Tearjerkers

Romania, 1987, the brutal Ceausescu communist regime is in place; birth control is illegal and abortion is a crime punishable by death. Gabita (Laura Vasliu) is almost five months into an unwanted pregnancy and in meek desperation turns to her friend and roommate, Otilia (Anamaria Marinca) for help in organizing an illegal termination. Unfortunate circumstances force the two women to use an unwanted male abortionist, Bebe (Vlad Ivanov). The bleakness of the storyline expresses a dark socio-political critique in the twilight years of a repressive dictatorship.

Jacob Pederson lives in shanty surroundings in Bombay, India, and assists in the running of Anand Orphanage and School. He had attempted a number of projects to assist orphans, including child prostitutes - all quite in vain. He has adopted a young male orphan, Pramod, and takes special care of him. With growing pressure on the facilities, which is on the verge bankruptcy, the orphanage receives an offer of funding from wealthy Danish citizen, Jörgen, which may put an end to its problems. In order to obtain the money, Jacob must travel to Copenhagen, meet with Jörgen, get financial assistance, and be back to celebrate Pramod's 8th birthday. He sets forth, is received by Christian Refner, an employee and future son-in-law of Jörgen. Jacob is shown all possible courtesy and even housed in a posh apartment. He subsequently meets with Jörgen, shows him video-tapes and submits that a few Kroner could really save several lives which would otherwise succumb to minor illnesses and infections. Jorgen views the videos, but does not display much interest. He invites Jacob to attend his daughter's wedding. Jacob does attend the ceremony, is introduced to Helene, Jorgen's wife; the bride, Anna; and Jorgen's twins - Martin and Morten. After the wedding ceremony, Christian makes a speech. Quite unconventionally, Anna also decides to make a speech - it is this speech that will shatter Jacob's world, slowly make him realize that this invitation to Copenhagen was a ploy to not only ensnare him but also prevent him from returning to India.

The fervent affair of the Italian Gemma and the American photographer Diego will be put to the test by the insurmountable problem of infertility, as the couple's desperate desire to conceive will prompt them to make difficult choices. Now, sixteen years after the 1992 siege of Sarajevo, Gemma--after accepting her old friend Gojko's invitation--will return to the once war-torn city accompanied by her 16-year-old son, Pietro, only to unearth powerful memories and bottled-up emotions. But, there, decades after her perilous escape, Gemma is also in for a terrible and tragic revelation--one that will uncover the true horrors of war and the full extent of her loss.

Homer is an orphan in remote St. Cloud, Maine. Never adopted, he becomes the favorite of orphanage Director Dr. Larch, who imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. When Wally and pregnant Candy visit the orphanage, Dr. Larch provides a medically safe, albeit illegal, abortion, Homer leaves with them to work on Wally's family apple farm. Wally goes off to war, leaving Homer and Candy alone together. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?

On a rainy night in 1933, the young, rebellious and provocative heiress of a French champagne magnate, Gilda Bessé, storms into the quiet life of the timid Oxford undergraduate, Guy Malyon, taking him by surprise. And before he knows it, Guy is love-smitten, and taken in the Parisian apartment of the now famous photographer, Gilda, living under the same roof with her muse and Spanish political idealist, Mia. However, as Spain gradually succumbs to the Nationalists, Mia and Guy's commitment to the cause of the Spanish Republic will threaten to break up their bohemian and almost idyllic coexistence. In the end, as

Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy. When he has learned to adjust his life to these new responsibilities, Joanna resurfaces and wants Billy back. Ted, however, refuses to give him up, so they go to court to fight for the custody of their son.

This Civil War saga addresses romance, friendship, and the ravages of war - both in the field and on the home front. Captures the horrors of war for both those fighting it, and for those left behind. This is a tale of hope, longing, redemption, second chances, and faith.

Still living under the same roof, the Moscow couple of Boris and Zhenya is in the terrible final stages of a bitter divorce. Under those circumstances, as both have already found new partners, the insults pour down like rain in this toxic familial battle zone, always pivoting around the irresolvable and urgent matter of Alyosha's custody, their 12-year-old only son. Unheard, unloved, and above all, unwanted, the introverted and unhappy boy feels that he is an intolerable burden, however, what his parents don't know is that he can hear every single word. As a result, when Boris and Zhenya finally realize that Alyosha has been missing for nearly two days, it is already too late. But is this a simple case of a runaway teenager?

Young artist Kurt Barnert (Tom Schilling) has fled to West Germany but continues to be tormented by the experiences of his childhood and youth in the Nazi years and during the GDR-regime. When he meets student Ellie (Paula Beer), he is convinced that he has met the love of his life and starts to create paintings that mirror not only his own fate, but also the traumas of an entire generation.

An international soccer star is on his way to sign a multimillion-dollar contract when a series of events unfold that bring his career to an abrupt end. A beautiful waitress, struggling to make it in New York City, discovers something about herself that she's unprepared for. In one irreversible moment, their lives are turned upside down... until a simple gesture of kindness brings them both together, turning an ordinary day to an unforgettable experience.

