Vera Chytilová films to see

The discovery of an abandoned child by two smugglers kicks into a gear a series of tragic, comic events.

A bittersweet comedy set just prior to 1984, during the era of 'practical socialism'. For political reasons, Bedrich Mára (

A small group of adult bourgeois friends are on a day outing in the country, that outing which includes having a picnic. While they are going for a walk after the picnic, they encounter a group of officious looking men who commandeer them to a small clearing. Although there is no direct threat and the picnickers are not scared, they nonetheless feel the need to do what the men say. The men, led by one called Rudolph, set the rules of "the game". Ultimately, the picnickers learn that Rudolph was supposed to invite them to a party nearby. Much like the game, the party's host sets the rules for the party to which the picnickers and all the other guests must abide. Order in the eyes of the host seems to be paramount. Although the picnickers and the other guests enjoy many aspects of the party, some just do not want to be there, such thinking which cannot be tolerated.

Francin (

Middle-aged Antonin and his friends, the major, now retired, and the canon, are in the river, swimming and philosophizing. Then it starts to rain. It just seems to be that sort of summer. Antonin runs the swimming bath with his portly wife Katherine... A man appears with his horse-drawn caravan. He lays a striped pole across the river and walks over. With a handstand and a magic trick, Ernie the Conjuror invites everyone to that evening's performance... Ernie is a tightrope walker of only modest skill, but with a slim and beautiful assistant, Anna. Antonin speaks to her. The two spend the night in the change room by the river, Antonin massaging her feet all night long. Katherine decides to move into the caravan with Ernie. But now the major and even the canon sense Anna's attractiveness...

Petr is 17 years old and starts work as a security worker against shoplifting in a busy self-service shop. His boss gives him pretty basic instructions, and Petr is pretty unsuccessful at work. He doesn't do much better at the dance hall either, and at home his bombastic father lectures him about how useless he is.

Set against the backdrop of a repressed Czechoslovakia, five non-related vignettes are presented, each showcasing the need and want for human connection. In "Mr. Baltazar's Death", a middle aged couple who are experts at mechanics, travel to a motorcycle race where they congregate with the masses on the section of the course where historically there has been the most action of the destructive kind. In "Imposters", two elderly hospital patients talk about their past professional glories as a journalist and light opera star respectively. Each man wants to hear about the other more than tell his own story for good reason. In "The House of Joy", two national insurance agents believe they have an easy sale when they visit an elderly goat farmer/amateur painter, who uses whatever surface as his canvass, and paints his life and his dreams. But the sale will not be as easy as the men first believe it will be. In "The Restaurant the World", a wedding reception is taking place in one part of a busy self-serve diner. The reception guests are oblivious to the sadness of real life taking place all around their small current vacuum of a world, with the bride determined to make the most of *her* night. And in "Romance", a working class lad, out on the town on his own, is mesmerized by a young Romani girl.

The volunteer fire department in a small town is having a big party when the ex-boss of the department celebrates his 86th birthday. The whole town is invited but things don't go as planned. Someone is stealing the prizes to the lottery and the candidates for the Miss Fire-Department beauty contest are neither willing nor particularly beautiful.

A factory producing agricultural machines is about to be thoroughly modernized. If he wants to keep his job, master craftsman Kroupa (

After realizing that all world is spoiled, blond Marie and brunette Marie are committed to be spoiled themselves. Their life motto is: Nothing is bad as long as you are having fun. They rip off older men, feast in lavish meals and do all kinds of mischief. But what is all this leading to?

Fate has been harsh to Standa but he took all the hard knocks without much fuzz. Being released from a prison, he believes everything would change for the better now. His former boss Zdenek owes him a considerable sum of money and Standa hopes it will help him to fulfil his dreams.

Bittersweet comedy from Ondrej Trojan - "Obcanský prukaz", based on book by Petr Sabach about four teenage boys, their friends, parents, lovers - from the moment when they are 15 to moment when they are 18. Story is set in 1970s, when is Czechoslovakia occupied by Russians.

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

In the flat of the retired opera singer Bílek there is a meeting of people wishing to exchange their flats. The "duodeca-exchange" is organized by a lawyer Radosta (

Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. It's a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants of Kersko (Kersko is a small woody area full of cottages and roods). These people are both simple and sensitive, they have their own pleasures (e.g. Leli is a collector of cheap, but inutile things) and the greatest delight of all of them is a hunting. Crude poetics of amateur hunting is screened by dreamy pictures of this area. Menzel mixes sentimental lyricism and rough (but not vulgar!) humor and the outcome is the never-ending landscape of continuous life in the proximate nearness of nature. The performances of actors are brilliant. Both Rudolf Hrusinsky as a Franz and Jaromír Hanzlik as a Leli have nonrecurring charm bottomed on a pain and inebriation. Only the music is not perfect: Jiri Sust usually assembled his film music from his older works and in this movie there is many quotations.

A poetic film about a dove getting lost on its way to Prague getting shot down by a paralyzed boy. An artist who finds the dove becomes friends with the boy. Together they take care of it bringing it back to recovery.

Stories about seven friends in a small Moravian village following the socialization of Czechoslovakia in 1948, developing gradually into the story of Frantiek, the resister. The film offers some direct political criticism, particularly of the process of collectivizing agriculture. After the 1968 Soviet invasion of Czechoslovakia, it was promptly banned.