Lists

Picture of a book: Dune
Picture of a book: Fight Club
Picture of a book: Lord of the Flies
Picture of a book: The Alchemist
Picture of a book: The Curious Incident of the Dog in the Night-Time
Picture of a book: The Virgin Suicides
Picture of a book: American Psycho
Picture of a book: The Dark Tower
Picture of a book: The Shining
Picture of a book: 3001: The Final Odyssey
Picture of a book: Ready Player One
Picture of a book: Hyperion
Picture of a book: The Martian
Picture of a book: 2061: Odyssey Three
Picture of a book: Starship Troopers
Picture of a book: The Hitch Hiker's Guide to the Galaxy: A Trilogy in Five Parts

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Fight Club

Chuck Palahniuk
You do not talk about Fight Club, but...Upon winning the Oregon Book Award for best novel and the Pacific Northwest Booksellers Association Award, Chuck Palahniuk’s visionary debut novel, Fight Club, was shot to the veins of mainstream fiction. Following the success of its 1999 film adaptation directed by David Fincher, Fight Club gained cult classic status and has become a disturbingly accurate interpretation of our modern world.The unnamed male narrator, suffering from a long streak of insomnia, finds cure by attending cancer support groups. But when Marla Singer—a sallow, heavy-smoking nihilist—enters the evening meetings and mirrors his own fraud, his insomnia returns, so he confronts Singer to split schedules with him.On the night when his condominium mysteriously blows up, he calls Tyler Durden, whom he had previously met—under strange circumstances—on a beach. They agree to meet at a bar, where, after drinking, Durden asks him a favor, “I want you to hit me as hard as you can.” The narrator swings the punch that cradled Fight Club into the world. Shortly, a multitude of men with white-collar jobs join them. Every weekend, in the parking lots and basements of bars, they hold these late-hour no-holds-barred-and-barefisted fights that “go on as long as they have to.”These one-on-one melees curiously evoke psychotherapeutic effects—resembling that of enlightenment—within the men: they are reborn from their entombed lives.Fight Club soon evolves into Project Mayhem, an anarchic army led by Durden, who seeks to fulfill his visions of global enlightenment through organized chaos, public unrest, and demolition.Fight Club is a social satire on the dehumanizing effects of consumerism: alienation brought by chronic materialism, illusory comforts, overindulgence, and career and lifestyle obsessions fueled by advertising. “The modern world is for business—not for the people,” as what the great psychoanalyst Carl Jung said.“It’s only after you’ve lost everything that you’re free to do anything.” Skillfully fusing Zen elements with Durden’s extremist ideologies, Palahniuk has written a provocative expression of metaphysical rebellion. The collective revolt against the existential vacuum is Durden’s nucleus and what draws men toward him.Fight Club’s noir ambience and the solid economy of its prose are reminiscent of Albert Camus’s The Stranger, but with the sharp nonlinear narration executing its plot; inheriting Kurt Vonnegut’s dark humor, Chuck Palahniuk is among today’s distinct and intriguing voices.
Picture of a book: The Hitch Hiker's Guide to the Galaxy: A Trilogy in Five Parts
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The Hitch Hiker's Guide to the Galaxy: A Trilogy in Five Parts

Douglas Adams
* The Hitchhiker's Guide to the Galaxy* The Restaurant at the End of the Universe* Life, the Universe and Everything* So Long, and Thanks for all the Fish* Mostly HarmlessSuppose a good friend calmly told you over a round of drinks that the world was about to end? And suppose your friend went on to confess that he wasn't from around here at all, but rather from a small planet near Betelgeuse? And what if the world really did come to an end, but instead of being blown away, you found yourself hitching a ride on a spaceship with your buddy as a travelling companion?It happens to Arthur Dent.An ordinary guy from a small town in England, Arthur is one lucky sonofagun: his alien friend, Ford Prefect, is in fact a roving researcher for the universally bestselling Hitchhiker's Guide to the Galaxy ... and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

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Picture of a book: Slaughterhouse-Five
books

