LGBT+ good stuff

Life really sucks for a group of gay and lesbian teenagers living in Los Angeles. Their parents kicked them out, they're broke and bored, their lovers cheat on them, they're harassed by gay-bashers. If things are going to be this way, maybe suicide isn't a bad idea; at least not in the mind of Andy, our major protagonist, who gives the film its title by describing himself as "totally fucked up."

In this poignant gay cinema classic, the first film to address the AIDS pandemic, a New York City gay man in a monogamous relationship becomes a "buddy" or volunteer bedside companion to another gay man dying of AIDS. The last film directed by 70s and 80s gay film pioneer Arthur J. Bressan, Jr., who himself died of complications from AIDS just two years after the film was released in 1985.

An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same.

Eager to escape life with her depressive single father, 16-year-old athlete Cyd Loughlin visits her novelist aunt in Chicago over the summer. While there, she falls for a girl in the neighborhood, even as she and her aunt gently challenge each other in the realms of sex and spirit.

Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both men with their preferences, threatening the brotherhood of their social circle, and, eventually, changing their lives.

Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety. Inspried by Monica Arac de Nyeko's "Jambula Tree", which chronicles a story of two girls in love in Uganda, "Rafiki" challenges deep rooted cynicism about same sex relationships among actors, crew, friends, and family in Kenya.

When David, an ex-monk still in his twenties meets Mark, he falls hard; soon he's asked Mark if they can live together. Things go well for awhile, and then differences in their definition of "commitment" begin to push them apart. Mark wants other sexual adventures, David tries to go along. Can they talk through the crisis in their relationship or is a breakup in the offing? David sees his relationship with Mark as a marriage, so if it ends, can David's heart ever heal?

A New York love story that toes the line between narrative and doc with two actors reliving parts of their own experiences.

In Simon Amstell's affecting, bittersweet comedy, a rising young filmmaker is thrown into emotional turmoil by a burgeoning romance and the upcoming premiere of his second feature.

Falling in love in 1947, two women -- Pat Henschel and pro baseball player Terry Donahue -- begin a 65-year journey of love and overcoming prejudice.

HENRY GAMBLE'S BIRTHDAY PARTY takes place over the course of 24 hours, at the 17th birthday pool party of preacher's kid Henry Gamble. As Henry treads through various sexual possibilities, seeking to come into his own, so too do the adults and teenagers of the party, all struggling to navigate the public and private, and their longing, despite themselves and their faith, for earthly love.

Cheryl is young, Black, and lesbian, working in Philadelphia with her best friend Tamara and consumed by a film project: to make a video about her search for a Black actress from Philly who appeared in films in the 30s and was known as the Watermelon Woman. Following various leads, Cheryl discovers the Watermelon Woman's stage name and real name and surmises that the actress had a long affair with Martha Page, a White woman and one of Hollywood's few female directors. As she's discovering these things, Cheryl becomes involved with Diana, who's also White. The affair strains Cheryl's friendship with Tamara. More discoveries bring Cheryl (and us, her audience) to new realizations.

An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.

Canada, 1972. Dominic, 22 years-old, has a fetish - for himself. Nothing turns him on more than his reflection, with much of his time spent taking Polaroid selfies. When his loving grandmother dies, he discovers a deep family secret: his lesbian mother didn't die in childbirth and he has a twin brother, Daniel, raised in a remote monastery by a depraved priest, held captive against his will. The power of destiny bring back together the two beautiful, identical brothers, who, after being reunited with their mother Beatrice, are soon embroiled in a strange web of sex, revenge and redemption.

In 1968 New York City - when being gay was still considered to be best kept behind closed doors - a group of friends gather for a raucous birthday party hosted by Michael (Jim Parsons), a screenwriter who spends and drinks too much, in honor of the sharp-dressed and sharp-tongued Harold (Zachary Quinto). Other partygoers include Donald (Matt Bomer), Michael's former flame, now mired in self-analysis; Larry (Andrew Rannells), a randy commercial artist living with Hank (Tuc Watkins), a school teacher who has just left his wife; Bernard (Michael Benjamin Washington), a librarian tiptoeing around fraught codes of friendship alongside Emory (Robin de Jesús), a decorator who never holds back; and a guileless hustler (Charlie Carver) hired to be Harold's gift for the night. What begins as an evening of drinks and laughs gets upended when Alan (Brian Hutchison), Michael's straight-laced college roommate, shows up unexpectedly and each man is challenged to confront long-buried truths that threaten the foundation of the group's tight bond.

A daughter helps her father prepare for the end of his life.

FRAMING AGNES turns the talk show format inside out in response to media's ongoing fascination with trans people. The film breathes life into six previously unknown stories from the archives of the UCLA Gender Clinic in the 1950s.

A web designer for a nonprofit in Brooklyn, is ecstatic to be the surrogate and egg-donor for her best friend and his husband. Twelve weeks into the pregnancy, a prenatal test comes back with unexpected results that pose a moral dilemma.