In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, the setting of his famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

Few first novels have created as much popular excitement as The Pickwick Papers–-a comic masterpiece that catapulted its 24-year-old author to immediate fame. Readers were captivated by the adventures of the poet Snodgrass, the lover Tupman, the sportsman Winkle &amp;, above all, by that quintessentially English Quixote, Mr Pickwick, &amp; his cockney Sancho Panza, Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election, via the Fleet debtor’s prison, characters &amp; incidents sprang to life from Dickens’s pen, to form an enduringly popular work of ebullient humour &amp; literary invention.

Madmen see monsters – and monsters hide in plain sight From a basement office in London’s notorious Bethlehem Hospital, Sebastian Becker investigates wealthy eccentrics whose dubious mental health may render them unable to manage their own affairs. His interview with rich landowner Sir Owain Lancaster, whose sanity has been in question since a disastrous scientific adventure in the Amazon killed his family and colleagues, coincides with the disappearance of two young local girls. When the children are found slain, Lancaster claims that the same dark forces that devastated his family have followed him home. It is not the first time that children have come to harm in his rural countryside town, though few are willing to speak of incidents from the past. Becker must determine whether this mad nobleman is insane and a murderer, or if some even more sinister agency is at work.   Struggling on his small salary, and with unexpected help from a son who needs special care, Becker and his wife make sacrifices so Becker can stay on the case after an innocent man is convicted of the crime. The answers he seeks may be found with the assistance of the local investigator and a young suffragette who fled Arnmouth, but couldn’t flee the horrors she encountered there.    From dank asylums to the lush and treacherous Amazon, through the makeshift studios of the early film industry and a traveling fair of freaks and illusions, Sebastian Becker’s search for answers brings him face to face with madmen and monsters, both imagined and real. Confronting immense danger in his hunt for the truth, he will explore murder, tragedy, and the tempestuous depths of his own mind. 

We found a table. Nora said: "She's pretty.""If you like them like that."She grinned at me. "You got types?""Only you, darling - lanky brunettes with wicked jaws.""And how about the red-head you wandered off with at Quinns' last night?""That's silly," I said. "She just wanted to show me some French etchings.”\
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It is almost impossible for me to separate the book from the movies. When I decided to reread this classic that spawned six great movies, Nick Charles was of course William Powell, and Nora Charles was of course Myrna Loy. Those actors are forever Nick and Nora for me. The book is famous for the witty exchanges between Nora and Nick, but the book is somewhat overshadowed by the wonderful repartee between Powell and Loy over the course of the six movies. The scintillating, amusing conversations are punctuated by Loy’s uptilted nose and impish smile and Powell’s infectious grin as he takes pleasure in toying with his wife’s state of mind. We must not forget the Charles’s dog Asta. ”That afternoon I took Asta for a walk, explained to two people that she was a Schnauzer and not a cross between a Scottie and an Irish terrier….” The dog, Skippy, who was cast in the movie was a Wire Fox Terrier. I have a six month old Scottish Terrier, whose name is Astra after the state motto of Kansas, ad astra per aspera. Astra in Latin means stars. For those who know us and how much we love The Thin Man movies, they always assume that it is also a nod to Asta...and they would be right. Asta doesn’t provide the comic relief in the book that he does in the movie, but he is a presence for most of the book. There are usually some light hearted moments with Asta in every movie where they are chasing him around the room trying to retrieve a vital clue from between his jaws or other scenes where he is just doing something terminally adorable that brings a bit more lightheartedness to the script. Dashiell Hammett based the Charles’s off his own tempestuous on-again and off-again relationship with Lillian Hellman. From what I’ve read, he definitely must have focused on the sunnier side of the relationship because one of the most enjoyable things about this dynamic couple is their friendly, jocular interactions, highlighted with the rich overtones of how much they admire and like one another. Hellman and Hammett fought like Siamese Fighting Fish. The fights that Nick and Nora get into are playful, funny, and foreplay that provides Nick with an opportunity to grab Nora and plant a kiss on her that will shake her fillings. There really aren’t a lot of happy married couples in noir literature. Hardboiled mystery writers seem to focus on characters as singular individuals. They are usually divorced or single, and if they are married, they certainly aren’t happily married. Nick and Nora are best together, and as the investigation in the story moves forward, they seem a bit unmoored when they are apart. They drink heavily, mirroring the Hellman and Hammett relationship in that aspect. \
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”She sat on the sofa beside me. ‘Now out with it. If you skip a single word, I’ll---’‘I’d have to have a drink before I could do any talking.’She cursed me and brought me a drink.”Nick doesn’t want to investigate crime. He is perfectly happy spending his days drinking martinis and looking after Nora’s money, but Nora is obsessed with his previous life as a private investigator and certainly has a rosy, unrealistic view of the profession. So the way the stories go in the book and the movies is that invariably Nora drags Nick into an investigation. He reluctantly agrees to see what he can do, which is to cleverly solve the crime and wrap up the criminals for the bungling cops to haul off to jail. In this book, he is investigating the murder of a mistress of the mad scientist Clyde Wynant, and in the course of his investigation, he and Nora have to contend with the whole Wynant clan, each as loony as the next. The ex-wife Mimi is a real piece of work, a combination of curves and cunning. She tries to use both assets on Nick, and needless to say, things get out of hand. ”’Tell me something, Nick. Tell me the truth: when you were wrestling with Mimi, didn’t you have an erection?’‘Oh, a little.’She laughed and got up from the floor. ‘If you aren’t a disgusting old lecher,’ she said.”Did she just say erection? My, my goodness sakes, Nora. Do you kiss Nick with that mouth? Why yes, she does. \
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If you take a drink every time Nick orders an alcoholic beverage, you will be plowed by the time you get 30 pages into the book or thirty minutes into the movie. The heavy drinking in this book and the movies might be more than a hint to Dashiell Hammett’s own struggle with alcohol. It might also be the key to why he stuck with Hellman so long. She was a heavy drinker too, and as happens sometimes, couples bond over drinking. Their drinking escalates with dual encouragement, and they become caught in a cycle of maladaptive drinking. I certainly can feel jealous of Nick and Nora’s lifestyle. They can leave a city at the drop of the hat and go to any other city in the world. Money is not an issue, and time is something they have in abundance. They are about as free as two people can ever hope to be. Oh, and they are hopelessly, head over heels in love with one another. Freedom, plenty of money, and someone who loves us, what more could anyone wish for? I highly recommend the book and the movies paired with a few vodka martinis shaken not stirred. If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.comI also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten

First published in 1922, The Beautiful and the Damned followed Fitzgerald's impeccable debut, This Side of Paradise, thus securing his place in the tradition of great American novelists. Embellished with the author's lyrical prose, here is the story of Harvard-educated, aspiring aesthete Anthony Patch and his beautiful wife, Gloria. As they await the inheritance of his grandfather's fortune, their reckless marriage sways under the influence of alcohol and avarice. A devastating look at the nouveau riche, and the New York nightlife, as well as the ruinous effects of wild ambition, The Beautiful and the Damned achieved stature as one of Fitzgerald's most accomplished novels. Its distinction as a classic endures to this day. Pocket Book's Enriched Classics present the great works of world literature enhanced for the contemporary reader. Special features include critical perspectives, suggestions for further read, and a unique visual essay composed of period photographs that help bring every word to life.

A wealthy Pasadena widow with a mean streak, a missing daughter-in-law with a past, and a gold coin worth a small fortune—the elements don't quite add up until Marlowe discovers evidence of murder, rape, blackmail, and the worst kind of human exploitation.

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