Almost forty years ago, a young girl of fourteen has sex, gets pregnant, and gives her baby up for adoption. Fast-forwarding to the present day, we meet three very different women, each of whom struggles to maintain control of their lives. There's Elizabeth, a smart and successful lawyer who uses her body to her advantage. Any time she feels that she doesn't have the upper hand, and cannot control the situation, she uses her sex appeal - whether that be starting a romance with her boss when she suspects he is trying to start one himself, or finding some way to control her overly friendly neighbor and husband. Karen, meanwhile, is a bitter health care professional who obviously has a lot of heart but never shows it. She gave up a daughter at the age of fourteen (wonderfully shown rather than told, she is the young girl and mother of Elizabeth), and has never gotten over it - her bitterness inspiring her to lash out at everyone around her - even the gentle man at work who is undeniably drawn to her. Finally, Lucy is a woman who has failed to conceive with her husband, so she turns to adoption to make the family she desires.

Malèna is about the peril of a beauty through the eyes of a 12 year old kid named Renato. He experiences three things on the same day, beginning of war, getting a bike and sees the arrival of Malèna in town. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed to be dead, and through his soul we see his love for her.

The path of Francesca Johnson's (Meryl Streep's) future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois State Fair in the summer of 1965, Robert Kincaid (Clint Eastwood) happens to turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic Magazine. She is reluctant seeing that he's a complete stranger, and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and all of the contents which produces a key to her hope chest in the bedroom which contained some of hers and Robert's things. The message they take from the diaries is to what you what you have to do to be happy in life. After learning that Robert Kincaid's cremated remains were scattered off Roseman Bridge and that their mother requested that she too be cremated and her ashes to be scattered off Roseman Bridge, the children must decide whether to honor their mother's final wishes or bury her alongside their father as the family had planned. Adapted from the novel by Robert James Waller, this is the story of a special love that happens just once in a lifetime, if you're lucky.

A drama set in Iran and centered on a man, Sahebjam, whose car breaks down in a remote village and enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose marriage had a tragic ending.

October 1944 in war torn Italy. Hana (Juliette Binoche), a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English, and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio (Willem Dafoe), part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely intact, and that he is running away from his past, in part, or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which was interrupted by the war. He may not be running from his work as a spy for the Germans as Caravaggio believes, but rather the memory of an affair he had with married Katharine Clifton (Dame Kristin Scott Thomas), the love of his life, and the memory of a promise not totally fulfilled. Hana may also test her theory of her fates with love and death as she embarks on a relationship of her own with Kip Singh (Naveen Andrews), a Sikh from India, whose unit has camped on the now overgrown lawn of the church. Their work entails sweeping for and diffusing mines, the discovery of one such mine which had earlier saved her life.

1989. Josey Aimes takes her two kids, Sammy and Karen, and leaves her abusive husband Wayne, to return to her northern Minnesota home town. On a chance meeting with her old friend Glory Dodge who works as a driver and union rep at the mine operated by Pearson Taconite and Steel, Josey decides to work at the mine as well, work that is dominated by men in number and in tone. She does so to be able to stand on her own two feet for the first time in her life, something she probably could not have done if she remained in a job washing hair at a beauty salon. Working at the mine does not sit well with her father, Hank Aimes, who also works at the mine and who, like the other male workers, believes she is taking a job away from a man. Hank has believed that all Josey's problems are of her own doing, ever since she, unmarried, had Sammy while she was still in high school. Josey has always stated that she does not know who Sammy's biological father is, which fosters Hank's attitude about her. Among Josey's coworkers is Bobby Sharp, who many believe is Sammy's biological father. Josey's evangelical mother, Alice Aimes, stands by her husband in their general belief of traditional roles of men and women. Josey and her fellow female mine workers are continually harassed, emotionally, physically and sexually by their male counterparts. Every seeming step forward in the issue Josey finds is only a measure to lull the women into a false sense of security, or to make the fall even harder. Unable to withstand the abuse, Josey decides to sue the company for sexual harassment. She does so with the help of Glory and her husband Kyle's friend, Bill White, an ex-New York lawyer who is facing his own emotional demons. They being able to get any corroboration is difficult as all Josey's male coworkers are standing together, and all the women fear retribution by the company and/or their male coworkers after the fact. Even Glory is facing her own issues which prevent her from being that strong union voice. Only a small grain of the truth coming to light may be what Josey and Bill need...

It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.

In 1951, Laura Brown (Julianne Moore), a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel "Mrs. Dalloway". Clarissa Vaughan (Meryl Streep), a modern woman living in present times is throwing a party for her friend Richard (Ed Harris), a famous author dying of A.I.D.S. These two stories are simultaneously linked to the work and life of Virginia Woolf (Nicole Kidman), who's writing the novel mentioned before.