Slaughterhouse-Five

Kurt Vonnegut Jr.
There are some terrible reviews of SH5 floating around Goodreads, but one particularly awful sentiment is that Slaughterhouse-Five isn't anti-war.This is usually based on the following quote. "It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden."I know," said Billy."That's war.""I know. I'm not complaining""It must have been hell on the ground.""It was," said Billy Pilgrim."Pity the men who had to do it.""I do.""You must have had mixed feelings, there on the ground.""It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."For context, Mr. Rumfoord is an old military historian described as "hateful and cruel" who wants to see weaklings like Billy exterminated.On Tralfamadore, Billy was introduced to the revelation that all things happen exactly as they do, and that they will always happen that way, and that they will never happen any other way. Meaning, time is all at once. The aliens, incidentally, admit to destroying the universe in a comical accident fated far into the future, and they're very sorry, but so it goes. <- passive acceptanceThe entire story up to this point has been about Billy, buffeted like a powerless pathetic leaf in a storm, pushed this way and that by forces entirely outside his tiny purview. He lays catatonically in a hospital bed after the plane crash and the death of his wife, and all the time traveling back and forth from Dresden where toddlers and families and old grannies and anti-war civilians were burned alive in a carefully organized inferno (so it goes), and Billy is about ready to agree to absolutely anything. It can't be prevented. It can't be helped.You're powerless, after a while. What hope have we, or anyone caught in the middle of a war, or even the poor soldiers who are nothing but pawns and children (hence the children's crusade), to influence these gigantic, global events? Therefore, Billy agrees with the hateful, the cruel Mr. Rumfoord, who is revising his military history of WWII, having previously forgotten to mention the Dresden bombing. Women and children, not evaporated instantly, but melted slowly by chemicals and liquid flame, their leftovers, according to Billy, lying in the street like blackened logs, or in piles of families who died together in their little homes. Incidentally, how can anything be pro-war or anti-war? Because being anti-war is a bit like being anti-conflict, anti-death, and anti-suffering. Is there a book that's pro these things? Is there a book that touches on the subject of war and is not against it?We don't support wars, though we are sometimes forced to accept them. Anyone who thinks that the bombing of Dresden was necessary is delusional.It's like saying, "yo, look how they bombed these innocents - that shit was wrong! Let's go bomb some innocents, too."That's the sad truth of it.
Picture of a book: Do Androids Dream of Electric Sheep?
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Do Androids Dream of Electric Sheep?

Philip K. Dick
I could say that I love Dick, but that would be weird. I do very much enjoy Philip K. Dick's writing and though this is not one of his best, the "Pizza and Sex Rule" applies to him; ie. just as even bad pizza and / or sex is still pretty good, bad PKD is as well. And this is not bad at all. The first mistake that a new reader would make is to watch Blade Runner and expect a novelization of that film; it was LOOSELY based upon the book. I'm a big fan of the Ridley Scott film starring Harrison Ford and Rutger Hauer, but the movie diverged from Phillip K. Dick's literature early on. The book is far more bleak than the film, if you can believe that, and much more intricate and complicated. Blade Runner benefits from a simplified storyline. The author was far ahead of his time both in the complexity of his story and the perspective from which he writes. There are elements of Brave New World, I, Robot, and Dune; but the author has a unique voice and the story is an original. It is not an excellent work, as there are gaps and inconsistencies and many loose ends that are never tied in, but the concept and provocation are superb.One element of the book that was completely left out of the film was a sub-plot involving a Christ-like messiah and a faith system based upon what could have been a hoax. First published in 1968, this was one of his more theological based novels, and a trend that would continue steadily becoming more frequent and invasive until the end of his writing.A MUST read for PKD fans as well as SF/F fans period.
Picture of a book: Stranger in a Strange Land
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Stranger in a Strange Land

