A mysterious, clever girl named Nanno transfers to different schools, exposing the lies and misdeeds of the students and faculty at every turn.

2018 Thai-language television anthology series

A small boy discovers a mystical power as a child, then is separated from his childhood girlfriend. He grows up to be an acclaimed novelist and also a computer scientist who hacks into the most secret national and international secrets. His childhood discovery gives him amazing paranormal powers. He is reunited with the childhood girlfriend, mystically, on his hospital deathbed--as his relationship with his current drug-addict girlfriend is deteriorating. As passions build among the threesome, mystical, psychiatric, and worldly forces rise to prevent him from revealing the hacked secrets. He attempts to reveal all in a large press conference in Washington, D.C. with 'fateful,' dangerous consequences.

Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.

A brilliant computer loner seizes Las Vegas and its terrorist attack, while fighting against his fits of clinical depression and obsession for romance and death.

Disappointed by its creation, the almighty being that created Man arrives on Earth in a human form and interacts with various troubled, wicked and sinful people on his journey to Vegas.

Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake's mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world. An exploration of regret, longing and the fragility of the human spirit, I'M THINKING OF ENDING THINGS is directed and written by Academy Award® winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind). Inspired by Iain Reid's bestselling namesake novel.

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

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