Bill travels to the port city of Marseilles, France, to visit estranged Allison. Now, while confronted with an insurmountable language barrier, cross-cultural differences, and maddening legal complexity, Baker decides to take matters into his own hands to exonerate his only child after failing to get Allison's case re-opened. But, second chances are hard to come by. Can the sad-eyed father forge new bonds with his long-lost child, and in the process, let the truth shine?

Leonard (Mark Rylance), a master English tailor who's ended up in Chicago, operates a corner tailor shop with his assistant (Zoey Deutch) where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters. One night, two killers (Dylan O'Brien, Johnny Flynn) knock on his door in need of a favor - And Leonard is thrust onto the board in a deadly game of deception and murder.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

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Set in 1979, adult movie actors and a small film crew arrive to a farmhouse occupied by an elderly couple in the desolate Texas countryside to film an adult movie. As the day shifts to night, the visitors slowly realize that they are not safe, and are being targeted by a nearby enemy.

A young woman breaks out of rehab and hot wires a car so she can visit her sick mother, gets stuck with a group of people at a mountain rest stop during a blizzard. Things take a turn for the worse when the young woman discovers a kidnapped child in a car belonging to one of the people inside, putting the group in a terrifying life-or-death situation as they struggle to escape while trying to discover who among them is the kidnapper.

Margaret's life is in order. She is capable, disciplined, and successful. Everything is under control. That is, until David returns, carrying with him the horrors of Margaret's past.

On the trail of a missing girl, an ex-cop comes across a secretive group attempting to summon a terrifying supernatural entity.

As ghastly witches prophesy that Macbeth, the Thane of Glamis, will soon become the King of Scotland, ambitious Lady Macbeth prompts her husband to act. So, to speed things up, conflicted Macbeth seizes the opportunity, and as blood stains his hands, the throne is his for the taking. However, murder is an unbearable burden, and before long, rabid paranoia blackens the conscience and imperils the sanity of the cursed couple. Now, only death awaits. Can a mere mortal escape fate?

During the COVID-19 pandemic in Seattle, an agoraphobic tech worker discovers evidence of a violent crime while reviewing a data stream, and is met with resistance and bureaucracy when she tries reporting it to her company. To get involved, she realizes she must face her greatest fear by venturing out of her apartment and into the city streets, which are filled with protestors after the city council passes a law restricting the movements of the homeless population.

Pushing thirty, and defined by a hideous crime involving her bosom friend, Nina, emotionally scarred medical school dropout, Cassie, knows firsthand that some wounds never heal. Leading an uneventful existence, still living with her parents, waiting tables at a cheap coffee shop to earn a living, Cassie has found the perfect way to deal with the painful past. Dressed to kill, at night, Cassie frequents the local bars and nightclubs, pretending to be dead-drunk, utterly helpless and vulnerable. And, every week, lethally beautiful Cassie is on the prowl for all sorts of nocturnal predators and other wolves in sheep's clothing, who are unaware that, sometimes, the hunter can become the prey. Then, Ryan, a kindly and caring old classmate who is the bee's knees, enters the picture, and just like that, Cassie wants out. However, everybody knows that breaking bad habits is easier said than done. Could Ryan be the one?

Plot unknown. Sequel to the 2019 film 'Knives Out'.