TV SHOWS Forever

Nash (Don Johnson) is a smart-alecky police inspector, who's seen fighting crime on the streets of San Francisco, California, while driving around in his screaming yellow 1970ish Plymouth Hemi Barracuda. He's the typical super-cop on the beat, who always wins in the end. Unfortunately, his personal relationships leave much to be desired. He has two ex-wives, a sixteen-year-old daughter needing a lot of supervision, and a father with Alzheimer's disease who keeps getting kicked out of retirement homes and dropping by to visit.

21 Jump Street is the headquarters for a squad of police officers who specialize in investigations relating to young people. Each of the Jump St. personnel was selected for their ability to pass for high school or college students, allowing them to operate undercover in areas where it is difficult for regular police officers to blend in unnoticed.

Lt. Theo Kojak is the main character in this popular television police drama. Kojak is a tough cop, but his trademark is a fondness for lollipops. Despite his difficult work, he tirelessly brings criminals to justice while staying upbeat and good-natured.

Television series about a wealthy mystery man who runs a detective agency via a speakerphone and his personal assistant, John Bosley. His detectives are three beautiful women, who end up in a variety of difficult situations. The cast changed substantially over the life of this show, as actresses left for various movie, television, and modelling deals.

Considered one of the most violent television series of its era, this show followed the adventures of Los Angeles, California private investigator Joe Mannix, who first worked for a detective agency known as Intertect, which relied heavily on computers and a large network of operatives. In the second season, Mannix opened his own agency, with police widow Peggy Fair working for him as his secretary. Each episode featured plenty of fistfights, car chases, and shoot-outs.

Quincy and Sam are working as Coroners. Inspecting dead people they often see facts that don't match the theories of the police how or if really they were murdered.

James Garner stars as the offbeat Jim Rockford, an ex-con-turned-private-investigator who would rather fish than fight but whose instinct on closed cases is more golden than his classic Pontiac Firebird. From his mobile home in Malibu, this wisecracking private eye takes you on the cases of the lost and the dispossessed, chasing down seemingly long-dead clues in the sun-baked streets and seamy alleys of Los Angeles.

Lilly Rush is a Philadelphia police detective working for the department's homicide squad and being assigned "cold cases": crimes that were committed many years before and have not been solved. Lilly must try to re-think the crime scenes and interview other people involved with the victims to find a link to solving the cases.

A one-hour drama inspired by David Simon's acclaimed non-fiction book "Homicide: A Year on the Killing Streets." It is at once a mundane yet compelling look in and around a Homicide unit of the Baltimore Police Department, a group of determined individuals who are committed to their grim job at hand.

Deputy Police Chief Brenda Leigh Johnson, formerly Atlanta police officer and CIA-trained interrogator, is given the opportunity to run her own division of elite officers of the Los Angeles Police Department. Her unusual procedure for obtaining confessions, blatant disregard for politics, and southern accent make her a marked woman. However, with all the bluster and bravado, she still maintains her title, The Closer.

He's smart, he's good looking, and he's got a great sense of humor. He's Dexter Morgan, everyone's favorite serial killer. As a Miami forensics expert, he spends his days solving crimes, and nights committing them. But Dexter lives by a strict code of honor that is both his saving grace and lifelong burden. Torn between his deadly compulsion and his desire for true happiness, Dexter is a man in profound conflict with the world and himself. Golden Globe winner Michael C. Hall stars in the hit SHOWTIME Original Series.

Television police drama starring two female cops as partners. Their contrasting personalities (one is tough and the other sensitive) strengthen them as a team, allowing each a different perspective on both personal and professional situations.

Robert McCall is "The Equalizer", a private detective with a lot of contacts who is available for hire if you have a problem that you don't know how to solve. His no-nonsense attitude, compassion, and experience with dealing with a wide variety of situations makes him a powerful and useful detective.

Brilliant LAPD detective Charlie Crews has survived the extreme abuse befalling an innocent cop in prison, and was exonerated for the murders and released after 12 years of hell in jail. He could retire on his settlement, but chooses to resume police work. Nevertheless, the grim experience has made him more philosophical and tempted to put justice - especially for the innocent - above chasing the presumably guilty and legally by-the-book, as his new partner Dani Reese must experience and learn to cope with.

Thomas Sullivan Magnum IV (Tom Selleck) is an ex-Navy "NIA" (ONI) Lieutenant, and Vietnam Special Ops veteran who resigned his commission at age thirty-three because he never got to be twenty-three. On the beautiful Hawaiian islands, Magnum is a P.I. who enjoys life, his buddies, and who works just hard enough to keep it real.

Private eye Laura Holt grudgingly accepts a new partner when a mystery man assumes the identity of her fictitious boss, Remington Steele. Together, the two battle crime as their feelings for each other.

After the unsolved murder of his wife, Trudy, Adrian Monk develops obsessive-compulsive disorder, which includes his terror of germs and contamination. His condition costs him his job as a prominent homicide detective in the San Francisco Police Department, but he continues to solve crimes with the help of his assistant and his former boss.

Filmed on location in New York, the drama showcases the sometimes-complex process of determining guilt or innocence, while lives hang in the balance. Often inspired by the latest headlines, the plots highlight legal, ethical or personal dilemmas to which people can relate.