Sam Ali, a Syrian young man, took refuge in Lebanon to flee the Syrian civil war. There, he meets Jeffrey Godefroi, a famous tattoo artist, who makes Mr Ali's back his canvas for a piece of work. Soon, Mr Ali becomes aliving work of art, worth an astronomical sum on the art market,l. Collectors are interested, auction goes up, human rights activists are outraged. Mr Ali must get out of the predicament he's in; the man who sold his skin.

When driving home from southern Tunisia, Fares and Meriem's car is hit by a stray bullet during an ambush by an armed group; their young son Aziz's liver is punctured. At a local hospital, the need for a transplant uncovers a secret that risks Aziz's life should a donor not be found in time. But this is only the beginning of the unexpected twists in a story so deftly crafted that it offers both a probing look at Tunisian society's anchored social and legal realities, and an unshakable need to ask yourself what you would do in the same situation. As their world falls apart, the subtleties of the couple's shifting emotions are handled masterfully, heralding

Hedi is a quiet young man following the path that has been traced out for him. Tunisia is changing, but Hedi doesn't expect much from the future and lets others make his big decisions for him. The same week his mother is preparing his marriage, his boss sends him to the seaside town of Mahdia to seek out new clients. At a crossroads, Hedi begins avoiding his professional duties and soon meets Rim, a free spirited globetrotter working as an activity leader at a local resort. Rim's lust for life quickly rubs off on Hedi and the two begin a passionate love affair. With preparations for the wedding in full swing back at home in Kairouan, Hedi is finally forced to make a choice for himself.

Summer, 1967. La Goulette, the touristic beach of Tunisia, is the site where three nice seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Riadh is about to retire from his work as a forklift operator at the port of Tunis. The life he shares with his wife Nazli revolves around their only son Sami, who is preparing for his high school exams. The boy's repeated migraine attacks are a cause of much worry to his parents. But when he finally seems to be getting better, Sami suddenly disappears.

During a student party, Mariam, a young Tunisian woman, meets the mysterious Youssef and leaves with him. A long night will begin, during which she'll have to fight for her rights and her dignity. But how can Justice be made when it lies on the side of the tormentors?

Yasmin, a Tunisian journalism student, and her two male friends set out on a university assignment to solve the cold case of Mongia, a woman found mutilated 20 years ago, now imprisoned in an asylum and suspected of witchcraft. As they pursue their investigation, the three friends stumble into the archaic and ominous world of Dachra, an isolated countryside compound filled with goats, silent women, mysterious drying meat and steaming pots. They are welcomed to stay overnight by the jovial yet menacing cult leader, but when Yasmin discovers Dachra's secrets, she must escape before she gets hurt.

5 days is the time left before the divorce between Noura (

A coming-of-age comedy/drama set in Tunisia. Twelve-year-old Noura is an impressionable boy who must learn to reconcile two conflicting worlds - the loving world of Muslim women and the vastly different, harsher world of men - while also dealing with his own budding sexuality.

Tunis, summer 2010, a few months before the Revolution: Farah, 18 years-old, has just graduated and her family already sees her as a future doctor. But she doesn't think the same way. She sings in a political rock band. She has a passion for life, gets drunk, discovers love and her city by night against the will of her mother Hayet, who knows Tunisia and its dangers too well.

Set in 1950s Tunisia, a 25-year-old woman, Alia, returns to her place of birth-a prince's palace in which her mother, Khedija, worked as a house servant and mistress of prince Sid' Ali. She had fled the palace ten years earlier, at which time she spent burying tortured memories of her childhood. In her visit to pay respects for the death of the prince, she wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and is re-awakened to her persistent questioning about her father's identity. As she negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have another abortion. Her development throughout the film contrasts her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty.

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