Robert A. Heinlein
Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high expectations for human achievement. Events are set in an undisclosed future but the older characters seem to remember the first moon landing, so I wouldn't be surprised if Heinlein was thinking of it being set around about now. With a mix of very daggy technology like "stereo tanks" (TVs) and large, clumsy listening devices, alongside hover crafts and spaceships to Mars, the scope of the setting is hampered by a 50s' imagination. Stranger in a Strange Land is about Michael "Mike" Smith, the "Man from Mars", offspring of two of scientists on board the original mission to Mars, who was raised by Martians. He is more Martian than human, especially in his thinking and outlook and philosophy, when he is brought back to Earth. Heir to a shitload of money care of his parents' heritage, it's unsurprising that the bigshots on Earth are wanting to keep him locked up tight. A nurse at the hospital where he is first kept, Jill, offers him a glass of water and in that one action becomes a "water brother" - the highest accolade for Mike. She rescues him from the politicians with the help of her journalist friend Ben and takes him to the home of a grumpy, reclusive man, Dr Jubal Harshaw, who lives with three young women who serve as secretaries - Anne, Miriam and Dorcas - and two men who take care of the property - Duke and Larry. Mike's particular talents slowly reveal: he can vanish things, including people, if he recognises there is a "wrongness" in them; he can withdraw from his own body and shut down his body so there is no heartbeat; he can teleport and think telepathically; he can absorb books in minutes and regulate his own body, making it muscular and mature at will; and so on. All of this can be done with understanding of the Martian language, which Jill starts to learn. He's completely ignorant of human ways, of human concepts - things like jealousy, possessiveness etc. are all alien to him. He doesn't understand religions and he has never laughed.After months on the road with just Jill, learning and "grokking", he finally knows why humans laugh and how to do it himself, and gets the human condition. It leads him to start his own "church", though it's more of a way of life open to people of all religious denominations, with free love and open mindedness, and abilities gained through mastery of the Martian language. With Mike set up as a new Messiah, a prophet, there's only one logical conclusion for this story.As a story, Stranger in a Strange Land is enjoyable and original. Yet, as a story, it's also bogged down with sermons, with Heinlein's opinions, and a very out-of-date mentality. It reads very 60s and 70s, though it was written before then. Not as far-sighted as it would like to be! It's especially noticeable in the relations between men and women, which have that faintly liberated tinge that's all really lip service, and a great deal of sexist language. Which is ironic, really, considering Mike's free love cult. There's also an affectionate insult for a Muslim character who's nicknamed "Stinky" that I couldn't help but be offended by.It does make it hard to read, though, when you come across lines like this, as spoken by Jill very matter-of-factly: "Nine times out of ten, if a girl gets raped, it's partly her fault." (p304) While today the statistics are more like "nine of ten times, a woman's rapist is someone she knows", the idea that it's "partly her fault" is still considered true by way too many people. To hear this come out of Jill's mouth makes it especially awful.Another example is Jubal saying: "Pipe down, Anne. Close your mouth, Dorcas. This is not a time when women have the vote." (p382) Granted, they ignored him and did what they wanted anyway, but there're a lot of these flippant, dismissive remarks all through the book. Product of its times, sure: just not at all futuristic.Then we come to the proselytizing, which the book is rife with. Today, reading this book, the opinions shared are very "yes, so?" - old hat, in other words. Though it is fun to read the rants, the set-up is cringe-worthy. Jubal is the main lecturer, and the characters around him serve as props. There are a great many "Huh?"s from educated and knowledgeable people so that Jubal can share his abundant wisdom. One "huh?" is okay, but when each long paragraph of Jubal is responded to with a "huh?" it gets a bit silly. Frankly, it's bad writing. It reminded me somewhat of The Da Vinci Code, which also uses characters to expound the author's theories on religion etc. at great length. While these things did at times make it harder to read the book, essentially the book is easy to read and often quite fun too. Jubal's sermons (and when Jubal isn't around, other characters fill the role, like Ben and Sam) can be a bit heavy-handed and obvious but a lot of it I agree with, so it wasn't rubbing me up the wrong way. Mike is a challenging character to write, because in order to write a naive, ignorant character to this extent, you need to be incredibly self-aware. Heinlein has fairly good success here, and Mike's growth, maturation, development and resolutions fit the character and work. He has charisma and is definitely intriguing; yet because he lacks the human flaws, he's also somewhat unapproachable and alien: a good balance to achieve.
Picture of a book: World War Z: An Oral History of the Zombie War
books

World War Z: An Oral History of the Zombie War

Max Brooks
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.